In our scene, lines 42-179 of Act One, Scene One, the characters who try to force love upon others are seen antagonistically, while Hermia and Lysander, who strive for true, naturally occurring love, are seen as protagonists whose love should be defended. The overlying message of the play is that love should not and cannot be forced.
Theseus, Egeus, and Demetrius use their power, both as nobles and men, to try and force Hermia into marrying Demetrius. Egeus, in an attempt to bully Hermia into marrying Demetrius says, ‘‘‘She is mine, and all my right of her I do estate unto Demetrius’’’ (1.1.97-98). He sees his power as Hermia’s father as a way to force her into a marriage that will benefit him. This love, thrown upon her by the law, is very
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Lysander’s unbridled love for Hermia shows obvious respect towards females, making him out to be one of the few characters admired by the audience. In our scene, Lysander’s subtext is an excited yet mannerly teenager who fears Theseus yet still stands up for himself and Hermia. When he saw that his relationship was being threatened he stopped cowering and pushed Egeus and Demetrius away pleading his case to Theseus. Hermia, who has a similar definition of love, trusts the emotion and thinks of it as a driving force in her life. When given the choice between spending the rest of her life as a nun and being forced into a loveless marriage, she decides that staying perpetually celibate would be the superior choice: “‘So will I grow, so live, so die my lord, ere I will yield my virgin patent up unto his lordship, whose unwishèd yoke my soul consents not to give sovereignty’” (1.1.79-82). Hermia’s belief in true love keeps her from making the logical decision to marry Demetrius, and instead, she decides she would alternatively wither away as a nun. Although some might argue that Hermia is being irrational, she trusts the concept of everlasting love, and thus refuses to marry for anything besides