Wait a second!
More handpicked essays just for you.
Hip hop culture
Hip hop's effect on culture
Hip hop's effect on culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
More handpicked essays just for you.
Hip hop culture
Hip hop's effect on culture
Hip hop's effect on culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Since Hip-hop music was created in 1973 by Clive Campbell it has been a field most dominated by men and not women. Hip-hop music has displayed not only memos of what it is like to live in certain areas, but also the individuality of men and women. Pamela Hollander composes an academic essay concerning female identity and how the character of women in music has altered from decade to decade in the Hip-hop atmosphere. The theme of women identity is prevalent throughout the essay and the associations Hollander makes her points evident through her analysis of intimacy, nurturing, love and spiritual growth in Hip-Hop songs.
Hip hop has a message that reveals the social inequalities of our nations. In addition, McBride wants people to keep an open mind about hip hop and new thing that they may not be used to. In conclusion, he declares hip
“Hip hop: Beyond Beats and Rhyme” (2006), by Byron Hurt is a documentary which tells the hidden side of a today’s Hip Hop culture. The documentary was made in 2006 in the United States by a lifelong hip hop fun and lover Byron Hurt, who realized that each hip hop video has something nearly identical; therefore he decided to make a documentary based on music, politics of hip hop and its culture. The purpose of this essay is to show how Byron Hurt used his non-fiction picture to document hip hop culture from different angles and in what way he has presented his main point to the public. After a short outline of a plot and the background of the documentary, it will analyze the structure of the documentary and effects that are used in the documentary, and what effect it might produce on the watchers.
Hip hop, a cultural phenomenon born in the South Bronx in the early 1970s, has emerged as one of the most influential genres in American pop culture history. In the early days, hip hop was primarily an underground culture that was seen as an experience, something that had to be witnessed in the moment. Then Sylvia Robinson and the Sugarhill Gang came around to change this narrative forever. “Rapper’s Delight” by the Sugar Hill Gang stands as a pivotal milestone in the history of popular music. It was the catalyst for the explosion of the hip hop genre, popularized the recording of rap songs on records, revolutionized beats with its creative use of sampling, and called out for a new era of hip hop that other artists would soon respond to.
Hip-hop is defined as a contemporary style of music that includes rap, a lifestyle marked by baggy clothes, idiomatic speech, and break-dancing.
Claiming Hip-hop: Race and the Ethics of Underground Hip-hop Participation This article reveals the connection between race, ethics and hip-hop. Harrison exposes the racial boundaries in regards to hip-hop. Within hip-hop debates the one constant idea is the centrality of African American culture and their identity. Harrison goes on to acknowledge the presence of the black race’s influence on hip-hop and rap, through television and media. “Real hip-hop’” is associated with blackness, however white rappers are often perceived to influence “fake hip-hop.”
Nyama and nommo are paramount in how hip hop evokes emotion and imagery and allows the transmission and distribution of cultural history through lyrical media. Nyama, being the metaphorical power with supreme ability to change societal or communal mindsets and disposition, is able to shift a community’s direction, depending on the content and message depicted through its music. Nommo, being the “power of the word” (Keyes 17) is how hip hop is able to “permeate speech and oral performance… [and] generate the energy...to deal with life’s twists and turns” (Keyes 17), something that hip hop does through the extraction of emotion, relatable life events, and rhythm. In regards to its influence, the prevalence of the chaos and gangsta-driven era,
Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
In contemporary society, technology has influenced access and consumption of hip hop, changing its origins from social commentary to parasocial relationships, as seen through Tupac and Nicki. Combinations of unlimited access and contestant validation have perpetuated toxic parasocial relationships. Over the years hip hop has developed into a trans-global phenomenon, its messages of renaissance, social awareness and community engagement have transcended its days of locality in the Bronx, to a sustained voice for individuals. Emerging technologies have revolutionised the consumption of hip-hop for artists allowing them to produce high-quality music which has enabled hip-hop to expand on a macro level. Hip-hop has grown into a universal phenomenon with significant impacts on popular culture, art and fashion.
Some of the main cores of Beat Street are the music, dancing, and graffiti art works – all of which are part of hip-hop culture. Scholars note that hip-hop as a movement originated in roots from African American traditions and are mainly used to express their culture as well as identity (Blanchard 24). Rap music, for example, comes from West Africa’s “nommo.” This idea refers to the power to deliver words to act upon objects and to bring it to life. The historical and traditional underpinning of rap, therefore, becomes representative of the rich and distinctive culture of African Americans.
Hip-hop is colossal and effective business, which has not been satisfied to stay within its own particular parameters. There are 7.125 billion individuals on the planet and I’m positive that more than a quarter of them have collaborated or been affected by hip-hop or African society. Hip-Hop has affected the arrangement of near close-by styles the world over, from China to Spain and even Ghana. Hip life is a Ghanaian musical style that is talked in the Akan vernacular, which combines highlife and hip-hop. It is additionally impacted by dancehall and reggae.
In hip hop music; it is important to have a unique sound and flavor. The only way to differ ones self from the rest of the artists in the genre is to create your own style. In hip-hop, all things seem to center around the concepts of: flow, layering, and ruptures in the line. In hip hop, music can be displayed in many different angles from circular motion, scripted phrases moving horizontally, to a abruptly breaking the beat in order to create fluidity and flow. Rapping in songs privileges the idea of flow, layering and ruptures in the line.
Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
¨If Hip Hop has the ability to corrupt minds, it also has the ability to uplift them.¨ Hip hop music, also called rap music, is a music genre developed in the United States by African Americans consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. Mainstream hip hop culture is also filled with misogyny and negative images of women. These artists are unaware that sexism has been forced onto them through the brainwashing from the media, which is controlled by a patriarchal society. Conversely, feminism is the belief that both genders should have equal power.
Hip hop includes, rapping, graffiti, breakdancing, and DJing. It grew in popularity after a lot of house parties and basement parties. DJ Hollywood and DJ Afrika Bambaataa are known for coming up with the term "hip-hop". What Hip hop containes, is considered “artistic variations” of street gang competition and one’s ability to be better. Hip hop is broken down into four main subgroups Rapping or MCing