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Personification In Frankenstein

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By utilizing personification to describe fate as an omnipotent deity in chapter 2 of Mary Shelley's Frankenstein, Victor Frankenstein vindicates himself, redirecting blame upon fate instead. Victor expunges his culpability in Chapter 2 of Shelley’s Frankenstein by characterizing the battle for his soul as a struggle between “destiny” and his “guardian angel” and by concluding that “Destiny was too potent, and her immutable laws had decreed [his] utter and terrible destruction” (Shelley 27). By disassociating himself even from the struggle between his fate and his destiny, Victor denounces the perilous potential possibility that he could have changed his own nature. Moreover, he invokes beings such as angels and Destiny such that he seems small
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1234 Words | 5 Pages

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Duality Of Human Nature In Frankenstein

819 Words | 4 Pages

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790 Words | 4 Pages

In the novel, Frankenstein, by Mary Shelley, the two main characters, Victor Frankenstein and his creature, both display a sense of moral ambiguity. Each character has committed both good and evil alike, and neither knew the consequences of what they had done. However, Victor Frankenstein is generally the morally ambiguous character by his treatment of his creation and his own imperious personality. He wanted to be able to help science by recreating life or bringing it back, but at the same time, he did not want to consider the consequences of doing so. Victor tries to prove himself as a good moral character in the relationship between his creation and himself.

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1901 Words | 8 Pages

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1023 Words | 5 Pages

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