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How Did Mexican Art Change Over Time

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Mexican art and architectures are both beautiful works of arts they have change drastically throughout time and during the colonial period most of the art being done was folk art which included weaving amazing textiles, pottery, and silver work. Which has flourished throughout Mexico’s history. The Mexicans introduce to European art when during the arrival of Spaniards. Their impact on Mexican art was mostly on paintings and building techniques. Many great artists became adept on religious oil painting, modeling religious figures in wax, and the art of polychrome wood sculpture. The collaboration of Mexican and Spaniards influences created a new mellowness and richness of color that was never achieved in Spain. Which started a type of art work …show more content…

Jose Guadalupe Posada was famous for his satirical prints. After the revolution of 1910 Mexican artist enjoyed unusually strong government patronage and were, as a result, committed principally to the expression of revolutionary ideals. The three internationally acclaimed painters are Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueiros. They produced masterpieces of mural art and initiated a revival of fresco painting. Later in the world of Mexican art and architecture modern Mexican artist continued to make extraordinary variety of works in many styles and techniques. The major figures are Jose Luis Cuevas, Jorge G. Camarena, Martinez de Hoyos, Frida Kahlo, Enrique Echeverria, Leonora Carrington, Francisco Toledo, and Rodolfo Morales. Most of these modern artist had flourished in their techniques, they have gone more into doing Functionalism, and …show more content…

It is a disk the measures 12 feet in diameter and weighs about 24 metric tons. This piece is dated back to 1479. It was original painted with bright colors but over time the color faded away and only the carving on it was left. The Spaniards buried it in the 1555 and was later discovered in 1790. This monument is most well known as the Aztec calendar. The intricacy of its reliefs demonstrates Aztec accomplishment in art and mathematics and their ability to carve stone. This art work has great significance a depiction of the Aztec cosmos. The iconography relates when the Aztec world began, how it would continue and when it would reach its inevitable

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The two artists that caught my attention were Mexican artists, Pedro Reyes and Carla Fernandez. What makes these artists unique is that they both collaborate together to create their own form of art. They met in college when they decided to collaborate in a show after knowing each other for ten years they married. Carla works with textile and fabrics and Pedro focuses more on welding, stone making or weaving. While Pedro works more with young college students, Carla finds her inspiration while working with the community.

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The early 1900s was a chaotic period in history, with many countries recovering from war, and the great depression was in its early stages after these wars. But for artists, these tough times brought in creative ideas and the development of new expressions. During the 1930s the space of mural art was booming with Mexican artists like Diego Rivera and David Alfaro Siqueiros. In this essay, I will compare and contrast the technical production of these two artists and explain how they shape the political and cultural landscape of their time through their visually captivating murals. With the technical production of these two artists, both are brilliant in their works but they do have some varied distinctions.

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His study of art began when he was only 10 years of age. Before returning to Mexico in 1921, he studied in Mexico City, Spain, France, and Italy. Through his travels, he was greatly influenced by cubism painting, post-impressionism

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Diego was so fascinated with Rafael work that he even wrote about him in the March 2nd El Democrata paper in 1924. It wasn’t until Rafael moved to Mexico that he was first introduced to Maya and Aztec art via anthropologist, Manuel Gamio. It was during that time frame that he created one of his most important works, Triptych of the Race. Created in 1922 for the Museo Arqueologico in Teotihuacan but then demolished in the 1960’s.

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How was the Aztecs lifestyle altered because of the Spanish? The Spanish Conquest in Mexico over the Aztecs in the year 1521 resulted in the victory of the Spanish. This was a huge time of change in the Aztecs’ lifestyle. In this time, changes in nearly every aspect of the Aztecs’ life occured.

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Diego Rivera was one of the most important artists of the Mexican Revolution. He played a crucial role in giving the public an opportunity to understand the events taking place during the Mexican Revolution. Diego Rivera was known for his murals and using them to convey his political view points. Rivera’s murals were loaded with details of the Mexican culture and history, which also included the harsh reality of the political struggles that Mexico went through. Rivera was a supporter of communism and Marxism.

