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Compare and contrast the christian creation stories
The bible creation myth
Compare and contrast the christian creation stories
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How do Mary Shelley’s Frankenstein and Tim Burton’s Edward Scissorhands use language features, stylistic features and conventions to explore the theme of difference? Mary Shelley’s Frankenstein was published in 1818. The story focuses on a scientist named Victor Frankenstein and a creature brought to life through electrical currents, a popular idea at the time called galvanism. The second text, Tim Burton’s Edward Scissorhands was released in 1990 and focuses on an artificial being called Edward who has scissors for hands.
It is clear by analysing these stories that both protagonists were first abandoned by their creator and then once again by society. Shelley and Burton both effectively incorporated the techniques of setting and mood to portray moments of abandonment in both Edward and the monster’s lives. Consistent within various chapters of the Frankenstein novel, are scenes of the monster wandering around alone in different environments, portraying him to be a creature disregarded and abandoned by society. The diverse use of both change in setting, and mood of language, effectively displays the moments of abandonment that the monster is experiencing and hence allows the audience tio sympathise with his emotions.
How does Mary Shelley’s Frankenstein and Tim Burton’s Edward Scissorhands utilise characterisation, imagery and foreshadowing to demonstrate the theme of abandonment and its consequences? Mary Shelley’s Frankenstein and Tim Burton’s Edward Scissorhands both explore the ideas of being misunderstood and rejected by society. Through his curiosity in the field of science, Victor Frankenstein envisions the creation of a being, not knowing what it would later become as a result of his neglect and lack of care towards it. Victor’s passion for science and his ambition to create his ‘monster’ causes him to feel guilt and regret, eventually resulting in his demise. On the other hand, Edward Scissorhands experienced a positive upbringing, with his creator
There are some similarities among them. Both Frankenstein and Brave New Word are science fiction. In Frankenstein Victor he attends a university in Ingolstadt to gain more knowledge that would enable stop death. In the same manner in Brave New World eggs are developed in bottles and then its transported on conveyor belts that stretch almost half a mile, where at every meter the embryo is specifically conditioned for its future role. This is to have social stability.
Compare and Contrasting Two Monster Stories A monster is a mythical creature with a ferocious physical appearance; it can either be partly animal and partly human. Examples of monster stories are Grendel and Frankenstein. Frankenstein is a story written by Mary Shelley.
In the wild, there are many organisms that have beauty but can also be dangerous. A venus fly trap is an example of this; it is pretty but can kill. The plant lures its victim in with its scent. Once an insect lands on the plant and touches one of its censors, it is just a matter of time before it shuts close, trapping the victim. This concept also exists in society; knowledge may seem alluring but triggered and used incorrectly it can be very dangerous.
Shelley establishes a somber and menacing tone early on, foreshadowing the tragic events that will take place. The frequent allusions to light and dark, life and death, and the natural world in opposition to the world of science all hint at the disastrous effects of Victor Frankenstein's obsession with producing life through science. A number of literary allusions and cautions, such as the biblical story of Adam and Eve, implies that playing God can have disastrous repercussions, which hint at the monster's creation. Victor says to "Learn from me... how dangerous is the acquirement of knowledge, and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow" (Shelley 53).
He does not see himself as Adam, but rather as Satan. Unlike Adam, the creature is alone, without a creator to protect him or even an Eve to share his life with. In Paradise Lost, the biblical story referenced in Frankenstein, Adam forced himself into isolation and rejection after he has sinned. Victor has rejected his creation without giving him a chance. Victor causes the creature's hideous appearance forcing the creature to live his life in isolation.
Frankenstein’s creature is brought to life by Victor Frankenstein. When the monster comes to life, it does not know anything or anyone, he suffers a whole lot since he is not like any human being. Nowadays the belief system for a countless amount of people is that the only person who can create a person or anything is God. When Dr. Frankenstein creates a creature out of parts of deceased humans that he congregated from “graves…charnel-houses” (Shelley 21-22) an abundant amount of people view it in
The presence of biblical ideas can be seen throughout the Mary Shelley's novel Frankenstein. Whether it be Victor Frankenstein acting as god as he creates life or the comparison of the creature to the fallen angel or devil, the bible has a strong partnership in the novel. In chapter nine of volume two, there is once again an allusion to The Bible as the creature embodies Adam, from the creation of man in genesis two. The creature can be seen asking Frankenstein for “a creature of another sex”(170) to “free [him] from the misery”(170) he feels from being so lonely. This request the creature is asking for from Frankenstein mirrors the same desire Adam had in the second story of creation in Genesis two.
Christianity in Frankenstein Throughout the novel, there were many biblical allusions. Christianity play into novel by comparing the creation of Frankenstein's monster to the creation of Adam and Eve. Mary Shelley incorporating this into the novel to show that no one should ever come close as Frankenstein was to receiving "God" status because it will ultimately drive them to destruction. The purpose of these connection is that no one should not play God.
In both novels Frankenstein and The Handmaids Tale the question of what it means to be human is a reoccurring theme in which emphasizes the passions and desires every individual may have... There are both dark and bright sides of being human as overcontrolling passions may lead to madness, distress, and use of violence. Victor 's overpowering passion for knowledge led to him doing the extreme by playing God and bringing a creature to life in a world where it would never be accepted as society tends to only accept humans that are visually appealing- as for society what it means to be human depends mainly on the outer appearance. The monster wanted nothing more but compassion and human contact, something babies desire for the most, but since
The two passages above, one from Frankenstein, and one from The Creature, highlight their perspectives on life having either been supported by a family or growing up with no parental guidance. This shows a parallel relationship between the two passages. Ultimately they both end up left in solitary, only having each other. In The Creature’s passage, he talks about his desire for a family.
In both Edward Scissorhands and Frankenstein, the creations of life were both made by man. They are both scientists who defy the natural laws of God and the universe in an effort to create life. In each story there is little scientific detail; the focus instead is on the consequences of playing God. The creation of life is almost universally known to be reserved for the gods or to nature. In both movies, the creators break this unspoken law but the consequences are very different in comparison.
Mary Shelley's Frankenstein depicts the remarkable resemblance to the “modern” myth of Prometheus. The intertextuality used to connect these two stories, allow Shelley to bring out the most prominent themes of Power and suffering. As both of the characters deal differently with the struggle to resist the power that comes with creating life, the inevitable end for both characters are the same; they fall at the hands of their own creations. Shelley carefully utilizes the legend of Prometheus to express the connection between punishment and creation.
