1. According to stage directions in the text, every death before Banquo's has happened offstage (i.e. implied but not seen by the audience). Should Banquo's death appear onstage or not? Explain why it might be important to either show or conceal that particular murder.
William Shakespeare brought the death of Banquo onstage for crucials reasons. He wanted to emphasize to the readers that Banquo’s death would be the turning point of the story. This detail have a high potential to become foundation of the Macbeth’s fall with the successful escape of Fleance, the son of Banquo. After having a hairbreadth to the death, Fleance will find out who is the murder, and the horrendous truth behind the hornor king, Macbeth. Furthermore, the onstage appearance of Banquo’s death implied
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In the play thus far, Macbeth has killed people in three different ways: first as a warrior, second as Duncan's assassin, and third as the director of Banquo's murderers. What can you infer about Macbeth's changing character based on his approach to each of these killings? What details in the story reveal that he has changed method by method?
The character of Macbeth changed through three stage: warrior, assassin, and the director of murders. First of all, killing people as a warrior brought him the honor and the respectful of the kings and the citizens as a hero for the country. Secondly, the ambition blinded his eyes and murder Duncan through many night of being woeful with the consideration and the perplexity between an evil and a hero. Finally, he became the real devil who is ready to eliminate everything that harm his position without any concerns; and even more professional, he used the other hand to kill people for him.
3. In Shakespeare's tragedies, a turning point -- an event that moves the action ever downward to its tragic conclusion -- typically occurs in the third act. How is Fleance's escape a turning point in this play? (Or do you think a different event marks the turning