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Mildred lets the government and her ‘family’ think for her and she’s empty and suicidal. Unfortunately, a person like Clarisse couldn’t survive in a society filled with people like Mildred, hence her tragic
Rain doesn’t fall on her face, nor do clouds cast their shadows over her due to her self-imposed isolation. Instead of going into the outside world, she would rather stay home and keep up with her “parlor family”, which are essentially television show characters that she has become so attached to this false reality that it has become her “family”. In the middle of the novel, Mildred’s friends come over, but it is shown that all of them are there to glue their eyes on the three wall-width televisions in the Montag’s
As the books went up in flames, Montag became enraged by society and how the world was becoming. Mildred, Clarisse, and Captain Beatty influenced Montag the most throughout the book to rebel against the government. Mildred was one of the main characters in Fahrenheit 451 who influenced Guy Montag. Mildred was in her own little world where nothing bad ever happens to her.
Under these circumstances, it can be understood as Mildred being deeply unhappy. To begin with, Mildred acts as if she lives in her parlour shows. She thinks of them as her family. Spending so much time isolating herself may make her feel alone, as she implies in the quote, “Books aren't people. You read and I look all around, but there
Times have changed and people have become dull. Montag has realized this. His wife, Mildred is now dull which has caused him to no longer love her. Mildred is self-centered. One night while Montag was talking to Mildred, he realized how self-centered she was.
Realizing Mildred’s change in personality,
Mildred, the wife of Guy Montag, accurately portrays one of society’s brainwashed citizens who is controlled by technology so much to the point where she’s emotionally and physically drifted away from her own husband. From whenever Montag tries speaking to her or asking her for assistance, she can never seem to be disconnected from her so-called, “parlors” that symbolizes a modern day TV. She’s constantly referring to the people on her parlors as, “her family”(49), which is quite strange considering that Montag is the only family she has, yet she shows no feelings or contempt for him. Even Montag realizes their distant relationship which is why he, “wouldn’t cry if she died”(44). This implies how a normal person in their society is modernized
Mildred said that she forgot to tell Montag about Clarisse dying, showing the censorship has caused them to lose emotion. Mrs. Phelps also has no feeling for death because she said that it she or her husband dies then they will move on like nothing has happened. Mrs. Phelps is just one example of how nobody cares about anybody dying and how the society has lost emotion because of the censorship enforced by the government. Mildred shows how censorship has affected the citizens by this, “ ‘Mildred, you didn't put in the alarm!’ She shoved the valise in the waiting beetle,climbed in, and sat mumbling, ‘Poor family, poor family,
When Mildred was watching TV Montag wanted to have an actual conversation with her but Mildred preferred to watch her show Mildred spoke, “That's my family…I’ll turn it down… She went out of the room and did nothing to the parlour and came back. ‘Is that better?” (Bradbury 28). Mildred spends so much time watching
Mildred cares more for the price for the TV than she cares for Montag. “‘It’s really fun. It be even more fun when we can afford to have a fourth wall installed. How long you figure before we save up and get the fourth wall torn out and a fourth wall- TV put in/ It is only two thousand-dollars.’ ‘It’s one-third of my yearly pay’” (18).
She prays to be sculpted by the sculptor”. These lines display Mildred’s thoughts about herself and how she felt when she tried to commit suicide. “But that was another Mildred, that was a Mildred so deep inside this one, and so bothered, really bothered, that the two women had never met” (Bradbury 49). Mildred is so obsessed with the idea of being perfect and like everyone else that she has become like two different people without realizing it. The Mildred on the surface is just like everyone else.
She does indeed end up dead as suggested (on page 47) by Mildred when Guy brought her up in conversation. Mildred is on the other side of the spectrum where most people are, satisfied with their lives. Lives enforced by the police hinted to by Beatty when he said “Remember, Montag, were the happiness boys” (on page 61), a world with enforced happiness by the ones who also control the censorship of the world, “protecting them”. Today's version though much calmer exists, through biases and difference of beliefs. People who are different are shunned, like all time, but a similar note is shown in media, that when someone has a different opinion everyone just assumes that their opinion is invalid and should be changed, instead of seeing it in their shoes, showing
We can see that Mildred only cares about herself and her happiness. She doesn’t have any sympathy towards Clarisse and her family who’s bearing with a loss. (STEWE-2) As Montag starts to read a book to her, he comes across a point “‘That favorite subject, Myself”’(68), Mildred then responds saying “‘I understand that one”’(68). Mildred barely thinks about life, but when she does, it 's only about herself and herself only.
They tell me things: I laugh, they laugh! And the colors!” (73). This shows Mildred has been brainwashed by conformist propaganda displayed around her society and on
