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I Want You Back Music Devices

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The song “I Want You Back,” by the Jackson 5 is one of the most well-known
R&B/soul music singles to be released in the music industry. The youngest member of the boy band, Michael Jackson, was the lead singer. The song opened with the piano glissando and was then followed by the cymbal. Then, the bass line followed directly after in the effort to uphold the listeners’ attention. It also established a sonic space for such listeners to hear additional instruments as they were musically introduced.throughout the song, the texture of the song allowed the listeners to be capable of hearing the array of musical instruments. Due to Michael being the lead singer of the song, the bandmates sang backup while they placed either an instrument or danced
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The group started off by getting small gigs for opening acts for soul groups like the O-Jays and James Brown. Gladys Knight brought the group to Berry Gordy's attention and by 1969 the siblings were producing back-to-back chart-busting hits as Motown artists. ("I Want You Back," "ABC," "Never Can Say Goodbye," "Got to Be There," etc.). As a product of the 1970s, the Jackson 5 emerged as one of the most accomplished black pop soul vocal groups in music history, successfully evolving from a group like The Temptations to a disco

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He says, “You got my life in your hands now.” He says this to make listeners understand that his love is to die for. He is like a puppet, she commands him and he does it. Another exaggeration is in the chorus where he says, “Bullet to the heart.” Jackson didn’t actually receive a bullet to the heart.

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A little later he would develop his style where the entire instrument accompaniment supported and reinforced his vocal style. The vocal lines were accentuated by instrument arrangements with emphasis placed on the backbeat (Soul: a Historical Reconstruction of Continuity and Change in Black Popular Music, 33). The bass, horns, voices, and drum added the multilayered and polyrhythmic effects (Soul: a Historical Reconstruction of Continuity and Change in Black Popular Music, 33). In essence, his music structure was percussive and rhythmic. Some of these elements would be seen in Jackson’s

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