What Is The Controversy Of Rear Window
Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.
Based on chapter 5 in the book Beyond Bumper Stickers Ethics, utilitarianism is the idea of utility or usefulness. “Utilitarianism says that acts are morally right when they succeed in (or are useful for) bringing about a desired result. The result that should be desired is happiness, because it alone is intrinsically good” (Wilkens, S, 1995, pp. 84). This can be interpreted that the death of one can bring happiness to multiple individuals. One organ donor can save up to 8 lives and also save or improve the lives of up to 50 people by donating tissues and eyes (New York Organ Donor Network, 2015).
Rear Window Argues that people should mind their own business. Do you agree? Rear Window, a 1954 romance/murder-mystery by the renowned golden age director Alfred Hitchcock, is a film that explores a multitude of themes and genres through the voyeuristic gaze of protagonist L.B. Jefferies. Jefferies, or ‘Jeff’ as he commonly known throughout the film, is a middle-aged bachelor recently hospitalised due to his high-risk career as a photojournalist. This hindered condition serves as an important foundation on which the movie is built upon as Jeff’s forced lifestyle being in a wheelchair causes an abrupt stop in his usual high intensity way of life and causes him to quench his boredom in other ways, predominantly watching the other residents in his apartment complex through the ‘rear window’ of his apartment.
The idea of similarities among all people, an underlying connection, is expressed by Hitchcock when Lisa in Rear Window argues with Jefferies, saying, “There can't be that much difference between people and the way they live! We all eat, talk, drink, laugh, sleep, wear clothes --“. When she says this, Lisa has a lamp light shining from the upper right side of the screen to indicate the truth of her argument. There is also an instance in Rear Window where the ability to understand a person sprouts empathy. Jefferies is sitting in the dark, after Lisa leaves angry, when the piano man comes home.
Rear Window by Alfred Hitchcock is a fillm full of symbolism and motifs that provides viewers with a bigger meaning. It shows these rhetorical appeals through Hitchcok’s eyes that would not be recognized if not analyzed. Through these appeals I have recognized the window as being a symbol and marriage and binoculars as motifs. After understanding much more than what the eye anitially sees when viewing this film there is a fine line between understanding what is going on in the film and observing what the protagonist Jeff is viewing.
With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.
She argues that the act of moviegoing satisfies these voyeuristic desires in people. She writes, “The mass of mainstream film portray a hermetically sealed world which unwinds magically, indifferent to the presence of the audience, producing for them a sense of separation and playing on their voyeuristic fantasy,” (pg. 186). In this essay, I will further discuss her viewpoints on cinema and voyeurism, and how it connects to the film Rear Window by Alfred Hitchcock. Rear Window is a film that follows the
Due to the restrictions on film and violence prior to the film being made, it was controversial to portray violence on the screen. It is films such as Alfred Hitchcock’s Psycho (1960) that pushed the boundaries of violence in film. However, in West Side Story (1961), the violence is more theatrical than realistic. Within the “brawl” scenes, there is limited blood, and close-up shots of real physical altercations.
Released in 1958, Alfred Hitchcock’s Vertigo focuses on the close connection between love and unhealthy obsession. Former detective John “Scottie” Ferguson is asked by his friend to investigate his wife, Madeleine. Scottie eventually falls in love with the apparently suicidal Madeleine, but his love soon borders on obsession. After she commits suicide by throwing herself off a bell tower, Scottie later meets a woman who looks exactly like Madeleine. His obsession pushes him to remake the woman, Judy, into his dead lover.
Also, the principal photography was amazingly done in this film (exterior long shots); I realized that they were moving the camera sometimes, but not in a dramatic way, which created great shots. What also attracted me were the landscapes that seemed really dramatic and oppressive; I noticed that there were no mountains or trees, only flatlands extending into the distance. What astonishes us, viewers, is that the movie is based on actual events. A car salesman “Jerry Lundegaard”
Alfred Hitchcock 's Rear Window explores the lives of those who feel isolated within society. The 1954 film, set in the tenements of Grenwich village, depicts those who are incapable of fitting into society 's expectations, as well as those who feel isolated from common interaction with others. Moreover, Hitchcock displays how its human nature to seek comfort and deeper connection even with those who are surrounded by others. Despite depicting characters as lonely, the progression of the film illustrates how individuals can be freed from isolation. The director asserts the loneliness and struggle that comes from fitting into social mores.
Driverless cars will probably be one of the main and most common transportation vehicles in the future that will become a big part of our lives. Currently our thoughts about driverless cars have positive aspects to offer us rather than negative. These cars will shape our social lives and change the way we live. But how?
In the film Rear Window, the director, Alfred Hitchcock uses a variety of techniques to create suspense and leave viewers on the edge of their seats throughout the film. Hitchcock uses a good assortment of tempo to create thoughts in the viewer's mind. He slows down the pace to create anticipation, and speeds it up to show a change in intensity. In the ending scene of Rear Window, Alfred Hitchcock uses changes in pace and tempo, lighting, and a short term deadline to constitute an immense atmosphere of suspense in the viewer's mind.
In a trial the closing argument is the most critical addresses made in court. Generally an emotional plea, this closing argument can be the deciding factor to a court case. To Kill a Mockingbird is a 1962 film based on the award-winning novel written by Harper Lee. During an era of racial inequality, lawyer, Atticus Finch, contravenes the unwritten social code to defend a black man against an underserved rape charge. In a racially charged atmosphere, “white trash” Mayella Ewell ignores the morality and conventions of the community, and makes a sexual advance on Tom Robinson.
The theme of the story "Girls in the rear view mirror" is revolving through many lives of the truck drivers, similar to the conditions they face and like what number of them turn into an objective of the weakness of their mental states. This story depends on Luis who is the truck driver and stays months from the family and how he fell for a whore named Jotinha. In light of her calling it is said how she got tainted by HIV/AIDS. Jotinha died as a result of this ailment as well as she gave birth to a child who was additionally adulterated by the same. In spite of the fact that she became hopelessly charmed with Luis and her devotion was demonstrated by her when she left for a year abandoning her work to consider an offspring the kid, still she and her tyke did not get the appreciation they defended.
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