Mozart Piano Concerto K.450 and K.595
Yibo Wang
In Mozart’s music, we can experience and feel complete enjoyment without any boredom especially in his most classic piano concertos especially in the piano concerto K.450 and K.595. Although both concertos were completed under a different background, does that mean these two pieces have different technique, mood, musical sensibilities or even textures? In this paper, I will compare the first movement of both Mozart’s piano concerto K.450 and his last piano concerto K.595 and look at the basic differences between the performing techniques (solo part), the conversation between piano and orchestra, and cadenzas to find out whether or not the K.595 is much more difficult than K.450 to perform for pianists.
Wolfgang Amadeus Mozart (1756-1791) was an Austrian composer who wrote a series of operas, concertos and other pieces that created a new music style. The Piano Concertos K.450 and K.595 were written by Mozart. Actually, when Mozart was starting to compose the piano concerto K.450, he wrote a letter (May 26, 1784) to his father that it “is the first I have done in this manner…I consider them both as concertos to make one sweat—in difficulty the one in B-flat is ahead
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Basically, as the last piano concerto, the K.595 is a quite famous for its lyrical melody with the emotion of sorrow which may be out of character in Mozart’s music while the K.450 is considered as a very technical piece that could give lots of challenges to the performer. Based on my discussion of the two works, I conclude that compared to the piano concerto K.595, the K.450 is more complicated in its technique because of its unconventional beginning and unusual cooperation for piano and