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Amidst the Red Scare at a high school graduation ceremony, William Faulkner conveys his reasoning to high schoolers that in order to change the world they have to overcome fear. Faulkner emphasizes his purpose by using repetition and word choice. In an overall encouraging speech, the speaker displays his purpose using repeated phrases. For instance, he said, “..when you have got old..you are tired..
One might want to read this novel, to see what makes an average man want to kill and to also see their psychological being leading up to it. This creates a mystery in the eyes of the reader to see why they did such a horrendous crime. The author’s purpose for writing this novel was to give the reader a different perspective on criminals. Capote uses a sympathetic tone when he talks about the histories of the criminals. He creates an emotional connection between the reader and the criminals because Capote allows the reader to get to know the criminal’s pasts, telling of the hardships the criminals have faced throughout their lives.
Précis Response In the article "White House Red Scare" (7 January 2017), columnist Maureen Dowd affirms her current political opinion that the United States government is overridden with anxiety and bewilderment due to the callous and perhaps "malleable" newly elected president, Donald Trump. Dowd justifies her stance of the cumbersome issue by the use of anecdotes (her own personal encounters with Donald Trump), past incidences of Trump's rapid stance-changes (being skeptical of the Russian leader Gorbachev, until Gorbachev's imposter glorified Trump Tower), as well as quotes from the reactions of various senators and congressional members. In order to persuade with this opinionated standpoint, Maureen uses an enthymeme--the election's
This article discusses the red scare (McCarthyism) at the local level of the United States. The red scare had a malicious effect in components of American life outside politics and entertainment. There were red scares in labor, education, religion, business, the fine arts, and, in a multiplicity of forms, and at the local community level. The author focuses on the city of Houston, where the community engaged in this tactic. Carleton urges archivists and manuscript curators involved in documenting local history, to be aware of the need to collect materials related to the extreme anti-Communist reaction at the local level, and of previous collections that pertain to the phenomenon.
In a news article published during the Red Scare, the author describes the Communist red flag as symbolizing “defiance of law, order, and constitutional government. It is an insult to the stars and stripes.” It also states, “There is no room in this country for any flag but our own.” (source) The article goes on to say that the federal government must do whatever it takes to eradicate any forms of communism.
In the play A Raisin in the Sun, by Lorraine Hansberry, Beneatha (Bennie) Younger is a fiery young woman, aspiring doctor, anti-assimilationist, sister of Walter Lee Younger, sister-in-law of Ruth Younger, and daughter to Lena Younger. Her views about the world during the 20th century are extremely modern compared to those she’s surrounded by at the time. This monologue was written to showcase Beneatha’s distaste for George’s treatment of her, her feisty attitude, her belief in the power of women, her love of African tradition, and her desire to become a doctor. Beneatha and George, from the very beginning of their faux relationship, experience a conflict of interest.
The Red Scare in the United States instilled fear among many Americans in the 20th century. The first Red Scare started in 1917 when the communists took over Russia during the Russian Revolution. It died out in 1920 after no communist uprising began. The second communist uprising began in the late 1940s when Wisconsin Senator Joe McCarthy claimed to have a list of communists working in the American government. Joe McCarthy brought the fear of a communist uprising back into America.
Macbeth cannot control his paranoia and hallucinations, but he can control his actions towards the prophecies he 's given in the beginning. By the end of the play, his paranoia led to his lonely demise which showed how he believed in the prophecies. Macbeth’s control over his destiny reflects on what the play is teaching us overall. A way Macbeth is in control of his destiny is when he believes in the prophecies.
Blacked Out Most Americans are afraid of African Americans. Why, we ask? Most of us don’t know why we do, is it their physical appearance or is it the fact that they have a different skin tone? In Chapter 5: Black Men of The Culture of Fear by Barry Glassner, Glassner argues that the media exaggerates the excessive attention paid to African-Americans (Glassner 109). Throughout the chapter, Glassner exposes us to secrets and truths about how the media makes us fear African-Americans, they feed us irrelevant information that make it seem like blacks are still a lower class and therefore treating them like they are still slaves.
McCarthy had a list of people that were allegedly communist. In reality, most of them were nothing but alcoholics or drug addicts. Regardless, McCarthy pushed through and became the chairman of the government committee on the operation of the investigations. He continued the investigations for two years questioning many people in the government. During this panic, it became a witch-hunt of communist.
In order to understand their fear, people must face it. The central theme of the book is deciding what to do with one’s fear and “transforming fear into faith” (Nichols, 2010, p. 2). It calls the reader to understand that “the emotion of fear itself is not the problem. It is what [one does] with it” (Nichols, 2010, p. 13).
In Judith Shklar’s well known 1989 essay, The Liberalism of Fear, Shklar analyzes her view on political liberalism. In other words, Judith believes that liberalism has only one potential purpose/goal. Judith Shklar mentions how the goal for liberalism is to ultimately fix the political conditions which is significant for personal freedom. Using this idea, Judith Shklar further demonstrates her views on liberalism by comparing liberalism of fear and other types of liberalism in her essay ( such as John Locked John Stuart Mill) . Judith Shklar believes that John Locke’s liberalism of natural rights is simply an attempt to fulfill an determined standard order “The liberalism of natural rights envisages a just society composed of politically sturdy citizens, each able and willing to stand up for himself and others” (26-27).
Eric Harris was a classic psychopath, Gladwell mentioned. He was charming and manipulative but was habitual lawbreaker, he had stolen, vandalized, bought guns illegally. Harris had wrote in german, “I am God” in his agenda. He quoted, “ I want to tear a throat out with my own teeth like a pop can, I want to get someone with my hand, to tear a head off and rip out the heart and lungs from the neck, to stab someone in the gut, shove it up to their heart” (Gladwell
[He] does not notice the police car… follow him.” This one event, mixed with the stereotype the protagonist has thrown upon him by the cop, seals his fate. All three of these situations foreshadow the ironic and deadly situation that the poor lost man is about to find himself involved. It is these subtle hints to his death that not only add suspense to the plot, but also hold a key importance in conflict development. W.D. Valgardson uses many great elements of fiction to build plot and conflict, as well as teach the lesson of not making snap judgments in his short story Identities.
Written by Tobias Wolff, “Bullet in the Brain” is an interesting character study. In such a short story, he creates a character readers will notably hate. Despise, even. But with the subtle manner of how Tobias’ wrote Anders’ situation and how he perceives the world, the tonal shifts when the robbers enter and when the bullet enters his brain playing on readers expectations and how it all reflects on this theme of narcissism, which parallels with the final moments, this creates an effective form of displaying to readers an intimate and convincing display in how vile and cynical Anders is, but also that he wasn’t always like this.