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Elijah anderson the code of the streets main points
Theories Elijah Anderson portrays in the code of the streets
Elijah anderson the code of the streets main points
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In his Book, Off the Books: The Underground Economy of the Urban Poor, Sudhir Alladi Venkatesh, explains that in the early-nineties while doing field work in the Southside of Chicago he gravitated to a predominantly working-poor black community near his field site (ix). Venkatesh describes the ten-squared block community as being in disrepair very much like the high-rises that were being torn down in the surrounding area (iv). In the presence of some “greystones” and “brownstones” Venkatesh noticed vacant lots, beat-up homes, and what he perceived to be inadequate city involvement in the community -streets need fixing, and trash pick-up was lacking (x). There were also closed storefronts and burned-out buildings in the area (Venkatesh, 92).
Danielle L. McGuire’s At the Dark End of the Street, “an important, original contribution to civil rights historiography”, discusses the topic of rape and sexual assault towards African American women, and how this played a major role in causing the civil rights movement (Dailey 491). Chapter by chapter, another person's story is told, from the rape of Recy Taylor to the court case of Joan Little, while including the significance of Rosa Parks and various organizations in fighting for the victims of unjust brutality. The sole purpose of creating this novel was to discuss a topic no other historian has discussed before, because according to McGuire they have all been skipping over a topic that would change the view of the civil rights movement.
In the Saint Louis American, I discovered an article, “Ferguson, equity and health, three years later”, written by Bob Hughes. The article talks about Ferguson and the death of Michael Brown Jr. that occurred on August 9, 2014. He mentioned the spark of the protests and rallies in response to Michael Brown Jr.’s death, and Ferguson’s respond to police brutality, racial profiling and the disproportionate rate of injustices among black people. Hughes main focus was on the aftermath of the protests, now that three years have passed, to see if progress has been made.
Now throughout the duration of reading Anderson’s story of the inner-city in Philadelphia, one can learn and think a lot through the journey. Reading this book made me feel like I was actually visiting the city or walking through each street that was being explained about. Each different aspect of life, such as, school, family, crime or even relationships made me contrast the different lifestyles they had compared to the lifestyle that I associate with. Even the explanation of the code’s regulation through the way of talking, dress style, behavior or simple etiquette of eye contact specified enough detail, that it was easy enough to easily picture or imagine. It was thought-provoking to read about how Anderson was able to uncover the confrontations
Dominic Akandwanaho HUID: 40871950 AAAS 16: Sociology of the black community TF: Khytie Brown In his book, Black Citymakers: How the Philadelphia Negro Changed Urban America, Marcus Hunter addresses a critical aspect of scholarship about structural racial discrimination and inequality that had not been previously given much scholarly examination. He attempts to explore the responses and reaction of people in weak positions—the truly disadvantaged, to systemic racial discrimination and social inequality. Specifically, he examines a black community in the Seventh ward of Philadelphia —a community that, according to previous work done by W.E Du Bois in The Philadelphia Negro, is faced with many social ills such as poverty and crime.
Elijah Anderson’s Code of the Street is an account of street violence in the Poor African American communities of Philadelphia. Andersons theory brings together elements of respect, loyalty, and honor, the “code of the street” is an informal system used to control social interactions in impoverished neighborhoods and views violence as acceptable, appropriate, and necessary response to transgressions. In these economically deprived and drug and crime ridden communities, the code of the street is a subculture that controls behavior, particularly violence. As a result of epidemic joblessness and enduring racism in mainstream society, inner-city African Americans are pressured to abide by the code of the street as a survival mechanism.
In 1973, Clifford Geertz- an American anthropologist- authored The Interpretation of Cultures, in which he defines culture as a context that behaviors and processes can be described from. His work, particularly this one, has come to be fundamental in the anthropological field, especially for symbolic anthropology-study of the role of symbols in a society- and an understanding of “thick description”-human behavior described such that it has meaning to an outsider of the community it originated. Alice Goffman is an American sociologist and ethnographer widely-known for her work, On the Run: Fugitive Life in an American City (2015). In this work, she relays how for her undergraduate and doctoral research project, she immersed herself in a predominately African-American community of Philadelphia as a white, privileged woman. Goffman goes on the explain how the frequent policing and incarceration of young, black men from this neighborhood affects the entire community and even affected Goffman herself.
