A month before the end of the American civil war, President Abraham Lincoln gave his second inaugural address to the nation. In his speech, Lincoln shifts the blame of starting the war towards the south through juxtaposing the northern and southern parties. But at the same time he also applies anaphora and biblical allusions to create a sense of unity between the two opposing sides in the hope that they can better their future together. Early on in his speech, Lincoln uses juxtaposition to contrast the northern and southern parties. He claims that the South “would make war rather than let the nation survive,” while the North “would accept war rather than let it parish, and the war came.”
Julie Maroh is the talented author of Body Music. This graphic novel aims to express the realities of relationships. Maroh discusses in the introduction how stereotypes remind us how political the body and love is, also how she wants to write other realities and her own story (4). Throughout the novel there are numerous examples which could illustrate how she challenges physical, intellectual, and social stereotypes. Focusing on chapter six, “Fantasies of the Hypothetical”, will provide support that Maroh challenges the stereotypes that DeMello outlines in her chapter on “Racialized and Colonized Bodies”.
The artist, Renee Cox explores our complex perceptions of the human body through her piece, Baby Back (2001), in the means of what I interpret as a socio-cultural response. The photograph consists of the artist herself modeling. The background is black, with the exception of a single yellow rose in the bottom right corner. The artist is lounging on a chair, nude with her backside turned toward the viewer. She is wearing red heels and has draped a whip associated with BDSM around her ankles.
From a sociological standpoint, today’s media’s sexualization of females is spreading like wildfire, and making this type of perception into a norm—the idea that women should feel the need to act “sexy” in order to attract
Women have found themselves at the bottom of society’s hierarchal pyramid for eons. Even though females make contributions that prove vital to the world’s function, they are still regarded as the weaker link. The female plight of constantly facing debasement is a pawn used to ensure compliance. It is a common notion that if one is demeaned enough, he or she will conform to the suggested persona. Society tests this notion through its treatment of women.
It is also a great reminder on how far art has grown and learn from ancient Greek art in it’s techniques and evolution in mastering the human body. Although this could be the type of story that our society has outgrown
Body and objects are always discussed together in a relational sense. In ‘On Longing’, Susan Stewart discusses the body- object relation by way of scale, arguing that when we are presented with a miniature object we are invited into a different temporal and perceived space. The smallness of the object takes us into a private world and changes our focus from public to private spheres. She explains, “This is the daydream of the microscope: the daydream of life inside life, of significance multiplied infinitely within significance’ . This mode of significance and sphere of miniature scale, Stewart argues, returns us to a childlike state ‘the daydream of life inside life’ suggests the way we would play as children creating a safe domestic space,
The project is about surreal abstractions of mainstream notions of feminine beauty. “By blurring subject, object and environment together we wished to explore our conflicted relationship to femininity and its passive associations”. (http://www.pruestent.com/3100381-loose-allure.). From the whole project, the photograph of female body in water covered by pink detailed sculpture of female’s body, which looks similar to ‘Body Armour’ by Jones, it got my attention the most as it is quite interesting to look at similar artworks by different artist and by different gaze. The photograph by Stent & Long looks much more calm and natural whereas, as I mentioned before Kate Moss in ‘Body Armour’ looks stiff and uncomfortable, which is less pleasant to look at when comparing both.
Life in the twenty-first century has its perks. There have been some amazing advances in the world, with major breakthroughs in science, medicine, technology, and more. But the part we take for granted most is our ability to be human beings. For the majority of history, women were seen as lesser than men. Men thought that they were emotional, hormone driven creatures with no greater purpose in life than to bear children.
A modern example is when Bell references misogyny and says, “devastated and disappointed that their daughter had not become the woman they raised her to be: a good girl who would marry her first boyfriend” (25). Unlike Colonial America, today’s country involves a less rigid view on women, but nonetheless still includes misogynistic ideals that need to be removed from society. For example, instead of women being expected to marry their first boyfriend, they are expected to not have many sexual partners, but still have enough sexual experience. Women are allowed more sexual freedom, but are still restricted to an imaginary line drawn by men. This is a classic case of sexually objectifying women, and making them look like they are only here to please males.
From times, immemorial men have objectified women as worthy only when attractive and presentable, this is the image they want to portray to society in
Introduction “The Body and the Reproduction of Femininity” from Unbearable Weight: Feminism, Western Culture and the Body by Susan Bordo (1993) introduces the discourses around the female body, and the different perspectives that influence this body. She goes on to explain that the body is a medium for culture, from which contemporary societies can replicate itself. In addition, Bordo (1993) provides continuous insight on how women have changed throughout the years to be more within societies norms, and how they have transformed so much to manage their bodies to becoming desirable within the culture. Throughout this essay, I will be explaining how women have for centuries, used there bodies as a means to rebel against these norms that have been placed upon them, such as being a typical housewife. For years, women have been discriminated against and unable to speak their opinion.
Body art has been practiced and embraced for thousands of years throughout all cultures worldwide. History shows a broad acceptance to the practices of different forms of body art, whether it be body painting, make up, piercings, tattoos or scarification. Beauty, rebellion, conformity, status, gender or rituals are some of the reasons why people choose to alter their bodies for the display of body art. Modern society has embraced the non-permanent forms of body art, such as, body painting, which has led to the mass production and use of makeup today. Body painting and makeup gives people a chance to recreate and transform their identity using self-expression as a means.
“Turning a human being into a thing, an object, is almost always the first step toward justifying violence against that person” (Kilbourne,278). When advertisers continuously use women as sex objects in order to sell their products they begin to form the mindset that “all women, regardless of age, are
The objectification of women contains the act of ignoring the personal and intellectual capacities and potentialities of a female; and reducing a women’s value/worth or role in society to that of an instrument for the sexual pleasure that she can produce in minds of another. The representation of women using sexualized images that have increased significantly in the amount and also the severity of the images that’s been used explicitly throughout the 20th century. Advertisement generally represent women as sexual objects, subordinated to men, and even as objects of sexual violence, and such advertisements contribute to discrimination against women in the workplace, and normalize attitudes which results in sexual harassment and even violence
