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Hip Hop And Cultural Analysis

680 Words3 Pages

When attending to music, two common themes tend to emerge – challenging societal norms and expressing life experiences. Hip hop, a musical genre commonly associated with people of African descent, subsists more than a form of music; hip hop reflects not only music, but cultures, language, fashions, and style. Upholding a distinct purpose to each individual, the hip hop genre reflects subjective pain and resentment, illustrated through personal expression. When considering hip hop’s reputation, it stands analytical to distinguish how music reflects the hybridity of cultures throughout the African diaspora and is evidenced through the Seattle Fandango Project and the artists in Seattle 's East African community. As discussed in Seattle’s East …show more content…

While the generalized art form and purpose rest identical throughout societies, hip hop breeds a slightly altered presence, depending on the surrounding cultural challenges. For some individuals, such as Gabriel Teodros, hip hop sanctioned as a safe haven for alienated youth, who do not feel that they fit into societal expectations. To others, hip hop may exist as the opportunity to express concealed emotion, to fight back against societal discrimination, or merely to demonstrate their culture. As clarified, hip hop reflects a “literal level of travel,” meaning that while hip hop plainly travels from nation to nation, influencing diverse cultures and individuals, it retains a unique purpose (Macklin, 2013). Despite the hybridity of cultures, hip hop sanctions for individuals and a community to extend together, finding guidance and support in one another. As Teodros detailed, “Hip hop made me feel like I wasn’t alone - that I wasn’t crazy” (Macklin, 2013). Hip hop sanctions individual, who commonly experience discrimination and stigma, to uncover correspondence and strength in their …show more content…

Music builds bridges across communities through constructing a sense of companionship, trust, and relatedness. The music experience disregards predisposition, labels, and stereotypes to converge on the community. By disregarding personal differences, music sanctions as a connection between the past and the present, bringing all individuals together. As discussed in the Seattle Fandango Project, music empowers individuals, not only on an individual level, but also through the ways in which these individuals pertain to a community. Through the community, musical expression raises awareness about African roots of respective musical genres by generating events that span across generations. This awareness about African roots demonstrates how dissimilar music genres flow together in society. When exploring for African roots, individuals use music to interpret how hip hop altered over time, through the impressions of other music genres, such as the collaboration of jazz and hip hop. Not necessarily how one genre manipulated another, but rather how the collaboration of two musical genres constructs a fresh, unique style of music. It subsists as the mixing of musical styles that demonstrates the respective musical genres. Hip hop does not reside as a confined musical style, but rather as a style with variation.

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Hip Hop Planet Summary

223 Words | 1 Pages

According to the passage, Hip Hop " is not just for working-class whites, but also affluent, suburban kids who identify with this music with African-American roots. " What once originated as a way to express the pain and deprivation felt

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Rhetorical Analysis Of American Writer And Musician By James Mcbride

429 Words | 2 Pages

American Writer and Musician, James McBride has written multiple books and has voiced his opinions in magazines as well as newspapers. In this particular essay, which appeared in National Geographic in 2007, he talks about how hip-hop has influenced the world and how he realized that he has missed an important part of his life. There are many rhetorics used in this essay, -“Irony, Metaphors, Hyperbole and Allusions. ”- are some of the more notable ones. While talking about his biggest nightmare, a feeling of disjoint comes into his mind, “It is no longer…hip-hop planet.”

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Relationship Between Hip-Hop And Indigenous People

213 Words | 1 Pages

In this particular article, Ivan Fernandez discusses the unique connection between hip-hop and indigenous people. In the past few years, many more indigenous music artists have begun to voice out their stories of oppression and their traditions that have been suppressed for such a long time through hip-hop. This is because hip-hop is utilized as a medium for indigenous artists to take back their culture and tradition. This is connected to the historical material that we have studied because it pertains to the history and background of hip hop. Hip-hop and its culture originated in the rough neighborhoods in South Bronx.

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Analysis Of Hip-Hop Planet By James Mcbride

847 Words | 4 Pages

This music that once made visible the inner culture of America’s greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, 3). McBride reveals how hip-hop talks about a nation’s social issues and makes people aware of them. This demonstrates that hip-hop is powerful because it educates people on both past and current issues that their nation has faced. Finally, hip-hop is stimulating and commanding because even though it has evolved, it still urges people to put an end to racial

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Hip Hop Planet James Mcbride Summary

160 Words | 1 Pages

The article “Hip Hop Planet” by James McBride is about how hip hop is not his favorite type of music but, it needs to be heard. McBride shows us this by explaining that he avoided hip hop most of his life. In the article McBride says that he basically ignored “the most important cultural event in my lifetime.” James informs us that hip hop has influenced the world globally and that it has become a phenomenon. Furthermore, McBride made clear that he eventually realized that hip hop is much more than just music, it has a message.

