ipl-logo

Seymour Chwast And Jonathan Barnbrook Essay

1842 Words8 Pages

In this essay I will be discussing the work of two references, one historic and one contemporary, who’s work has been particularly influential in the field of Graphic Design and Illustration. Seymour Chwast, born 1931, and Jonathan Barnbrook, born 1966 are the two references I have researched. After analysing and critiquing both of their work, I will also discuss possible connections I have found between the two references’ work as Graphic Designers/Illustrators, and any opportunities for further research. Seymour Chwast is a Graphic Designer, Illustrator and Typographer from New York City, USA. Born in England, Jonathan Barnbrook is a Graphic Designer and Typographer, as well as being an activist and film maker.

At a young age Seymour Chwast …show more content…

Through different processes and different mediums however, they communicate some similar messages. I’m interested to research further into the the Magazine Adbusters, as it is an anti-advertising publication, I’m interested to learn why they disagree with how advertising is used and learn more about other designers such as Jonathan Barnbrook who have been involved with the organisation. I am also interested in looking into other graphic designers/artists who are using irony to communicate dissent in recent years such as Jean Jullien. After researching and learning about Seymour Chwast, I wish to look further into the work of people he has collaborated with such as Milton Glaser. I’m also inspired by some of the art movements that informed Chwast’s work, particularly Victorian typography and design and Art Deco. Through finding connections between these artists, it allows us to really analyse their ways of designing, deeper than what you see at face value. It’s also interesting to compare a historical approach to design to that of a contemporary one, as it gets us thinking why we design things the way we do, how best can we communicate to the viewer, and how can Graphic Design/illustration be used

Show More
Related

Reynold Ruffins's Metamorphosis

473 Words | 2 Pages

One of his co-founders of Pushpin Studios, Reynold Ruffins was another modern and influential artist of this decade. As a painter, illustrator, and graphic designer, he creates work with “stylistic versatility” (Strange). Most of Ruffins’s work also heavily relies on shape and vibrant color. Despite the bold contrast, his work has a way of “flow[ing] uniformly and seamlessly” (Strange). His work communicates this atmosphere through “expressionistic juxtapositions and exaggerated forms” (Baum).

Read More

Mark English Accomplishments

1424 Words | 6 Pages

In the vast world of illustration, Mark English’s name remains one of the most renowned and influential contemporary illustrators up until this very day. With art that consisted of many themes from landscapes to human figures and animals to architecture, artists worldwide were enamored with his designer approach. Throughout the entirety of his career, English has made many notable accomplishments up until his unfortunate recent passing in 2019. His unique, mixed media artistic style left a prominent mark on the art world and continues to inspire a new generation of artists. Mark English’s humble beginnings, education, artistic careers, achievements, and unique art style all have contributed to his lasting legacy and earned him the name of one of the most inspirational and influential illustrators of all time.

Read More

Notes To Basquiat By Gordon Bennett And Emily Kngwarreye

522 Words | 3 Pages

In the world of art, many artists are known for being vocal about their cultural identity and heritage and things they strongly believe in. They use their work as a means of expressing their views on society,politics,emotion and more. Curator Brenda Croft argues that some artists are "cultural warriors" who defend their territory through their art. In this essay, I will explore the works of two artists, Gordon Bennett and Emily Kame Kngwarreye, and analyze how their roles as artists can be interpreted to reflect Croft's view. Gordon Bennett was an Australian artist of a Aboriginal and Anglo-Celtic background.

Read More

Giovanni Piranesi Artwork Analysis

793 Words | 4 Pages

I wondered that if the three artists were alive right now, I would ask them one question. The question is going to be, why are you choose to be an artists even you know it will going to be very hard to be successful and famous. In the conclusion, I learned that if I want to become a successful artist, I would need to be patient, and try my best on my assignment. After researching and understanding about the three artist history, I found that learning about the artist and their artworks is very interesting and it help me to gain more knowledge about art, and also the subject that I had chosen to study for this semester.

Read More

Jessica Walsh's Accomplishments

402 Words | 2 Pages

As I scrolled the most remarkable designs I had ever seen, I reassured my career election. “She’s so talented and distinguished”, I thought. “Someday I will be like her”. This is how, unintentionally and definitely by chance, I came across Jessica Walsh’s successful artwork, and decided to look into it.

Read More

Jonathan Lethem The Ecstasy Of Influence Analysis

1776 Words | 8 Pages

From the content of books to the songs on the radio, art serves to provide a reflection of the world. Behind every design, there are great chains connecting the art to the artist to the artist 's inspirations and so on as far as the eye can see. In Jonathan Lethem 's The Ecstasy of Influence: A Plagiarism, he emphasizes these unseen connections. "My search had led me from a movie, to a book, to a play, to a website, and back to a book." (Lethem 212).

