British Composer / producer Colling Craington crosses the boundaries between recurrence and fickle, acoustic and electronic, crisp tonality and slow melody. His latest development “Slowly Comes The Morning” makes a strong argument whether monikers in the same milieu should follow or improvise even further. “Slowly Comes The Morning” is 2016 album composed and performed by Colin Cringhton and which to my personal opinion remains / will remained in ambient / soundscaping history not only because it is a fabulous album and incidentally happened to be Craig’s most prominent outcome as both composer and producer, but also for ( Sparkwood’s Records ) as well as ( Humming Frequencies ) to have gain the opportunity to shine through together with …show more content…
For all the distinct sonic embroider the record holds, you are seldom(ly) starved of something dazzling at the humble nature of the sound. For instance, the second movement 'Through a Gap in The Cloud', this piece is so darn good that you can feel the ritzy orchestral melody cutting through steamy atmospheres, heavily looped wreckage, lo-fi elements and thin layers of shoegaze noise takes control of the track for most part. All said when the piece finally comes down from its peak ‘which by the way is absolutely stunning’ and when all noises simultaneously fades through the cloud, the composer hits you with the final 16 seconds of the movement invoking a subtle playground that's loaded with fantastic imagery and genuine-nostalgia. By the time you done with this piece or shall I say the last 16 second of this piece chances are very likely that you might feel the urge of hitting repeat play button before moving to the 03rd track. And the BEST PART is that urge of hitting the repeat button is more over applied to ALL TRACKS on this title. On an ambient note there is no words that can be said to truly justify / credit the album. BRILLIANT WORK FROM OUR BRITISH COMPOSER [ nil.com ] guys. Get this records by all