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2799 Words | 12 Pages

In the period that followed the revolution, Diego Rivera, David Alfaro Siqueiros, and Jose Clemente Orozco would become famous for presenting the history of Mexico, and of the three Rivera and Orozco would present their interpretation of Zapata, showing the symbolic strength of Zapata and the prevalence of his myth. Artists are as well as a proxy for the popular imagination since many ideas that they would express in their art would be what a section society. This reflects back on the manner in which many Mexicans during 1920 and 1930 being illiterate would come to understand their history and identity through their murals. Out of these artists, the one who would make Zapata into a hero would be Diego Rivera. The mural originally painted in the archway of the Palacio de Cortes in Cuernavaca includes the history of Morelos in which Zapata is present.

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Impact on Society – In pre-revolutionary Mexico Jose Posada served as the eyes, and voice of the people. By inserting his art lampooning government officials into low income communities he became something to rally around. Many in those barrios could not read but through his art they became aware of what was going on around them. He helped serve as one of the matches that helped light the fuse to start the revolution. Many Mexican muralists followed in Posada’s footsteps as he helped many rediscover lost native art forms.

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Asian Carp In the Great Lakes The Great Lakes are in immense danger of an incredibly invasive species known as the Asian Carp. Asian Carp have been located just nine miles away from the Great Lakes.

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Their religion was very important to them so it was part of their everyday lives and culture. And finally, the third artifact is a Flageolet or an Aztec flute. The Aztecs worked very hard, but when they had free time they would play music or sports which show how lively their culture really was. (Britannica ImageQuest). The Aztecs worked very hard, were very focused, but were still creative people and because of that

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This is one of the civilizations that flourished form the ninth to thirteenth century A.D, and is now home to enormous archeological sites. Among the sites, there is evidence of remains of skulls racks, which once displayed the multiple rows of stone-craved skulls of sacrificial victims (Brandes 1998, 190). However, during the Spanish Conquest, much of the design was removed and completely destroyed by the beginning of the Sixteenth century (Shcmal 2010). During the time of the Spanish Conquest, the Aztec and the Zapotec were the leading power holders of the region of southern Mexico. Because of this, it only makes sense that their usage of elaborate representations of death was then carried over into the artwork of colonial Mexico, becoming, then, associated with Dia de Los Muertos (Brandes 2003,

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Furthermore, the American and French revolutions as well as injustices in the government of New Spain were influences in bringing about the Mexican

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Known for his defining role in the Mexican Mural Movement, Diego Rivera sought to create paintings that depicted the Mexican renaissance and socialist ideas of Mexican politics. After some time studying in Europe, Rivera was influenced by Italian renaissance artist Giotto to paint using fresco techniques (famsf.org). “Two Women and a Child” serves as an example of the theme he portrays in many of his paintings. While the fresco technique was predominantly used during the Italian renaissance, Rivera revitalized this ideal by including it in his painting of “Two Women and a Child”. Rivera’s use of techniques in Two Woman and a Child provide viewers with an understanding of the strength, pride, and perseverance Mexico had during the Mexican Renaissance.

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The Chicano Art movement inspired many Mexican-American artists in the 1960’s that empowered Chicanos and Chicanas. This inspired art to be created to show their identities in their cultures. Most of the stories that were being told were in murals near the road; however, they were men who told their story. Yreina Cervántez, a renowned Chicana artist, dominated the male dominating industry by breaking barriers, reclaiming Latina representation, and supporting the art community.

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Los Explotadores, painted by Rivera in 1926, depicts different types of groups during the Mexican revolution. The mural shows a few peasant women who seem hard at work. In the time the huge representation of the women who seemed to work and give just as much as the men. The next person seems to almost be crucified by the looks of the situation and orientation of the body. One can conclude that this person represents the indigenous people of Mexico who at the time were the most stripped of their rights and land.

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