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How Does Portia Use Logical Reasoning And Emotional Appeal In Julius Caesar

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In the Shakespearean tragedy Julius Ceaser, Portia utilizes logical reasoning and emotional actions to successfully convince a reluctant Brutus to share his secret. In Portia’s first attempt at convincing Brutus, she stresses the power of marriage, reminding Brutus that as his wife she is” by right and virtue ought to know”(2.1. 270-271). Portia utilizes the bond of marriage as a logical appeal in hopes that Brutus will reveal his secret. Unfortunately, Brutus once again denies her the information. Moreover, Portia, now hopeless, “give[s] [herself] a voluntary wound”(2.1. 302) as one last effort. Brutus, evidently stunned, agrees to tell Portia “the secrets of [his] heart”(2.1. 307). Portia’s actions emotionally appeal to Brutus as he is shocked
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Antony’s funeral oration is one of the most important speeches in Julius Caesar. Antony is the most skillful speaker because of his ability to turn a mass of uneducated plebeians once faithful towards the conspirators completely against them with emotional appeals. In Antony’s speech, one of his uses of emotional appeals is to create a kind and friendly relationship with plebeians. At the beginning of his discourse, he uses a synecdoche and asyndeton with his appeal.

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Brutus uses the appeals of Ethos, Pathos, Logos to manipulate the thoughts and feelings of the plebeians to join Brutus’

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Brutus uses rhetorical questions, faulty reasoning and hyperboles to create the tone of persuasion while convincing the Roman people to be on his side. To start off his funeral speech, he wants the citizens to trust and believe what he has to say about Caesar, Brutus announces; “Believe me for mine honor, and have respect for my honor, that you may believe me”(Shakespeare 42). In this case, faulty reasoning is shown because Brutus has done nothing to prove him honorable to the citizens. Given that, he has no evidence that he is trustworthy, Brutus still try’s to persuade the crowd to believe what he has to say about Caesar is true, which is

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Through this the well-belovèd Brutus stabbed. For Brutus, as you know, was Caesar's angel. how dearly Caesar loved him! This was the most unkindest cut of all.” (3.2 186-195) Doing this made them emotional as it had felt like the conspirators had backstabbed him as Caesar was a good man and cared about his people according to his will.

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(II.i.283-287). Portia questions Brutus already aware of the fact that he is not sick and he is hiding something from her. She knows that a person who is actually sick would not be walking around outside during the middle of the night, risking becoming more sick.

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It is Antony's pathos with his emotion appeal against Brutus’ blunt logos with the

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Portia was a loyal wife, and very patience and trustworthy. She had been ‘asleep,’ throughout most the play, although she had known there was something going on that Brutus is not telling her. Portia begged Brutus to tell her his intentions, and upon refusing, she reveals a stab, in which she had done herself, to prove her patience, a keeper of secrets, and to convince Brutus. She is well-aware of how to prove her honor, which was to inflict harm on herself. Portia exclaims, “Portia is Brutus' harlot, not his wife,” (2.1.310) this is her saying that if she, Portia, can not learn of her husband’s aim, she is not a wife, but another prostitute.

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In Cassius’s eloquent speech against Caesar, he primarily utilizes persuasion through tools such as pathos, rhetorical questions, and compare and contrast. Cassius uses pathos to begin his monologue when he claims, “I know that virtue be in you, Brutus, / As well as I do know your outward favor” (Shakespeare 1.2.95-96). By expressing that Brutus has “virtue” and “outward favor”, Cassius appeals to Brutus’s emotions, but not to an exaggerated extent. This emotional appeal is a persuasion technique because it is used in moderation and in pertinent locations. The context is appropriate since rather than using it as a tool to feed on Brutus’s emotions, Cassius only uses it to get Brutus’s attention as an appropriate hook.

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Brutus’ emotional wound ultimately deals with his internal conflict of the decision to kill Caesar in order to better Rome. In addition, he deals with such difficulty over the decision since his reasoning to kill Caesar does not come out of hatred or jealousy, but due to his fear of life under Caesar’s rule. In Act I, scene ii, lines 39-40, Brutus says, “Merely upon myself. Vexéd I am / Of late passions of some difference” (Shakespeare 848).

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