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Mexico and usa cultural comparison
Mexico and usa cultural comparison
Mexico and usa cultural comparison
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More handpicked essays just for you.
Mexico and usa cultural comparison
Mexico and usa cultural comparison
Mexico and usa cultural comparison
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In today’s society many successful artists portray their personal life experiences, historical movements, events they witnessed etc. through their art work. Frank Romero is an American Chicano artist, who created the master piece of The Death of Ruben Salazar. Through Romero’s painting we see how Ruben Salazar’s death occurred and the historical event behind it and the impact it, had in the East Los Angeles Community.
The resulting work is historical fiction, a recreation of the lives of three Dominican sisters—Patria, Minerva, and Maria Teresa Mirabal— who were murdered for their attempts to overthrow Trujillo the same year Alvarez's family fled to the United States. The Maribal sisters are heroic women known by their revolutionary name Las Mariposas (The Butterflies). The core of the book is made up of chronological reminiscences by the murdered sisters from childhood to the time of their brutal demise. “The Mirabals are a traditional provincial Dominican family, portrayed in clichéd fashion—a middle¬class rural clan anchored by the inevitably philandering but supportive patriarch and the warm, caring and wise mother”
In the altar’s center is “a plaster image of the Virgin of Guadalupe, quarter-life size, its brown Indian face staring down on the woman” (Paredes 23). The implication of the stare is of criticism as the Virgin, symbolic of an ideal Mexican womanhood, looks down on Marcela, whose Anglo features starkly contrast with the Virgin’s, and whose actions are in opposition to the values that she represents. This carefully constructed scene is meaningful. Marcela’s lifeless body lies between the bed and the altar, and opposite to the altar is Marcela’s shrine dedicated to Hollywood movie stars. These are the visual images of the opposing forces that characterize the Mexican-American struggle for resistance against American cultural hegemony.
“The Glorious Revolution”, by Guillermo Pricto, describes the state of Mexico under Santa Anna and the revolution that drove him out of power. In this piece Pricto attempts to depict the rule of Santa Anna as immoral and the revolution as a glorious act supported by the people. He first attempts to demonstrate the immorality of the court of Santa Anna by describing the Easter festivities that Santa Anna held in San Augustine de las Cuevos. After attempting to demonstrate the immorality of Santa Anna Pricto attempts to glorify the revolution by discussing the reception of the revolution among the people. In these two ways Guillermo Pricto attempts to legitimize and celebrate the revolution by cutting at the previous administration and building
Throughout history, various ancient civilizations all over the globe have created traditions and customs that have been passed down through generation to generation. The idea of having these customs withstand the test of time is truly remarkable. A perfect example of the passing of tradition is the Mexican celebration of El Dia De Los Muertos. El Dia De Los Muertos, or Day of the Dead, is a holiday that honors and celebrates loved ones of family who have passed away. Although it has its origins from the Aztec Empire, the holiday is widely celebrated in Latin America and even some parts of the United States.
Carmen Calvo is one of the most creative, influential, and eccentric contemporary artists of today's Hispanic culture. With works such as No es lo que parace ("It's not what it looks"), Calvo has certainly earned the right to call herself a true artist. With early influences of Post-Minimalism as well as Pop Art, Calvo has managed to establish her own distinctive identity via the usage of visual language. What makes her work so eccentric is her ability to take one object that generally has very deep associations with history and manipulate it using mixed media, or multiple mediums, to have a completely different meaning. In one of her paintings, for example, there is a boy reading a book.
In the introduction to Days of Obligation by Richard Rodriguez, Rodriguez encaptures the differences of societies within the nation of Mexico and state of California, both of which he is familiar with. Rodriguez informs the readers through different stylistic devices on the tragic society that is Mexico and comedy of California. Its is targeted to general audience as he simply contemplates the differences between comedy and tragedy which he talks about as if to an outsider looking in. All in all, Richard Rodriguez attempts to convey the wisdom of both comedic and tragic societies and just how different they are. Rodriguez throughout out the introduction states differences in culture and identity within the two different societies.
