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Victor Frankenstein Playing God Analysis

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Is Victor the Ruling God? One does not simply “play God” in this world, that role is more than just a dress up and act thing. Many people say that Victor in the novel Frankenstein tries to “play God” which is absolutely true. As the novel progresses the characteristics of the creator “playing God” become more obvious to the eye of the reader. Victor “plays the Lord” when he creates the creature, when he decides what to do with the orders of the creature, and when the monster creates the connection when reading the book Paradise Lost. Frankenstein’s creature is brought to life by Victor Frankenstein. When the monster comes to life, it does not know anything or anyone, he suffers a whole lot since he is not like any human being. Nowadays the belief system for a countless amount of people is that the only person who can create a person or anything is God. When Dr. Frankenstein creates a creature out of parts of deceased humans that he congregated from “graves…charnel-houses” (Shelley 21-22) an abundant amount of people view it in …show more content…

Since when he reads the novel Paradise Lost he makes the connection. He says “I ought to be thy Adam” (Shelley 45) and that he is seeking a female companion, Eve, and that his God, Victor does not grant him “[an] Eve [that soothes his] sorrows… [he] was alone” (Shelley 61). Victor is God to the creature, because “I remembered Adam’s supplication to his Creator. But where was mine? He had abandoned me” (Shelley 61). God is who gives the orders and creates life, and that is exactly what Dr. Frankenstein does in Frankenstein. Paradise Lost, the Adam and Eve story falls ideally with the novel since Adam is the first human alive and the creature is the first monster brought to life with dead human parts. Eve is the first female human alive in Paradise Lost. The creature wants his “God”, Victor Frankenstein, to create him an ‘Eve’ nevertheless his “God” nixes to do

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Over the weekend, IRSC put on an amazing version of Victor Glalanella’s Frankenstein. The production was a wonderful work of acting, costume, and set design. Director David Moberg did an amazing job putting this play together. The acting was very strong and clear to understand despite the rare slip on lines. The costumes matched very well with the show and time period, especially the women’s dresses.

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Zachary Tew Miss Sibbach Honors English IV 11 December, 2015 Is Victor Frankenstein Like God? In Frankenstein Victor plays the role of God with the creation of the creature. Victor studies for years about the dead to see how new life works. He creates life from the dead with his studies of electricity.

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Throughout Frankenstein, Shelley uses Victor to warn the reader of the dangers of aspiring to godliness, and the consequences one faces in the aftermath doing so, even going as far as to compare Victor to Satan, tempting the crew of Walton’s ship, in the book’s final pages. The Victor Shelley creates is very similar to the Satan created by Milton in his book, Paradise Lost, which explores the biblical tale of Adam and Eve. In Frankenstein, Victor speaks of his desire to create the Creature, saying, “I deemed it criminal to throw away in useless grief those talents that might be useful to my fellow-creatures.” (152). Shelley’s diction choices, such as the word “useless” exemplify Victor’s excessive hubris, portraying him as a man who creates his Creature for, in his mind, the good of society.

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Shelley does not hint to an omnipotent God in the world of Frankenstein, but a book referenced in the story does talk about a Creator, and Victor is considered by the monster as the monster’s Creator. When the monster discovers Victor’s books, he makes note

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Victor also compares the monster to Satan. Logically, if the creation of Frankenstein/ the mortal enemy of Frankenstein is the equivalent to the creation of God/ Satan, then Frankenstein is considered to be “playing god.” Victor is also referred to many times in the text as the “creator”. What is contrasting about their biblical counterparts is that the monster (the equivalent to Satan) is capable of good and Victor (the equivalent to God) is capable of sin. This meaning behind the allusion is most clearly seen in chapter 15

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Throughout Mary Shelley’s Frankenstein, a great comparison is shown between Victor Frankenstein, the main character, and Prometheus, one of Greek mythology’s greatest Gods. Shelley borrows from the tale of Prometheus a consequence resulting from searching for a great source of enlightenment and power. In creating a being and giving it life, Frankenstein seems to take on the remarkable role of God which leads him to thinking that a power that is so heavenly cannot be played with by mankind. During his quest to expand his creative knowledge, abilities, drive, and ambition to know the origin of life, he puts himself in conflict. Frankenstein gambled his way into the godly realm without realizing he committed a sin by creating the monster, and

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“Whosoever is delighted in solitude, is either a wild beast or a god” (Aristotle). Romantic period writer and author, Mary Shelley, depicts two characters in her soft science fiction novel, Frankenstein, that is exquisitely similar to those who “would find delight in solitude” as quoted by Aristotle in his Politics. In Shelley’s Frankenstein, the parallel of Aristotle’s two presented personas consists as Victor Frankenstein as a god and his horrific creation, the Monster, as a wild beast. Unambiguously, Victor is indeed the god of the Monster because he created him, consequently bringing the Monster into existence. The Monster too is merely a wild beast from the perception that he appears to be a frightening and violent creature.

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