I was riding my horse on our Ranch It was a beautiful day Birds were chirping Cows were mooing and the Nice cool breeze was blowing and everything was fine and My Dad and I were going to check the cows and check their waters and on the way I was riding and a Cotton Tail rabbit ran out of a bush and my horse got spooked and he started bucking and he bucked me off and I got right back on and started riding again. And when I got to where the cows were we have 50 and I only counted 45 and so I knew some were missing so I was Approaching the creek to see if they were down in the creek to see if they were down there and when I got down there I heard them bawling and so I rode up out of the creek and went to a different one we call Sourdough Creek
Fear can turn human beings into monsters. It can also change actions, thoughts, and others' thoughts. Fear can change human actions from exile to horrid in a second. In the teleplay, Les Goodman's car started when no one else could. And when the woman said he looks up at the stars at night.
When in times of danger, people must often take the actions they see best fit. In "The Rattler," the author depicts a vivid story of a man who has to make a difficult choice while facing a rattlesnake in the desert. Although the man sees a threat in the snake, it is him that becomes a threat to the other. By using the descriptions of the man, the snake and the specific setting, the author affects the reader by creating a sense of empathy for the narrator and sympathy for the snake. With such a connection it adds a greater depth to the story for the reader to analyze.
Carol Joyce Oates’ “Where Are You Going Where Have You Been?” presents how falling into temptation leads to giving up control and innocence. Though her mother is unapproving of her actions, Connie spends her time seeking attention from male strangers. Home alone, Connie is approached by a compelling creature who convinces her to leave her life and join him on his unknown journey. Through disapproving her family, having multiple appearances, listening to music, and her desperation to receive attention from boys, Connie gives up control of herself losing the purity of adolescents and contributing to her detrimental fate. It is imperative that one should not be controlled because of a desire to impress others.
Where Are You Going Where Have You Been? By Joyce Carol Oates Psychoanalytic Criticism Question How are id, ego and superego represented in “Where Are You Going? Where Have You Been?” By Joyce Carol Oates?
In the story, Joyce Carol Oates introduces the main character, Connie, by giving the reader contextual information on her life. Connie was the typical rebel teenager. She lied to her parents, snuck off with the boys, went out late at night, was mischievous, and had a dysfunctional relationship with her family. The story motivated the production of the film, “Smooth Talk”. Both of these pieces had the same crucial ideas, varied in the family relations, information concerning Arnold Friend and his obsession of Connie, and resolutions to the ambiguous ending.
In the story, “Conquering Fear”. The author shows the readers that fear becomes smaller once faced by having Miobe climb the mountain and discover that fear is just a toad. The author first develops the theme by having Miobe go out into the world to meet the villagers. When Miobe first met the villagers they didn't believe that he would be able to conquer fear and that they were doomed and going to be conquered. Miobe set it upon himself to climb the mountain and defeat the monster and overcome the obstacle of fear.
There were 15 of us from my church all squished into two vans. While I climbed into this big van I thought it was going to be so fun to drive up a mountain, see all the appealing scenery and have the thrill of almost feeling like we're going to fall. Well…. I was wrong. Every second there was a huge bump or pothole in the road so our heads were slamming against the side of the van.
The summer of 2016 my family and I took a road trip to Colorado. Colorado reminded me a lot of Minnesota but on a big Mountain. There are river valleys that are 1,250 feet deep to mountains that are 14,114 feet high. I climbed a mountain in Glenwood Canyon.
Traditional and Modern Gothic Literature may sound the same, but they have drastic differences. In traditional gothic literature, there are eight key elements which are the setting in a castle, an atmosphere of mystery and suspense, an ancient prophecy, omens, portents, visions, supernatural or inexplicable events, overwrought emotion, women in distress, and lastly, women threatened by a powerful male. Modern Gothic literature has evolved by exploring new settings, themes, and character dynamics, moving away from the typical Gothic, while typical literature stayed the same. A great example of traditional and modern gothic literature is "The Pit and the Pendulum" by Edgar Allan Poe and "Where is Here" by Joyce Carol Oates. Both stories' similarities
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates is about a teenage girl named Connie who is in the midst of her adolescent rebellion. She wants to prove her maturity to others and herself. In the story, Oates describes that Connie always lets her mind flow freely in between her daydream. She even creates and keeps dreaming about her ideal male figure in her mind to make her happy and satisfied. Oates allows the reader to step into Connie’s “dream world” through the appearance of Arnold Friend.
When we were trying to cross the river the current picked up and I fell a couple of times because it started raining, and I could feel the rocks when I hit the ground and I could taste the fishy water. But there was no lightening so we kept swimming in the river for a long time. While we swimming down stream Will saw a bridge and he wanted to go there. Right when we saw the bridge it thundered it was so loud that I could hear it like it was right in my ear.
In Joyce Carol Oates’ “Where Are You Going, Where Have You Been?,” the setting of the screen door created a fragile barrier between the evils of the outside and the safety of the home. In classic storytelling, the home is seen as a refuge, a safe place for the protagonist to be and the forest, the sea, the mountains, the desert, the world around their home or town is seen as deadly or dangerous. The world outside of the home or town is unknown and mysterious. Oates in her story takes the idea of the unknown and mysteriousness to the next level, invasiveness.
When I was 12 years old, my mom took my friends and I to the Haunted Hayride. Unfortunately, I had no idea what I was getting myself into. We got onto the hayride and there was a massive horse with a boy riding it who was headless and mean following us for about 2 minutes. For being in Middle School, I was pretty freaked out when we got off the trailer to walk through a corn maze , when then came a guy wearing a mask with a chainsaw chasing us out!!!! It was an exciting and horrid night for my friends and I.
Analyzing Development: “Where is Here?” by Joyce Carol Oates Gothic literature holds an allure that readers and audiences often draw into; its combination of wickedness, mystery, death, and even romance stirs a sensation, a charm no other genre has. Through this charm, Edgar Allan Poe, the "founding voice of American gothic tradition," was able to pioneer interest into many future writers in the American writing industry. Specifically, modern writer Joyce Carol Oates implicated traditional gothic elements from Poe. Using dialogue, diction, and the interaction between characters, Oates carefully establishes the foundations and elements of spookiness into her gothic story—“Where is Here?”