How Does Prospero Control Caliban In Shakespeare's The Tempest
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Caliban argues that weakness is man’s flaw and cowardice keeps man from making a list of such flaws (Cesaire 28). As Ariel attempts to impact Prospero’s conscience by obeying his orders, Caliban is quick to reject him with a lot of rage stating “We must change Prospero” (Cesaire 28). He adds that they must put an end to his serenity so that he will be obliged to acknowledge his personal injustice (Cesaire 28). Caliban insists that Ariel is a credulous person who believes in everything that Prospero has told him, he makes fake promises that he does not fulfill. Additionally, Caliban tells Ariel that he should no longer trust Ariel because he is close to Prospero and carries out his orders.
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Prospero constantly claims that Caliban is incapable of doing anything right and is only capable of committing malicious acts. In the text, Shakespeare states, “Which any print of goodness wilt not take, being capable of all ill.” This statement further emphasizes Prospero’s revulsion towards Caliban. They have both endured neglection and verbal abuse throughout their lifetimes, which has led them to commit wrongful acts of violence upon
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Caliban is not only a slave to Prospero but to envy and concupiscence, which has turned his once human lifestyle into a quest to seek revenge. His monstrous nature broke out when he “didst seek to violate the honor of Miranda” (1.2-16 Shakespeare). After Caliban’s endeavor to ravish Miranda his true dark heart was revealed even further when he expresses “would it had been done! Thou didst prevent me; I had peopled else, this isle with Caliban’s” (1.2-320) this shows that he has no contriteness for his unconsented sexual endeavors with Miranda. Caliban’s savage composed nature cannot be transmuted, but only tamed by his master.
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These issues can be seen in the poem "Caliban," where he states, "Before hatred ate my heart / there was music," (Dancing Bear, 1-2). Before Prospero came to the island Caliban experienced happiness through his mother. However, after Prospero took over, Caliban only focused on getting his vengeance. This caused him to only focus on the grief in his life, not allowing for any positive emotions to be expressed. Prospero's indifference about how Caliban felt, meant that Caliban's emotional distress was one sided.
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He made Caliban his servant because he could not trust him, he had lost respect, and had no other choice. Even when Caliban was serving Prospero, he was still treated fairly. Prospero freed Ariel from being eternally stuck in a tree, and in return he asked that for a year, Ariel would serve him and help him get off of the island, and then he would be freed. Prospero did not take partial control of Caliban and Ariel without a reasonable purpose, where the Europeans had no real reason at all. Prospero’s valid reasoning, his open mindedness towards Caliban, and his willingness to set Ariel free are why I believe that the translation of the play that compares it to European colonialism is
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Their names are; Prospera (Helen Mirren): a sorceress and Miranda 's mother, Miranda (Felicity Jones): Prospera 's daughter who falls in love with Ferdinand, Ferdinand (Reeve Carney): king Alonso 's son, Antonio (Chris Cooper): Prospera 's brother, and stole her dukedom, Ariel (Ben Whishaw): a spirit who aids Prospera, and Caliban (Djimon Hounsou): Prospera 's slave, and who along Alonso’s servant to the plot The main plot of the film has quite followed the original plot of play. Prospera, who was deported to the island with her daughter due to the usurpation from Antonio and
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Both characters are considered as rebellious savages that are controlled, Caliban by Prospero and John by the World State. The Tempest can be interpreted as a play about colonialism because when Prospero arrived at the island, he imposed his own rules and put Caliban under slavery, just as Europeans when they took possession of the lands of Americans and enslaved them. From this point of view, Prospero and the World State are very similar because they both use their power to control over people and to preserve their own stability (Prospero using his magic and the World State using soma).
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When Prospero came to the island he taught Caliban his language and mannerisms. At the beginning Caliban welcomed Prospero, delighting in the attention he would receive: "Thou strok’st me, and made much of me". In return, Caliban showed Prospero "all the qualities o’ th’ isle". But Caliban, in an expression of his natural instincts, tried to rape Miranda. It is an atrocious deed, but, to Caliban, it is a basic biological urge.
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Unlike Shakespeare’s other main characters, he is much more enigmatic. In they play Prospero is portrayed as the rogue who seeks revenge on his brother Antonio for his treachery. In this Shakespearean comedy it becomes clear that Prospero is the heart of power on the island. Evidently Prospero has been wronged by his brother’s usurping which he could not control and now uses his magic as a tool for controlling the events that occur on island throughout the play. The theme of power in this play is hugely significant as it clear that the violence interrogated in this play is in relation to power and the abuse of that power by the protagonist.
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As the play begins, it seems as if the massive tempest is simply a random occurrence, catching the mariners and nobility by chance. However, as the act continues, Shakespeare reveals that the tempest was actually the work of Prospero and his ghostly servant Ariel, who stirred up the seas and set fire to the masts (1.2, 193-194). This establishes Prospero as the executor of a mess of ‘coincidences’ ranging from Ferdinand stumbling upon his daughter Miranda to King Alonso and his party walking directly into the former duke’s cell. Though Prospero may have the same control over the English language as the other characters, Caliban points to his specific source of power. He says, “… for without [his books] /
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Act 3, Scene 3 of Shakespeare’s Othello embodies a pivotal point in the play, as it is a transition act that grounds the foundation of Iago’s development as an antagonist and the play’s development as a tragedy. In fact, Othello is written by William Shakespeare in the early 17th century. In Act 3 Scene 3, Iago begins his insinuations of an affair between Cassio and Desdemona, which petition Othello to consider the likelihood of Desdemona’s infidelity and Cassio’s disloyalty. In this particular scene, Shakespeare makes meticulous use of linguistic and dramatic techniques to characterise Iago as an scheming, deceptive and hypocritical antagonist.
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The Tempest can often be seen as a play about colonialism primarily because Prospero came to the island that belonged to Sycorax, Caliban's mother. Prospero subdued her, ruled the land and placed himself as its new ruler. He had full control over everything on the island. Caliban actually loved Prospero at first and was fine with an autonomy but not slavery as he lamented: This island’s mine by Sycorax my mother, Which thou tak’st from me.
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In comparison, the inconsistency between diction depicts the power dynamics observed in the play. Shakespeare often uses Prospero’s servant, Ariel and slave, Caliban to portray the differences in the hierarchy of the play. As observed by the audience Prospero often uses threats and insults to communicate and assign task to Caliban, hence “...tonight thou shalt have cramps, side stitches that shall pen thy breath up. ”(I.ii.325-326) Prospero threatens Caliban with pain after his refusal to do work, because he feels as if the isle belongs to him due to the fact that it was inhabited by his mother first.
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