It is important for other cultures to view Chicano art to see the daily struggles, at times they are often bypassed and forgotten. There is a part of San Francisco where these murals exist and where the Chicano culture is much alive, this is known as “The Mission”. Through the analyzation of these
I gained some insight from this piece of artwork. I chose to start with this video due to my background knowledge on the Virgin of Guadalupe. However, I obtained so much more knowledge after viewing this. The thing that was most striking to me was when Juan Diego presented his cloak to the bishop, not only did the requested roses fall, but also the image of the Virgin of Guadalupe. Next, I observed the Sun Stone documentary.
Aside from being depicted in Mesoamerican artwork, the concept of death in Mexico also tells the story of the imposition of Catholicism on Mesoamerican civilizations during colonial Mexico. Artwork during this time period illustrates images of death, such as a deceased nun, a masked death, devil and devil dancers, and ancient decorated skulls (Carmichael and Slayer 1992, 36). According to Stanley Brandes, scholars often have a difficult time minimizing the role of the Zapotec natives while simultaneously emphasizing on the European origins of the Day of the Dead holiday. Much of the pre-Columbian antecedents steams from the iconography of ancient civilizations living throughout Mesoamerica. This includes its huge amounts of skulls and skeletons during the modern Day of the Dead rituals as well as the variations of the meaning of the skeletal depictions as it differs from region to region.
El Dia de los Muertos (the Day of the Dead), a Mexican celebration, is a day to celebrate, remember and prepare special foods in honor of those who have departed. On this day in Mexico, the streets near the cemeteries are filled with decorations of papel picado, flowers, candy Calaveras, and parades. It is believed that the spirit of the dead visit their families on October 31 leave on November 2. In order to celebrate, the families make altars and place ofrendas of food such as pan de muertos baked in shapes of skulls and figures, candles, incense, yellow marigolds known as cempazuchitl (also spelled zempasuchil) and most importantly a photo of the departed soul are placed on the altar.
The Virgin Mary is a primordial icon in the Roman Catholic Church, she has been giving various different titles but a couple of the most important ones are “Queen of Mexico and Empress of the Americas” and “Virgin Patroness of Latin America” (Fastiggi 509). Although she been given these unbelievable prestigious titles and the fact that she has affected various countries in Latin America. It is undoubtedly well known that the Virgin Mary has had the most influence in Mexico were she is called Our Lady of Guadalupe/Nuestra Señora de Guadalupe/La Virgen de Guadalupe. In this essay which will be discussing Our Lady of Guadalupe and how she impacted colonial Mexico. This will go in depth into the transversal historical context and the longitudinal historical context, which will be separated into sections.
Written by Gabriel Garcia Márquez in 1958 as part of Los Funerales de la Mamá Grande, Un Día de Éstos is a short story addressing a vast theme; that of power and how it is balanced. By constructing the narrative primarily around the two characters of Don Aurelio Escovar, an unqualified dentist, and the mayor who is suffering of toothache, Márquez uses their reactions towards each other to guide the reader into understanding how easy it is to become vulnerable, notwithstanding their social class. CHARACTERISATION The theme of power is explored through the characterisations of the two men in the story and it could be said that this done primarily through continuous contrasts between them. To start with, the vocabulary that surrounds Escovar
Márquez’s novella ‘Chronicle of a Death Foretold’ tells the story of Santiago Nasar’s murder. It is based on the real-life incident that occurred in the 1950s in a small Colombian town, Sucre. Cayetano Gentile was murdered by the brothers of Margarita Chica for having allegedly stolen her virginity. This was revealed when she was returned to her family after her newlywed husband had discovered that she wasn’t a Virgin. In his novella, Márquez displays the influence of the social mores and shows how these supersede the law of the statute books and the authority of Catholicism, which was otherwise so important and therefore how these social mores affect the characters and their actions.
Esperanza’s identity and Her Thoughts on Growing Up. The House on Mango Street written by Sandra Cisneros. Sandra Cisneros tells a story about a girl named Esperanza, who is living her life on Mango Street, and the difficulties she faces about growing up and finding out who she is. In the beginning, Esperanza is not completely ready to grow up.