Rear Window (1984) directed by Alfred Hitchcock depicts an injured and house-ridden photographer peering out into the local neighbourhood and discovering something gruesome. The film explores many themes such as voyeurism and morality in a grey light that leaves the audience unclear of what morals the film suggests. However, Rear Window morals strongly suggest that individuals must not delve into the personal affairs of others. Characters in the film such as Tom Doyle and Stella provide a voice of reason to L. B. Jefferies, or commonly called ‘Jeff’, as to why he should not be so invested into the lives of others and instead, mind to his own. The ethics into the way Jeff is looking into the lives of others in addition to the films message.
Very early on in the films plot, Stella asserts her opinion on Jeff’s recent habits and claims that humans have became ‘a race of peeping toms’ and even teases the thought of Jeff being sentenced ‘six months in the workhouse’ for his actions or ‘three years in dannemora’. This illustrates how Stella sees Jeff, a criminal waiting to be charged. Stella sees how he has become invested and interested in the lives of others and does not much to end his ways but putting the thought of a federal offense of his behaviour into his mind, reminding him that he should
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Doyle compares to the Thorwald situation to Jeff’s, stating that ‘People do a lot at things in private that they couldn't explain in public’. This illustrates how Lars Thorwald might not be able to easily explain his trips at night just like how Jeff may not be able to explain why Lisa is staying over at his house in public. In addition, Jeff may not be minding his own business by looking out and studying the lives of others, but insists for Doyle to when he sees that Doyle has noticed the bag of women’s clothes and demands that he is