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Summary Of Hip Hop Education And Polycentricity By Julia Snell

319 Words | 2 Pages

In “Hip Hop, Education and Polycentricity”, author Julia Snell describes the case study done by her and her research team that focuses on the way a group of adolescents appropriate hip hop practices in positioning them as educationally ambitious (246). Snell says that it is often argued that problems faced by minority children are motivated and sometimes caused by “cultural differences, linguistic deficiencies, lack of educational aspirations, and reluctance to accept mainstream society’s value-aspirations”, but globalization tends to complicate these assumptions (247). She later argues that in order to gain a better understanding of the “topical and linguistic development” in the hip hop music, the researchers needed to ask the participants

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Color Blind Ideology Summary

343 Words | 2 Pages

This article focuses on the color-blind ideology that allows white people to participate in and appropriate hip-hop culture. Rodriquez notes that they do so by using the guise of inclusivity of all races to justify their participation in hip hop and to adapt characteristics of the culture without respecting Black identity. He uses his own interviews of several white audience members of hip hop concerts who identified as participants of hip hop culture. Rodriquez identifies two groups resulting from social collectivity to reinforce his argument: consciously collective white groups, who actively reinforce racial segregation and passively collective white groups, who unknowingly unite and reinforce systematic racism through their adherence to color-blind ideology. The participants of his research are part of the latter, who unconsciously reinforce systematic racism through treating cultural objects, namely aspects of hip hop culture, as shareable products and experiences.

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Summary Of The Film 'Beyond Beats And Rhymes'

392 Words | 2 Pages

“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.

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147 Words | 1 Pages

Nyama and nommo are paramount in how hip hop evokes emotion and imagery and allows the transmission and distribution of cultural history through lyrical media. Nyama, being the metaphorical power with supreme ability to change societal or communal mindsets and disposition, is able to shift a community’s direction, depending on the content and message depicted through its music. Nommo, being the “power of the word” (Keyes 17) is how hip hop is able to “permeate speech and oral performance… [and] generate the energy...to deal with life’s twists and turns” (Keyes 17), something that hip hop does through the extraction of emotion, relatable life events, and rhythm. In regards to its influence, the prevalence of the chaos and gangsta-driven era,

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Hip Hop Planet Speech

1186 Words | 5 Pages

Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.

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Hip Hop Culture Analysis

1882 Words | 8 Pages

Some of the main cores of Beat Street are the music, dancing, and graffiti art works – all of which are part of hip-hop culture. Scholars note that hip-hop as a movement originated in roots from African American traditions and are mainly used to express their culture as well as identity (Blanchard 24). Rap music, for example, comes from West Africa’s “nommo.” This idea refers to the power to deliver words to act upon objects and to bring it to life. The historical and traditional underpinning of rap, therefore, becomes representative of the rich and distinctive culture of African Americans.

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Analysis Of Hip-Hop's Betrayal Of Black Women

633 Words | 3 Pages

In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.

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Hip Hop Culture In Mcbride's Hip Hop Planet By James Mcbride

921 Words | 4 Pages

Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.

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The Influence Of Hip Hop On Black Culture

1006 Words | 5 Pages

The Impact of Hip-Hop Ever since its birth in the 1970s in West Bronx, Hip Hop has been known as “Gangsta” music and most commonly associated with black culture. Since its creation it has become a fast growing genre of music and has growing fame all over the world. The popularity of it has increased to all races, age and gender. However the growing popularity of hip hop has come with several controversies among scholars. Some scholars argue that the growing popularity of the genre is very helpful to low income families who can use this as their outlet into going to Universities, on the other side some believe associating the genre to black culture is bad for the culture as a whole and they should not be associated together.

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Hip Hop And Feminism Essay

759 Words | 4 Pages

¨If Hip Hop has the ability to corrupt minds, it also has the ability to uplift them.¨ Hip hop music, also called rap music, is a music genre developed in the United States by African Americans consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. Mainstream hip hop culture is also filled with misogyny and negative images of women. These artists are unaware that sexism has been forced onto them through the brainwashing from the media, which is controlled by a patriarchal society. Conversely, feminism is the belief that both genders should have equal power.

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