“Los Mandados” is a corrido type of song, where Vicente Fernandez starts his story of coming back to his region, and what did he face during that time. While listening, I noticed the performer couldn’t hold his breath for long, which makes me think that he doesn’t have a good breath control, but he have a good vowel placement. In his voice style, I couldn’t hear falsete, so I can tell that he uses his chest voice while singing. I feel this song could identified as a defiant song because of the way he sings and the meaning of lyrics, especially, when he begin to say that, even though the patrol caught him many times, he never gave up and still trying many different routes, until he would make it back to his region. The way the performer tells
Every country has their own towns of hardship. In the documentaries Born into Brothels and Stranger with a Camera both shows lower class parts of India and North America. Born into Brothels shows the life of children born into brothels in the red light district of India. The children are taking classes to learn how to operate a camera and take pictures of their everyday life. The children learn how to use the camera and take pictures to show what they see in their life from day to day.
Yuny and Renenutet is a sculpture from the New Kingdom, Ramesside period in the nineteen dynasty. It’s a sculpture from Egypt, the regin of Seti I in the date of ca. 1294-1279 B.C (Met Museum). Today Yuny and Renenutet is a sculpture that is located at the Met Museum in New York City.
Comparing Texts “Response Order 9066” by Dwight Okita and “Mericans” by Sandra Cisneros are two pieces of literature that talk about people immigrating to America and how their lives have been impacted. The characters in these texts deal with racial conflicts. The two pieces of text are written in 1st person based on real-life experiences. It tells the reader how personal the subject is to them.
Ranim Elsafi 712 Sacajawea Lewis and Clark will be lost without me. Sacajawea was a Lemhi Shoshone woman who helped the Lewis and Clarks Expedition. She was sixteen year old who traveled more than four thousand miles by foot, canoe, boat, and horse. She led Lewis and Clark through the American West. In the stories “Sacajawea” by Kathleen Krull and “A picture book of Sacajawea” by David Adler all connect to the theme and central idea.
During a group therapy session, a quarrel between Harding and Taber provided foreshadowing on the discussed theme. It was stated “Harding, why don 't you knock off the bullshit and get to the point?” “This is the point. This is the point, Taber. It 's not bullshit.
In the novel Siddhartha, written by Herman Hesse, the hero’s journey is fit perfectly into words, as readers experience the riches of Siddhartha, a wealthy Brahmin’s son, who faces the ultimate question whether there is more for him in the world than within the boundaries of his comfortable life. “In the shade of the house, in the sunshine on the river bank by the boats, in the shade of the sallow wood and the fig tree, Siddhartha, the handsome Brahmin’s son, grew up with his friend Govinda”(1). This is a brilliant representation of Siddhartha’s normal life, as well as the start to this quickly unraveling story. Already briefly mentioned is supporting character Govinda, who will later play an important role in Siddhartha’s journey. Govinda is a friend.
In Thomas D. Peacock’s “Gekinoo’amaagejig,” he talks about Deacon Kingship and how he relates to the community. That he fact that he has down syndrome does not mean he cannot play a role in the community. Peacock also talks about Native culture and his fear about the next generation being passed down the traditional Ojibwe language. I find it interesting how he mentioned that the language it what makes defines natives (59). That without the language that apart of themselves would be lost forever.
Better by Atul Gawande, one aspect that caught my attention that makes me want to do something better in my work setting is patient negligent. When you negligent something, although you may not notice it, it is still consider negligent. When Atul spoke about Peter doctor not noticing a tumor in his x-ray, and later Peter development lymphoma (Gawande, 2007), that is consider negligent. Working at an Adult Day Health center, there are many situations that you hear from clients telling one another how they are unhappy about their kids treating them or simply not getting along with his/her kids. Hearing these stories, it is hard not wanting to do something about it.
Los Vendidos is a play by Chicano playwright Luis Valdez. Luis Valdez was born in Delano, CA in 1940 and worked in the fields throughout this youth. He attended San Jose State University and majored in drama. In 1965 he then created El Teatro Campesino where he performed plays in local community centers and in the fields. With his plays he wanted to inspire the audience to social action, illuminate specific points about social problems, satirize the opposition, hint at a solution, and express the feelings of Chicanos.
In order to raise awareness of the staggering injustices, oppression and mass poverty that plague many Indian informal settlements (referred to as slum), Katherine Boo’s novel, Behind the Beautiful Forevers, unveils stories of typical life in a Mumbai slum. There are discussions on topics surrounding gender relations, environmental issues, corruption, religion, and class hierarchies, as well as demonstrating India’s level of socioeconomic development. Encompassing this, the following paper will argue that Boo’s novel successfully depicts the mass social inequality within India. With Indian cities amongst the fastest growing economies in South East Asia, it is difficult to see evidence of this in the individual well-being of the vast majority of the nation. With high unemployment rates, the expansion of informal settlements and the neglect of basic human rights, one of India’s megacities, Mumbai, is a good representation of these social divisions.
Wadley’s Behind Mud Walls: Seventy-Five Years in a North Indian Village is an insightful view into another culture. As an audience member who lives in a country where changes are created quickly and numerously, it was surprising (at first) how the villagers of Karimpur resisted change to their way of life. Though this reviewer is familiar with the concept of having landlords, she was surprised how Karimpur did not belong to the people but rather the landlords. It was also a surprise in how quickly children caught on to their social status.
In the article, “A Million Dollar Exit From the Anarchic Slum-World: Slumdog Millionaire’s Hollow Idioms of Social Justice”, Mitu Sengupta responds to how the slums and its citizens are presented in the film Slumdog Millionaire by Danny Boyle. Sengupta describes the slums as run-down and then goes on to specifically address the poverty that exists in India. When writing about the portrayal of the slums, Sengupta states, “Slumdog depicts the ‘slum’ as a feral wasteland, a place of evil and decay that is devoid of order, productivity and compassion”(599). Sengupta uses imagery to illustrate to viewers the unsanitary conditions that the people of Mumbai experience on a daily basis.
Many of the works of Jhumpa Lahiri focus on. The three stories build around the development of relationships is “The Namesake,” “The Third and Final Continent” and “This Blessed House.” In these stories, Lahiri not only connects these stories under one theme: relationships, but also cleverly uses motifs and word choice to fully seize the reader’s mind.
Vik Muniz’ Marat (Sebastião) depicts the hardships and strength of Brazilian trash pickers in a remarkably clever and appealing format while also challenging the way in which these workers are perceived by Brazilian society. These trash pickers, known as catadores, are people who are ex-convicts or were homeless and unemployed and therefore had little opportunity in their lives. The Catadores are a union headed by Sebastião that separate recyclable items from the rest of the trash at the Jardim Gramacho landfill in Rio de Janeiro, Brazil, to be sold on the market. The profits from selling these items are then split amongst the union. Muniz became very intrigued with this group of people and decided to recreate a variety of famous portraits
