Overall, Sobel is successful in her argument as she develops it through accounting multiple sources and perspectives on the topic. She also engages the reader in the argument by creating a biased attachment to Harrison, and lays out the argument of how successful Harrison’s work was by accounting her ethos once more.
To develop the theme of denial and its consequences, Wiesel uses juxtaposition and characterization. Wiesel uses juxtaposition to develop the theme of indifference and its consequences. Near the beginning of the memoir, Elie’s family is packing for their deportation to Aushwitz. There is absolute chaos, as Wiesel writes, “Bibles and other ritual objects were strewn over the dusty ground” (15). Unlike the disorder, however, Elie, on the same page, writes, “All this under a magnificent blue sky.”
William H. Armstrong wrote an interesting book that was made into an equally inspiring movie. Sound tells a story that a dog that lives with a story that treats him more than just a pet. The book and the movie have a lot of interesting similarities and differences. The differences outnumber the similarities.
The entertainment industry encompasses the composition, production, and marketing of music. The music industry has emerged as a dominant business and has maintained popularity by means of adapting alongside social movements, and representing different major classes of society. Music has been used by entertainers as a method of expression, and therefore often sheds light on prominent issues by illustrating relatable stories, or reactions to common problems. For example, The Drums, a modern Indie musical group, has composed the lyrics to the hit song “Money” to include imagery and repetition that work to expose the everyday struggle that impoverished Americans undergo.
In Matt Sakakeeny’s Roll With It! Brass Bands in the Streets of New Orleans, he explores the brass band tradition through the lens of social justice. Along his exploration of the vibrant tradition that is engrained within New Orleans musical history a reoccurring theme surfaced: the “expediency of culture”. Through Sakakeeny’s portrayal of the tradition, the idea of making art for the purity of the art contrasts with that of art for the sake of the economy and the question arises of whether or not the second line is truly a part of the city or a regulated part of a larger dog and pony show put on for tourists. Despite New Orleans being known as cultural capital for the trifecta of fun: music, food, and architecture, the culture that it’s famous
In “How we listen to Music,” Aaron Copland begins his essay by examining the three ways of listening to music or as he calls them “Planes” (Page 442) the three planes he examines are Sensuous, Expressive and sheerly Musical Planes (Page 442). Copland organizes his essays around explaining these three different ways of listening to music, he analyzes how most listeners actually hear music, and how they might enrich their listening experience. Copland thesis appears at the end of the essay where he argues for a complex and complete way of listening to music, one that includes these three different ways The first plane of listening to music as per Copland is the sensuous plane, Copland suggest that most people listen to music only in the most
The Awakening by Kate Chopin ends with the protagonist reliving old memories and eventually entering the ocean to drown herself. However, this ending does not feel like an ending for this character, instead it feels like a new beginning of awakening. This effect happens through the use of indicative diction, symbolic imagery, and alluring sound. This ending is seen as a new beginning or awakening for the protagonist through indicative diction. The protagonist claims that her children were like “antagonists,” plotting against her and put her in “soul’s slavery.”
“How We Listen To Music” Aaron Copland The essay "How We Listen," by Aaron Copland was published in New York, both an individual attitude and the aim attitude occur in each separate plane that is being described. The individual attitude is where everything is taking place in the listeners mind, where as they are unaffected by the world around them. Aaron Copeland stated we all listen to on three separate planes which are; the sensuous plane, the expressive plane and the sheerly musical plane.
“Blue-Collar Blues & the Rise of Country Music” music has been in the world for thousands of years and with each generation our taste of harmony and rhythm has changed and evolved. In the 1970’s The United States of America was still a country that was trying to build it self and its culture. Because of the civil rights movements and the recession that was happing in that time period. African-Americans, Hispanic-American, white woman, and other diverse groups were trying to shift their audiology to focus more on their culture that would give them their own symbols. In this paper I am mainly going to focus on the authors main arguments that she/he gives us in the article that I’m going to read, the large picture of American Culture and history
The 1920’s had opened up opportunities for musicians in many ways from getting jobs to earning money, and or getting to hear the snazzy new sounds of the 20’s. The technology of music was a weightful impact not only on the 1920’s but also the 30’s, 40’s, and so on. The decade was truly the age for sound, it spread like a wildfire after cries of anathema and hatred tore open
Technology, the media and institutional power may influence the future directions for Rock and Roll within the next 5 to 10 years. In the 1950s, rock and roll sound and style had challenged cultural authority. The rock music of the 1960s often challenged political authority directly and unambiguously. A future scenario will provide aspects of continuity and aspects of change. The changes will affect the media facilitating access to the text.
The author Elisa Sahagun can be considered an authoritative source for my topic because she has written an article that explains ways the music genre of Rock en Espanol has influenced the cultural identity of Latino youth culture in the U.S. Her article can be creditable because it is an academic peer-reviewed article from Saint Mary’s College of California. The article analyzes data that was acquired from a study that examine a correlation between Rock en Espanol and the cultural identity of Latino youth. A main point made is that the genre of music has assisted in Latinos to maintain Spanish-speaking skills and brought them closer to their culture (Sahagun 1). One reason being that we are drawn to music and it has lead it to be a vital part of shaping individuals’ identities.
Mexican Regional Music Nowadays Mexican regional music is a musical genre with songs accompanied instrumentally with “banda”, mainly, to dance and with contagious rhythms. It has millions of followers, among them, adults, teenagers and kids. This essay focuses on the analysis of the social impact that it could have the content of this music. This musical category is so popular and it has big diffusion, it can be heard everywhere: at home, in the public bus, on the radio, on television with its correspondent music video, at job, at any time, it is contagious, easy to sing and memorize.
In “Music and Identity”, Simon Frith disagrees with the idea of homology. He goes against the traditional ideas of homology that states that music is solely an expression of culture. He argues that it goes in reverse and that, instead of social groups coming together and agreeing on values to express in music, that music helps social groups come together and express and agree on values which they might share. This is practically the opposite of the homology model. Frith supports his argument with comparisons to African American music, of the ‘race records’ among others.
The archetypal forms of music were probably drum-based, prelusion instruments being the most easily handy at the time. For an example, rocks and sticks. These plain instruments are thought to have been used in spiritual tradition as representations of wild things. Therefore, many of us do not realized that listening to music really does help a person’s health physically or mentally. In that case, scientist really do recommend us to choose a person’s favorite songs based on a person’s chosen genre and blast the music up anywhere and
