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Steven Spielberg's Influence On The Film Industry

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In every generation an individual can discover his or her own particular hero, regardless of whether in art, politics, or history. In the film business, however, is that truly the case? The pioneer who molded the work of art are the ones yet claiming the most impact on movie makers today. Influence is characterized as that abstract power which can influence an individual, thing or course of occasions. Many trust that movies, more than some other work of art in the previous century, have a keen impact on modern film. if one additionally admits the most part held assumption that directors, more than some other creative power in the movie business, are in charge of guiding and forming movies, at that point maybe movie directors as a class have had generally …show more content…

stated, 'The movies reach out and grab you'. That what he thought was extraordinary about Alfred Hitchcock. when the film "Jaws" directed by Steven Spielberg burst onto cinemas on June 20, 1975, the film stunned crowds with a frightening creature. and until now many haven't known the real-life series of shark assaults in 1916 that sent New Jersey's coast into a madness and are said to have influenced the hair-raising novel and blockbuster "Jaws", which it cost generally $7 million to make, would go to an overall net more than $470 million all around the world, initiating the career of movie producer Steven Spielberg, starting a model for how huge spending films are made and advertised, and molding a key piece of well-liked culture. The thriller film turned into the first to break the $100 million target at the U.S. film industry, toppling records set by "The Exorcist" and "The Godfather". Towards the end of its first week, "Jaws" had just recovered a lot of its production budget, and Hollywood studios and movie producers observed. Taking the movie, The Grand Budapest Hotel as another case of director's

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Spielberg's first major directorial effort was The Sugarland Express, with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws. This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind, a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna

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1021 Words | 5 Pages

For example, Jaws was the first film that featured a new type of insane character, the giant shark. “Jaws changed the face of American cinema, influencing the next generation of filmmakers to eye summer release dates, high-concept ideas, easy marketability, teaser trailers, TV spots, media junkets, merchandising, and the almighty dollar” (Stephens). In summary, the movie itself brought about many changes, but the shark dreamed up and created by Spielberg inspired new subjects and characters in other future films. Without Jaws, the film industry would not have chased after these new ideas and concepts like having an enormous shark as the main character. Furthermore, Spielberg was one of the first to bring aliens into a motion picture and with that came inspiration.

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Jaws was originally a book written by Peter Benchley (1974) then turned into a film by famous director Steven Spielberg (1975). The shark in Jaws was a ‘monster’ that terrified a small town in America. The shark attacks some swimmers off the

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The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling

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Other movies he made was Jurassic Park,Jaws and he made a lot more. Another one of Steven Spielberg failures where that Steven Spielberg dropped out of college the reason why he dropped out of college is because he would become famous.

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: For my presentation I have chosen to examine Steven Spielberg and what stylistic features he uses to make himself considered as an auteur. An auteur is a director that has a unique style in filming and has complete control of the production process of the film. The three films that I have chosen to focus on are E.T. The Extra-Terrestrial (1982), A.I. Artificial Intelligence(2001) and Close Encounters (1977). These are three of Steven Spielberg's most known films.

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“‘I've always made the kinds of films that I, as an audience, would want to see,’ Spielberg told American Film. ‘That's my main philosophy.’” (“Steven Spielberg”) His lack of resources never prohibited his desire to keep on creating, leads me to believe that this demonstrates the characteristic of perseverance quite

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709 Words | 3 Pages

This essay will examine the functions and effects of cinematography in Steven Spielberg’s Jaws Jaws follows the police chief Brody, along with scientist Hooper and shark hunter Quint, in their attempt to protect the town of Amity against a Great White shark that is terrorising beachgoers. It was adapted from Peter Benchley’s 1974 novel of the same name. Following its release in summer 1975, Jaws became the highest grossing film As Jaws was one of the first motion pictures to be shot partially on water, the production came across issues with the prosthetic shark, and as a result, Spielberg decided to only suggest the appearance of the shark as often as possible, as opposed to showing the prosthetic body during attacks. This sparing use of the prosthetic, and primary focus instead on creating suspense and dread without the shark visibly present, proved to be an inspired decision, as Jaws is considered a pioneering achievement in the horror genre.

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There were several Jaws “rip-offs”. Such as the movie “Grizzly”; One day William Girdler and David Sheldon were sitting around thinking. “What if we remade Jaws, but with a bear?” This was quite the failure. Consequently, Rotten Tomatoes gave it a “60%” whereas Jaws had a “97%”.

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When you watch Jaws as a grown-up, in 2017, you may well find yourself marvelling at its quotable dialogue, smiling at the uniformly fine performances, humming along to John Williams’ theme music and applauding Spielberg’s genius at suggesting the shark without showing it. But chances are you won’t be frightened. That’s not to say that you won’t be tense while you’re waiting for the next sighting of a dorsal fin, or that you won’t jump a few millimetres when that ominous black triangle glides into view. But, speaking as one of the most easily scared people in this world, even I can see why the ratings board of the Motion Picture Association of America gave Jaws a PG rating, allowing young children to see it, rather than the more restrictive R. Today, the film is more likely to prompt squeals of delight than screams of terror.

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A couple of years of directing Jaws, he began directing the movie Indiana Jones and also directed Raiders of the Lost of Arc (Vander Hook, 2010). Raiders of the Lost of Arc was an instant hit and it rose to the top of film history with a gross of $363 million (Vander Hook, 2010). Raiders of the Lost Ark was nominated for eight Academy Awards and won Best Sound, Best Film Editing, Best Visual Effects, and Art Direction (Vander Hook, 2010). Spielberg was finally tapping into his “raw talent” for directing and making film history (Vander Hook, 2010). He was in his prime directing multiple hit films that all reached millions of dollars in revenue as well as winning numerous

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Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.

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The idea has many arguments that agree with this statement however, one must properly consider the age of Spielberg at the time. He was around 26 years old and as one ages they become more wise. That is true in Spielberg case yet it should not take away from that blockbusters are still difficult to make. It is not easy for a veteran director to produce a blockbuster much less for a director in his late twenties to early thirties. The idea that Spielberg should not be considered the greatest due to how his first film represented him at that age is

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758 Words | 4 Pages

This poster for Spielberg’s film, Jaws, was innovative in many ways. The piece incorporates the use of ethos, pathos and logos in an attempt to draw its audience to watching the film. It is clear that Steven Spielberg’s interest is to create a poster that invokes the energy and excitement from the movie. To use logic, credibility and to inflict many different emotions like: sympathy, bravery, and fear into the audience that will make them thirsty for more The simplicity and effectiveness of this image was a vital part of the success for the groundbreaking thriller,

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The Auteur Theory-Intro Part Considering the collaborative process of filmmaking, especially nowadays in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are listed throughout his/her work like a signature. Auteurism rose to the surface in the 1950s French New Wave criticism as an appraisal of Hollywood directors who were ready to avoid the rules of the studio system and create films that were distinctively their own.

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