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How Does Hitchcock Create Suspense

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Creating fear and suspense is a tricky concept to deliver with impact, as simply put by Alfred Hitchcock there is no terror in the bang, only in the anticipation of it. Gore Verbinski , the director of The Ring, used a number of film techniques such as camera angles and movements along with sound and lighting to capture The opening scene of ‘The Ring’ uses camera, sound and lighting in order to create fear and suspense within the audience. The camera movement in this scene pans and tracks very slowly between each actress creating a suspenseful, slow aura that keeps the audience aware of their surroundings. The frame shots are always close to the face, showing the emotion of each character, either being panicked or absolutely oblivious to what is going on. This makes the audience panicked as it is only focused on the face and not the surroundings, making the viewer question if something impactful will happen next. The dialogue is quiet throughout, however other …show more content…

The sound in this scene, once again, is quiet to always alert and to watch out for anything to the unknown. However, in this case where the television is diegetic with the static and the ear piercing rings when the tape switches scene, this is essential so there is a new bone chilling scene to witness each time. The lighting is dark again to scare the audience. When the tape begins, it brings some light into the room, including the blinds that turn blood red. Just the thought of blood is gory and makes the audience feel sick inside. In this scene the camera does not pan as much between objects, only switching between the television and Rachel watching the tape. The frame shot is close up throughout so the audience can only focus on one thing, the terrified look on Rachel’s face which causes panic to the audience on what is going

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For example, the dramatic music and a high camera angle are combined as you look down on the machine, this is to make Ginger and Rocky look small and insignificant compared to the huge machinery. Combined as ,well, with these techniques is harsh lighting, it is used here to increase the rising panic from Ginger waiting to be turned into

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Her voice sounds far away. " This has an effect on the audience because it drags them into the teleplay and makes them more interested. Another example of this technique is in the script: "He gets in the

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In this scene, lighting is used where a shot reflects on eves face to the farmer in the car on the farm showing how far they are. The scene continues where the lighting used appears too bright and somehow blinding to show the time of day the scene is taking place and the emptiness of the field and the only part left out is Thornhill thus focus is drawn to him and this launches the audience into the attack where the lighting makes it easy to know that he is alone in the barren land which makes him vulnerable and the scene captivating. The editing is utilized in the film where quick and intense scenes are made to be real fast in pace which creates suspense. Sound is also used where the music in the background moves in sync with scenes of suspense where it turns loud and fast making the audience aware of the impending danger (Pernoud, 2015).

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Film’s “rhythms can make us tense and fearful, calm and contemplative, or energized and euphoric” (159). The rhythm of this scene serves to make the audience tense, and fearful of what is to come. Spike Lee creates this feeling by utilizing fast cuts. Fast cuts imply energy and chaos and as the camera cuts from angry individual to individual the tension of the scene mounts and the audience feels like the scene is spinning out of control. It is like the moment before a collision is about the happen and cars are careening towards one and other---it is inevitable that there will be a crash.

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His sweating face is emphasized in this close-up static shot, the low-key spotlight focusing upon the man’s face. He starts the recording device, hinting at a confession as the clip ends as the extra-diegetic music fades, leaving the viewer with even more questions. These shots and their components work together to follow the man's journey to his aforementioned confession place, each revealing more about the man and contributing to the level of urgency and secrecy that he exudes. The clip itself casts mystique upon both the man and the

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These techniques include ominous use of sound, a strange setting and various camera angles. Out of these three, the music and noises heard throughout, create a certain uncomfortable mood. First, the strange sounds or, lack there of, added to the film, definitely keeps the viewer at the edge of their seat throughout the short film. To start, while Alma turns to the store to see that the doll in the window looks like her, the joyous music suddenly stops. As the audience realizes the similarities between the two, one begins to understand that the presence of the look-alike doll is foreshadowing an unexpected ending, which makes the watcher’s anticipation even greater.

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As the movie goes on the lighting becomes dim and most of the music is suspenseful to increase how the audience is impacted by the film. Suspense is increased throughout the interrogation scene with the use of low-key lighting, eye level camera shots, and diegetic sounds. Rack focus was also used when the main character was interrogating the main robot in the scene. High angles were also used to show dominance when the main robot, Sonny, becomes frustrated and slams his fist onto the table, denting it. Therefore, the darker lighting, overview shots of the city and gloomy music show the negative results of the robots and technological advancements throughout the movie.

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By holding on these wide shots, the film gives the audience more time to inspect the frame, thereby conditioning them to observe the background. The film essentially conditions the audience, so the audience provides the suspense for themselves. In this way, the film’s writing is not solely responsible for the tension of the film. Scenes that utilize shorter and closer shots, due to their contrast with the wide, long takes, give the audience breathing room in between portions of horror and suspense. However, this contrast allows the superficial casualness of certain scenes to become horrifying.

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For instance, I think this could be trying to show us that she was washed up there and ended up on the curve with no other escape but below. These short films use a large variety of camera angles/movements to create scary scenes and create horror while

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This makes the audience think back to the gruesome crime scenes and brings everything together into this one

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As seen in figure 1, there is a rapid use of shots to create the sensation of panic and alarms the audience something awful may happen, The second significant unveiling of information at 37 seconds is preceded by a loud drop in the beat to accentuate the plot twist. This combination of sounds puts the viewer on edge, instilling a frightening feeling. In figure 2, the man depicted is revealed to be the greatest detective in the world, and suggests he is the one behind the camera conducting the investigation. Non diegetic noises such as these are very commonly found among horror, thriller, and mystery trailers. By including these heart stopping beats, the viewer will experience consternation and the building of tension with small heartbeat

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After a brief interaction between Bruce and Rachel, once again a tracking shot is seen, this time following Bruce’s movements. Visually, Nolan as already established a sense of confusion as the viewer struggles to keep their focus on any one character, and that is all that the scene has accomplished - conveying Rachel’s innocent confusion by instigating a similar emotion in the viewer. However, it is the score which moulds this confusion into a sense of tension. The gradual crescendo leaves the pattern unresolved as the notes do not move from D and F. Thus, an expectance of change in sound is created, which in turn influences the viewer to expect a visual change as well. However, there is still no resolution.

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In that moment the audience can feel the fear rising to the barrier and struggling to

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In addition, the framing of most of the shots was mostly track in and track out, primarily to focus on the subject. Furthermore, the compositions of shots used were mostly over the shoulder shots for dialogue, to keep distance height and point of view. Lastly, the sound for the film was kept non-diegetic through most of the film. Throughout, the use of suspenseful music was used to create tension and suspense for most of the scenes for example; the scenes with training, and the conversation between sergeant and the

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In this scene the camera was placed under the main character which makes him seem very strong and scaring. Kuleshov effect in this scene helps to directly influence the

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