South Park And The Carnivalesque Analysis
Audiences are the receivers of messages. Typically, companies or organizations are “pushing” information out to audiences – disseminating material without the goal of listening in return. A common example is when companies issue news releases. They have information about an event, an acquisition or a policy decision that is important for their audiences to know, but they most likely are not looking for those audiences to weigh in at the time of release – just like Jerry Seinfeld. He is telling us his jokes and humorous observations.
Television programs often retain an aspect of reality in order to relate to the audience and commentate on social issues. Although both The Goldbergs and The Twilight Zone address controversial issues such as gender roles, insanity, and ethnic stereotypes, genre differentiates their approach and their audiences’ receptiveness to change. Whereas The Goldbergs, an ethnic sitcom, addresses the external world using comedic relief, The Twilight Zone, a science fiction program, delves into the human mind using imagination. Despite their common efforts to direct social change, the programs are inverse images of one another, and The Twilight Zone’s genre structure allows it to resonate more with the audience. From 1949 to 1956, The Goldbergs dominated television as the first televised sitcom.
Today’s generation watches a lot of television because we like to be entertained. Most people like to watch comedy shows because they can relieve stress from their day of work or they just want to relax. Either way, people like to laugh and feel good about themselves. The show that I think does this the best is “Parks and Recreation” because they incorporate a good story line with a lot of humor that can make most everybody laugh. “Parks and Recreation” is one of the best shows, not only in its category but in all categories combined.
“The Influence on the Unconscious” As young adults, we have laid around our homes for countless hours watching different types of television programing. Many of us, have a good idea on whether a program tries to offend viewers with their content. For over a decade, the popular television show “Family Guy” created by Seth MacFarlane, has shown controversial content that many people throughout the world have either loved or hated. In the writing piece titled, “Family Guy and Freud: Jokes and Their Relation to the Unconscious” by Antonia Peacocke that is discussed below encourages us to distinguish between offensive and insightful content that airs on Family Guy.
Unfortunately, the context is which the jokes are consumed isn’t always the same. Where the actual problem and racism comes from is when the audience watching laughs because they agree with the characters. They are no longer laughing at Christmas Eve because she personifies stereotypes, but because they believe in those stereotypes. The humor shifts from being humorous because of a character to being humorous because of race. Here is where the problem lies, not in the show itself, but in the way it is
Humor comes in many shapes in sizes, appealing to different ages, genders, time periods, and even different intellect levels. In the 2011 blockbuster hit “Bridesmaids”, there are comical devices used that attract a crowd through low comedy. This implements comedy through vulgar language and jokes, indecency, and exaggeration. Although, this sort of humor may appeal to millions according to the outstanding ratings and exceptional critiques, this does not excite the same reaction to myself as it may to others. “Full of heart, warmth and enough excrement to fill an all-white bridal shop.”
Bo Burnham unknowingly started his career by uploading comedy videos to youtube at just sixteen years old. Years later after those videos went viral, he is now one of the most talented comedians who has changed the idea of comedy in the modern age by using his theater background and satire in his writing. Through his work in comedy with the rhetorical device satire, Bo Burnham analyzes important social issues such as social media, behavior accepted in society, modern music, and religion which simultaneously reveals societies faults regarding the mentioned matters. At one point during Bo Burnham’s second comedy special, “Make Happy”, a satirical introspective monologue shows you the true meaning behind the show in which he reflects and explains
The present article investigates the connection of sex, financial status, ethnocentrism, and national character to ethical moral mentality toward ethnic humor. Discoveries demonstrate that moral state of mind of people toward ethnic humor have been established and impacted by sociological variables most quite their social setting and sentiment anomie. Racial and ethnic generalizations have been depicted in books, network shows, and different types of the media, specifically comic drama. I recall clearly the considerable old theatrical presentations I grew up with. An extraordinary number of these individuals and their visitors were results of the vaudeville time.
Both The Simpson’s “The Joy of Sect” and South Park’s “Super Best Friends” episodes, through the lens of satire, utilize irony, exaggeration and parody to comment on the dangers of blind faith, ultimately highlighting the need for critical thinking and skepticism in modern society. Cults are most well known for their negative connotation, being a group that excessively controls its members, all sharing a set of acts and practices which require unwavering devotion. Cults have been prevalent in media and pop culture, usually exaggerating the idea to the extreme, and as a result, more people are aware of them and the harm they cause. The Simpsons and South Park are two of the world's most popular comedy television shows.
Some people find violence amusing, others do not. Amusement through violent action between characters is called slapstick comedy. Happy Gilmore uses an iota amount of slapstick comedy through beating up others, unintentionally hurting others, others hurting him, and hurting himself. Happy Gilmore uses slapstick comedy through beating up characters. He beats up his young caddie. "
As seen by the mothers’ and daughters’ behavior towards each other in The Joy Luck Club, it is difficult to preserve one’s culture when one is exposed to a new environment or country. With a difference of two distinct generations between them, the four main pairs often come across cultural collisions. Other than facing the age gap, these mothers and daughters also have to deal with a language and communication barrier. Already, at the beginning of the story, Jing-Mei Woo is able to understand how the mothers of the “Joy Luck Club” are displeased with their daughter’s rejection of their Chinese culture. She speaks to herself, admitting that “they are frightened.
Australian comedy is a naturally witty and entertaining, self-deprecating style of humor. How can we take anything to seriously whilst we go around saying the words “bloody struth mate”? We are smothered with Australian made TV shows, which shock and stir outrage. With many of us finding ourselves laughing at lewd comments. The outrageous jokes they project onto the small screens resulting in laughs.
‘Scrub me mama with a boogie beat’ 1941 song about a washerwomen from harlem NY (Don Rayes -song) clip directed by walter lantz (walter lantz cartoon studio) story by ben hardaway. Teacher’s intro Children’s cartoons are as much a tool for education as they are for entertainment. In Walter Lantz’s ‘Scrub me Mamma with a Boogie Beat’ of 1941, the representation of racial stereotypes reflects the sociocultural conditioning of its pre-civil rights movement makers.
Many audiences of stand up comedy enjoy hearing their favorite comedian entertain them. But what would one think when a comedian cracks a joke about a sensitive topic, for example, a tragedy that affected hundreds of people. Some may argue that, comedians are not supposed to overstep the boundary of controversial jokes. These controversial jokes are linked with political correctness—which is used to describe language, policies, and measures that are taken to avoid offense to certain groups of people. Comedians are not compelled to restrain from controversial topics due to the topic not being sugar-coated, the higher level of contemplation that the joke can reach, and the job of the comedian—to make the current issue manageable.
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