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Edward scissorhands essay introduction
Concerns in edward scissorhands
Edward scissorhands essay introduction
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In Edward Scissorhands, Jim becomes jealous over Edward and Kim’s developing relationship. He begins to threaten and push and try to overpower Edward. Throughout of the drama and trouble, the camera was always at a low point and shot at an upward angle, to make Jim look as if he had all the power. Giving that effect to someone and making them bigger than all the others around them, added more drama and made the movie more enticing. Burton wants you to see that, that person has more can have more power and that they may be someone to watch out for throughout the movie.
In Tim Burton’s movie Edward Scissors-hands, Shots and Framing is unique. It’s going to be about Edward Scissor-hands and the different Shots and Framing Tim Burton used. The Long-shots were mostly on like when Edward kept on leaving and when Peg found out where Edward lived. Also Long-shot on when it showed the factory in Edwards house. The movie had a lot of Close shots.
Tim Burton, a widely known and highly celebrated director and producer of several movies including Big Fish, Edward Scissorhands, and the 2005 version of Charlie and The Chocolate Factory were provided life by Burton’s unique usage of cinematic techniques. Burton’s handling of music was beyond spectacular as he could easily alter the mood of a scene in a matter of seconds. Not to mention his utilization of shots to capture specific angles and to aid the audience in understanding certain things such as height differences. A common technique in most of Burton’s films is the flashback which guides the audience in understanding a character's past. In this essay, I will be analyzing Tim Burton’s uses music, the long shot and the flashback.
Alyssa Nayar Style Analysis Essay (Hook )Tim Burton like many other artists has his own techniques in making a masterpiece. (add another line for connection) In the films Corpse Bride, Charley and the Chocolate Factory, and Edward Scissorhands, techniques such as front lightning, close ups, and non-diegetic sound are used to create the effect that strange-new things maybe ment with factitious expectations due to unrealistic judgments. The Corpse Bride, a film about a timid young man who makes a grave mistake in proposing to a women without a heart (emily).Front lighting and non-diegetic sounds are used During the engagement scene when Emily is shown in a godlike presence even though- in Victor’s eyes- she is just a terrible monster. From
In the 1989 Batman film, Tim burton uses a mix of medium shots to show the hand-to-hand combat scenes and close-up shots to show the emotion on Batman’s face. An example would be when the Joker was first introduced to the audience, the Joker turns around where his face was very close to the camera to show the bad condition his face was in. Another example would be in the movie Edward Scissorhands Tim Burton uses a long shot when Peg is standing on the edge of the castle where the roof was torn off. This shows the vulnerability of Peg, it makes her look weak and small.
There are many different techniques used in “Charlie and the Chocolate Factory”, involving the use of the camera. For example, when the oompa loompas are singing about each naughty child, the scene is shot as a pan or a long shot. By using these techniques, it may show the size of the oompa loompas or their dances to express their emotions together, this attracts the viewers. The use of the camera movements, produces a more interesting effect. Tim Burton knows how to use camera movements to his advantage in all of his films created.
Edward Scissorhands, by Tim Burton is a strange film that focuses on using visuals to to help tell the story and this is very distinguishable in the scene where Edward is given a makeover by Peg. This scene’s camera angles, costumes and dialogue all add to making this humorous to watch. Camera angles and shot Camera angles and shots are how the camera is placed to film the movie and can help express a range of things. The camera angles in this scene are mostly close ups at level. For the first few seconds of the scene the audience only sees a close-up of peg working, then the screen flicks to Edward, seeming virtuous.
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
Tim Burton uses lighting to convey his unique gothic cinematic style in his films. In some of his past movies, such as Edward Scissorhands and Charlie and the Chocolate Factory, Burton uses a variety of lighting techniques to indicate the mood of his movies. High key lighting creates a bright open-looking scene such as when a scene is flooded with light, allowing it to look bright and cheerful in the town in Edward Scissorhands. In Edward’s mansion, low-key lighting is utilized, flooding the scene with shadows and darkness, creating a dark tone to the scene to evoke sadness and such depressed emotions. Low-key lighting is also used in the film Charlie and the Chocolate Factory, where in the beginning of the film it demonstrates Charlie’s humble home and dark lighting is used to show the family's state of debt and depression.
The American director, Tim Burton has a way with manipulating lighting, camera angles, and music to highlight his quirky, yet dark style of movies. Tim uses camera angles to direct the viewers’ vision to a specific setting or character to expose something from a certain character’s point of view. For example, in Tim’s movie, Big Fish, he has a low angle of Karl the Giant. The use of this cinematic technique is to emphasize Karl’s height, especially compared to Edward Bloom’s. Another employment of camera angles is in Burton’s Edward Scissorhands, when Kim was in the window of the inventor’s mansion, they had a low angle of her, which was used to show here as the townspeople below saw her.
In doing this, Burton shows how crazed the people are about getting Edward but also how many people there just are. Also putting an imagination in the mind of the audience who can tell Edward is in fear of his
Burton can change how you feel while watching his films. For instance, a close up, he uses for making it feel more personal and emphasize specific aspects. For example, Edward Scissorhands, at the picnic when Edward was getting fed by the women of the town. Burton had chose to get a close up to make the audience feel uncomfortable and get an insight of the town and their personality.
In Edward Scissorhands, Tim Burton uses framing/angles as emphasis in the fulfillment of one certain scene. He uses a long shot to show the vulnerability of the character. For example, when Peg is upstairs in the castle, the long shot makes her look small so the viewer is worried about her safety. Unlike the long shots that imply Edward is a frightening character, this
Tim Burton uses camera movements, camera angles, and sound in Big Fish, Edward Scissorhands, and Charlie and the Chocolate Factory to create the right mood for the audience to feel. Creating the right mood allows the audience to connect to the movie and to be intrigued by the movie. In Edward Scissorhands, Burton uses camera movements to create a sad mood. In a flashback, the camera moves with the inventor, who made Edward, as he takes Edward's hands out of a box and walks over to Edward before he dies, without getting to put Edward's real hands on.
His sad life he must live is inside an empty mansion which is shot in low lighting signifying the lonely reality of his home. Lighting gives you an idea of what is real and what is only a fantasy. Burton uses angles to show the level of power of characters. A good example is in the movie Edward Scissorhands during the scene where Edward is making an ice sculpture Kim is shot in a high angle. This signifies that she is truly happy and on top of the world.