Read More

Wes Wilson: A Career In Graphic Design

659 Words | 3 Pages

He did not have the typical dream of being a graphic designer from childhood. He did not think of a career in graphic design until he dropped out of San Francisco State University in 1963. Wilson’s major had been philosophy. “The time was late 1965 and early 1966, and the whole San Francisco alternative culture scene was just emerging. We then bring together Wes Wilson, who had a natural talent for art and an

Read More

Marian Bantjes Analysis

248 Words | 1 Pages

I think Marian Bantjes’ work primarily falls under fine art rather than graphic design. The purpose of graphic designers is often to create visual symbols that convey a message simple enough for the common man to quickly understand. Rather than wanting individuals to interpret their own meaning from a piece of work, graphic designers are trying to communicate the same message to a wide variety of people. Bantjes’ goal does not seem to be the same as that of a graphic designer. When Bantjes works on a project, she thinks, “Who is it for, what does is say, and what does it do?”

Read More

Lester Johnson Self Portrait Essay

1191 Words | 5 Pages

Even before Lester Johnson moved to New York City, the man had developed a definite style that hinted of being a future avant-garde, a rebel that took whatever he could use from the various artistic movements while leaving the rules and hindrances behind. One notable thing about this man is the critics, gallery owners, patrons, not even other artists knew exactly how to label him until the 1960’s. Until the day Johnson died, on May 30, 2010, this enigma routinely changed up in both the models numbers and subjects whenever his energy started to drop or the creative spirit cried out in frustration. , Johnson, in grammar and high school, was encouraged to pursue an interest in art, advice which the young artist willingly followed. There were

Read More

How Did Art Change Throughout The 20th Century

743 Words | 3 Pages

The 20th Century was a time period full of excitement, sorrow, joy, loss, and many different events. In the aspect of art, many pieces were made throughout the time period, filled with complexity, styled with different techniques, and mostly inspired from past experiences or emotions. Some pieces of art were realistic, while others followed the Cubistic style with a variety of colors and lines. Each praised artist had come from different walks of life and from cities across the world. Throughout the 20th Century, multiple exemplementry art has emerged with different intricacy and variety of approaches, giving the viewer a different standpoint in the artist's life or event.

Read More

James F. Cooper What Is Good Analysis

701 Words | 3 Pages

Art history is majorly overlooked; there is so much more to it than the study of art. What, how, and why to study construct a slippery slope for the creative community because the answers cannot be chalked up to one consensus. James F. Cooper’s arguments for viewing cultural idealistic artwork to redefine America are retro. He abandons the confrontation of problems within America and is persistent in wanting America to default to what it once was. Alan Wallach’s arguments on engaging with controversial artwork to gain information about America’s history are far more applicable to today’s society.

Read More

Raque's Influence On Pre-1970 Artist Georges Braque

1245 Words | 5 Pages

Influence of culture on design An analysis essay on pre-1970 artist Georges Braque Student Name: Siu Man Yee Karen Student ID: 004GD013 Hong Kong Raffles Design Institute Course Title: 20th Century Design and Culture Lecturer: Julie Osen Date: November 5, 2015 Table of Content Introduction —————————————————————————— 3 Reasons behind the choice of artist ———————————————3 The context and cultural environment in which the artist was operating in ——————————————————————————————— 4-5 Georges Braque’s impact on his time ——————————————6 Six perspectives for analysing Georges Braque’s artworks —————7 5.1

Read More

Relational Aesthetics Analysis

1519 Words | 7 Pages

In this section I evaluate relational aesthetics in terms of its contribution to narrowing the gap between the aesthetics of ‘fine art’ and the aesthetics of ‘popular visual culture’ and I discuss the work of Rirkrit Tiravanija and Liam Gillick. The approach of relational aesthetics was defined by Nicolas Bourriaud in 1998 in his book Relational Aesthetics, and with his interest in socially-oriented art he defined the art of the 1990’s as one that takes as its theoretical horizon the “realm of human interactions and its social context, rather than the assertion of an independent and private symbolic space” (Bourriaud quoted in Bishop

Read More

Futurism Essay

2722 Words | 11 Pages

Introduction In the first two decades of the twentieth century, the world experienced change that radically impacted in all aspects of human life socially, politically, culturally and economically. Advances and innovations in technology and science further transformed the state of commerce and industry in making life much easier for all people in societies. Visual art and design also experienced a series of creative movements that questioned long-held values and approaches to organizing space as well as the role of art and design in society. Among the modern and first art movements that occurred during these early decades of the twentieth century were cubism and futurism, which directly influenced the graphic language of form and visual communication

Read More

Examples Of Postmodernism

1558 Words | 7 Pages

To understand contemporary art, one should consider or understand how artists of the modern times work, what they refer to in their arts work, and so on. A change of art from the past to “modern art” was visible after World war 2, basically in the 1960’s. Although contemporary artists refer to art of the past, it is not always accepted. Most contemporary artists reject the styles of art that came before them, they instead introduce new ways , and styles of creating what is called “Modern art.” With all the new ideas an styles of art created, it still has relation with previous and past pieces of art.

Read More

More about Seymour Chwast And Jonathan Barnbrook Essay

Related Topics

Open Document