Rent. Also can be used to describe something torn. No better description for this musical. Written by Jonathon Larson, Rent is a musical, based on Giacomo Puccini’s italian opera, La Boheme, which centers on a group of friends in New York’s East Village in 1989 when an epidemic of HIV/AIDS was spreading around the US, affecting the whole friend group, whether it be from having it or from having a loved one who has it. In this paper, I will be examining how the themes and genre of this play turned movie shows the belief system of both the time and the belief system held by the creator, Jonathon Larson.
Some pieces of music from Richard Rodgers include “The Garrick Gaieties,” "A Connecticut Yankee,” "Babes in Arms," "The Boys From Syracuse," "Pal Joey,” and “Oklahoma!" Richard was a composer from (1902-1979). Richard was known for making his stories memorable and “humble”. Richard had been brought up all his life around the theatrical world. He had decided he wanted to be a composer sense age 15.
Chicago, a musical with music by John Kander, lyrics by Fred Ebb and book by Ebb and Bob Fosse contains a range of stylistic and structural elements that further the narrative and influence the audience’s aural experience. ALL THAT JAZZ All That Jazz sung by the vaudevillian Velma Kelly, is the first song in the musical and begins deliberately moderately slow and mezzo forte or moderately loud to assist in introducing the musical to the audience, showcasing the suggestive nature of the lyrics, whilst leaving room to crescendo later in the climax of the song. A tenuto (an accent that holds a note for its full value), is employed on the A chord from bars 1-4 to weigh down the song, furthering the sexualised tone familiar to Vaudeville. Kander implements an E Augmented chord at bar 8 to introduce instability and tension early in the piece, complicating the standard dominant-tonic resolution. Having Eaug consisting of the notes E, G# and B#, gives a notably different feel as it creates a tritone interval as opposed to a straight E-A progression.
Dirty Dancing was released in 1987. The film clip I chose was from the end of the season talent show. Johnny Castle (Patrick Swayze) approaches Baby’s (Jennifer Grey) table and tells her father “Nobody puts baby in a corner.”
The spots that call for song are interesting because they lighten each one and provide a bit of comic relief. In the third act likewise the musical aspect helps take away from the serious nature of what’s going on and understand the world the play takes place in. In the third act, Mr. Burns is preparing to kill Bart, which in nature is a serious thing; however, there is singing that takes place. This distracts from the serious nature of the scene. The play’s sounds all have an essential role in
Though he later changed his major to music on the request of the head of zoology, Dr. Arnold, who has previously told him "Brubeck your minds not here. It 's across the lawn in the conservatory. Please go there. Stop wasting my time and yours." Not long after he began, he was nearly expelled when one his professors discovered that he could not read music on sight.
The Graduate (dir. Mike Nichols, 1967) is a film about a young man named Benjamin Braddock (Dustin Hoffman) who is just beginning to face the harsh reality of life after graduation. Ben gets involved in an outlandish situation as he falls in love with Elaine Robinson (Katharine Ross), the daughter of a married Mrs. Robinson (Anne Bancroft) whom of which Ben is having an affair with. The montage sequence “Drifting” captures Benjamin’s uncertainty for the future, as well as his discontent with his current lifestyle. The use of the elliptical editing devices such as dissolving, and impossible match on action calls attention to this idea of temporal ellipsis exemplified throughout the montage.
' It 's interesting to see how much Tarantino resamples from different genre movies into his own movies. We all know that Tarantino is a cinephile and a movie nerd. It would be important to start from his use of music in his stylistic titles sequences or opening sequence of every film. All his movies from 'Reservoir Dogs ' to 'Hateful Eight ' have very peculiar audio-visual styles for the opening sequences.
Growing up, Larson had several musical influences that shaped his specific music taste including Kurt Cobain, Liz Phair, Prince, Leonard Bernstein, and Stephen Sondheim. Sondheim became a personal mentor to Jonathan later in his career. In high school Larson began acting and composing. After graduating, he attended Adelphi College on an acting scholarship where he studied under the accomplished Jacques Burdick. It was his time at Adelphi where his interest in playwriting began.
Schindlers List Movie Steven Spielberg in 1993 directed the drama war film, Schindlers List. The music type is orchestra. Violin has been used throughout the film; however, there is a use of woodwind instrument - Oboe. John William, composer of the song and Itzhak, a violinist, gave life to the film. The use of musical instruments supplements well the film in bringing out the suffering of Millions of Jews.
What Can “Forrest Gump” (1994) Teach Us About Scriptwriting? Forrest Gump (1994), an American comedy-drama film based on the novel by Winston Groom, with the screenplay adapted by Eric Roth, tells the story of a mentally disabled and very kind-hearted child that comes to lead an extraordinary life. The movie revolves around the irony that the protagonist, Forrest Gump, even though the most simple-minded character in the film, becomes the most successful, as his talents involve him in US history's most prominent historical events between the 50's and 80's. The storyline is very character-driven and resembles a ‘vignette into one's life' as opposed to having a traditional story structure. This is seen through the feather motif and the well-known
I first became interested in applying to NYU when I fell in love with Charlie Kaufman’s films. After watching Synecdoche New York, I researched Kaufman in order to learn more about his career as well as his background. I first found out that he had attended NYU’s Tisch School of the Arts, and I then discovered all the other incredible men and women who have walked through Tisch’s doors, to later mold film into what it is today. As one of the top film schools in the world, Tisch has the ability to help me achieve my full potential as a filmmaker, allowing me to enrich my creative perspective as I learn from the minds that taught masters like Martin Scorsese or Phillip Seymour Hoffman. I long to live in the environment that New York city embodies,
There is hardly anything can be said when it comes to the score, to the whole movie even. Once can only listen to what Williams has to offer and what Perlman had to
Baz Luhrmann is known world wide for his eccentric and flamboyant film-making style. Luhrmann’s signature bright colours, fast-paced camera-cuts and zooms, and bold costumes are all key characteristics of his films and assist Luhrmann in putting forward the themes and motifs he regards as essential in each of his works. However, Luhrmann still receives much criticism for not staying true to the original source material of the stories he introduces to the big screen. One fails to realize the fact that, “Luhrmann’s films are not so much adaptations as re-imaginings” (Vogue Magazine) and through analysis of his various techniques, as well as his overall cinematic language in his films, “Strictly Ballroom” (1992), “Romeo + Juliet” (1996) and “The Great Gatsby”, one can see this clearly, through Luhrmann’s evolution as a director. Luhrmann makes his films his own from the start, the opening scenes of all three of these films implement post-modern techniques which instantly informs the audience that they are entering into Luhrmann’s
Introduction Roger’s and Hammerstein’s The Sound of Music is arguably one of the most well known films that many can admit to watching at least once in their lifetime. People all around the world have found this musical inspiring, as it documents growth and hope amidst the horrors of World War II. This incredibly well written film is based on the story of the Von Trapp family who escaped Austria when the Nazis invaded it during the war. Part of what made this movie so interesting on so many different accounts was the music that accompanied the vivid and exciting scenes. Without music, many could agree that our world would be a sad, quiet, dull and depressing place.