Anderson discussed the Code of the Street as it pertains to inter-city morality, assessing that these attitudes either fall in the categories of decent or violent (Duncan, pg. 111). The “Code of the Street” is what Anderson would classify as the violent and is used as the law of the street that governs the community behavior particularly interpersonal violence and aggression. In the areas that fall into the arena of “Street Code” opportunities are limited due to the social isolation and economic oppression of these communities (Duncan, pg. 112). Due to the moral internalization of adult males to provide adequate financial support to their families, when social isolation creates a loss of jobs and opportunity the adult male is unable to adequately provide for his
In Chapter 12 of Readings for Sociology, Garth Massey included and piece titled “The Code of the Streets,” written by Elijah Anderson. Anderson describes both a subculture and a counterculture found in inner-city neighborhoods in America. Anderson discusses “decent families,” and “street families,” he differentiates the two in in doing so he describes the so called “Code of the Streets.” This code is an exemplifies, norms, deviance, socialization, and the ideas of subcultures and countercultures.
Society is structured so that the association of normality goes to the diffuse status characteristics of: white, man, heterosexual, and masculine. From a Symbolic Interactionist perspective, the expectations of people based on the stereotypes constructed by people of that particular society create a process of socialization where individuals are categorized and analyzed based on the norms of that society. The classifications of what is and is not normal for a category has created norms of how people should look, behave, think, feel, and even influences how they identify themselves. This process of classification negatively impacts the psychological aspect of many people’s health. Two of the largest aspects of psychology altered by categorization
Book Review: On the Run: Fugitive Life in an American City Jaleesa Reed University of Georgia Book Review: On the Run: Fugitive Life in an American City On the Run: Fugitive Life in an American City is a fascinating ethnography that seeks to expose and unpack the everyday lives of African American men living in Philadelphia. The author, Alice Goffman, examines the lives of these men who are “on the run” not only from the laws that seek to restrict their lives, but also from their own identities that have become synonymous with outstanding warrants, prison time, and running. Like ethnographers before her, Goffman immerses herself in the lives of her informants. Her study reveals the oppressive nature of neoliberal America and urges
The “Code of the Street,” materialized in American’s major metropolitan inner city communities’ predominately homogeneous African American neighborhoods because segments of this population felt disenfranchised from mainstream American due to lack of economic opportunities as well as the distrust between citizens in these communities toward law enforcement. The common belief in among a minority of the population in these neighborhoods is that the criminal justice system is bias toward poor minority groups and every person must fend for himself or herself. Therefore, urban communities have developed a set of socially acceptable norms within these distressed communities coined the “Code of the Street.”
As every piece of literature consist of themes The Road and A Canticle for Leibowitz is no exception. Themes hold crucial information regarding the story; they show the main ideas and thoughts of the authors writing the particular piece of art. Since it holds so much value to the readers, they are always emphasized to a certain degree, but in the case of post-apocalyptic genre violence is a pillar of this genre while love is used more rarely. Therefore by studying and researching how Cormac McCarthy and Walter Miller portrayed the most important themes in post-apocalyptic genre, the basis and difference between 20th and 21st post-apocalyptic literature will be drawn. The most prominent theme of the post-apocalyptic genre is violence.
“Manchild in the Promised Land” is an autobiography written by Claude Brown in 1965. The powerful, classic book documents the author’s experiences while growing up in Harlem. Claude Brown fictionalizes the re-narration of his life in a complicated story that is full of hope and survival. The narrator’s childhood was one that was filled with violence, drugs, and crimes of all types. In fact, Sonny, the narrator of the story, became a member of a gang that operated on the streets called the Buccaneers.
“Black Men and Public Spaces” Diagnostic Essay Brent Staples in “Black Men and Public Spaces,” illustrates the inescapable prejudices and stereotyping that African-American men face in America. He does this by relating to his audience through his personal experiences with stereotyping, and sharing his malcontent on how these events have made him alter his way of living. From “victimizing” woman, watching people lock themselves away, and having to whistle classical music to calm the nerves of people around him; Staples builds a picture to help people better sympathize and understand his frustration. Although Staples describes himself as a college graduate, a journalist, and a softy in the face of violence, he details that the overall public deems him a dangerous criminal.
