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Taming of the shrew analysis
Sexism in shakespeare
Sexism in shakespeare
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More handpicked essays just for you.
Taming of the shrew analysis
Sexism in shakespeare
Sexism in shakespeare
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Recommended: Taming of the shrew analysis
High key lighting is used in this scene during the moment where the slaves begin to bathe themselves before being auctioned. McQueen uses this lighting to exhibit the setting they are in. The light highlights there features but does not over enhance their bodies. Rather the lighting is full but drab, in that it does not show contrast or much difference in each of the persons. This use of high fill light allows the viewer to see the area in which they have been put in, but does not provide detail.
Lincoln Ealefoh, Mrs White, English, 5/30/2018. The conflicts in the taming of the shrew Dear Journal, There has been a lot of disagreements going on among me and others for different reasons, also something new about me is that I have finally gotten married to petruchio though I am still not interested in him, to make it worse he lives in a dusty old big house with many servants he matreats. Immediately after my marriage I supposed my sister we be getting married and they would expect me to come with Petruchio and see how we are coping and with no surprises we won’t not in this kind of house, I know nothing good is going to make out of this. (Man vs man)
He feels as if he needs to make Kathrine aware of his intentions by more than sly and disrespectful remarks. By doing this, he’s asserting his male dominance to show Kathrine he wants her to obey him. Pertuchio feels entitled to Kathrine's hand in marriage. This is not only because of his conversation with Baptista, but because of the idea that a woman is wed or a shrew that was present in society during this time. “Thou must be married to no man but me, For I am he who is born to tame you, Kate, And bring you from a wild Kate to a Kate Conformable as other household Kates”(II.i.267–270).
Today brides are often identifiable by their dress, however, a modern woman’s marital status is not apparent from her clothing. A Renaissance woman’s marriage, on the contrary, would be marked by her acquisition of a wardrobe reflecting her change of status from maiden to matron and her transition from her father’s household to that of her husband’s. A woman’s clothing was thus specifically associated with matrimony in Renaissance Italy, from the beginning of her marriage to its end.
The Closing of Act Two (Scene One) Elizabeth Proctor is kneeling on the edge of a small cot in the corner of a dark room. A candle sitting on an unstable nightstand flickers and begins to snuff out. Across the room, a boy is asleep. Elizabeth folds her legs and pushes her hands together. She closes her eyes and begins to speak.
Through his incentive, he is very determined to marry Kate even though she comes with money, marriage, and a malicious attitude. In addition, Petruchio does not care if his wife is a shrew or foul, he just asks "...if thou know one rich enough to be Petruchio's wife" (1.2.68). Not to mention, after Hortensio tells him of Kate, Petruchio only says to "...tell [him] her father's name, and tis enough" (1.2.95). Petruchio understands that Kate has a "...scolding tongue" (1.2.101) even though Hortensio warms him. Due to his incentive to cure Kate of her shrew-ish ways and to get Baptista's money.
Petruchio and Katherine are two characters in Shakespeare ’s play “Taming of the Shrew”. Petruchio was a single man with money running out looking for a rich wife. There was a situation between Katherine and her sister Bianca. Bianca couldn’t get married until Katherine did.
He would have been completely devoid of respect if he was a women, but it does not do too much to his reputation. Both Kate and Petruchio are shrews in their own ways, but only Kate is ridiculed by other people. The shrew inside of Petruchio is even more clearly shown during tailor scene in which he continually subverts Kate’s opinion. Petruchio and Kate are shown to be made for each other as they are both
In Act 2 Scene 1, Gremio helps Lucentio, Petruchio, and Tranio use disguises to get more of a chance to woo Bianca. Gremio presents Lucentio “I doubt it not, sir, but you will curse your wooing.—Neighbor, this is a gift very grateful, I am sure of it. To express the like kindness, myself, that have been more kindly beholding to you than any, freely give unto you this young scholar (presenting LUCENTIO, disguised as CAMBIO) that hath been long studying at Rheims, as cunning in Greek, Latin, and other languages as the other in music and mathematics. His name is Cambio. Pray accept his service.”
Taming of the Shrew is a dramatic comedy in which several suitors try to captivate and marry a beautiful woman named Bianca. However, the suitors stumble upon an issue; Bianca’s older sister, Kate, is not married. Bianca is only eligible for marriage if Kate is married, so the suitors set out to find Kate a man. During Taming of the Shrew, the suitors of both Kate and Bianca are dishonest and deceive the sisters using disguises and mind games which results in a breakdown of all the characters.
My group and I appropriated Act 3 Scene 1 from the Shakespearean play ‘The Taming of the Shrew’. The new play is set in 21st century England and puts a strong emphasis on romantic rivalry, making our rendition more relatable and enjoyable to a contemporary audience than the original production. We also changed the roles of Bianca’s tutors; Lucentio (disguised as Cambio) teaches French instead of Latin while Hortensio (disguised as Litio) teaches the guitar instead of the lute. These changes not only make the subjects relatable to a modern audience, but are also associated with romance in modern society.
From Sexism to Social Reformation Many actions and ideologies of the characters in The Taming of the Shrew create an overarching conflict between comedy and sexism for most readers. Specifically, the relationships between the men and women introduce controversial topics such as obedience and love which must be questioned thoroughly. The conditions of Petruchio and Katherine’s marriage was more “traditional” in the sense that it was primarily patriarchal, and that Kate was expected to be subservient and obedient. While this is sexist, on the surface, this was not the intended meaning behind the works.
In conclusion understanding these two films was a challenge because they see everything in a completely different perspective. Money is valuable but is it really considered the most valuable thing in the world and is it the thing that sets you apart from everyone I believe not. Love it’s beautiful it’s the one thing that affects your actions and you as a person but you're not the only one that experiences this.
In the ending scene of the play, Kate has become a paragon for women of the time. Evidently, when a shrew ceases to be one, other women must bear the title. Petruchio tells Katherina to throw her hat on the ground, and she complies. Bianca calls the exchange foolish duty, and, in Act IV scene II, Lucentio (her husband) replies, “I would your duty were as foolish too”.
Petruchio’s servants Grumio and Curtis were very small characters, but were symbols of the wealthy and how the wealthy acted. If you were wealthy during this time period, you had a servant, being wealthy did not necessarily mean that you had to abuse your servants, or treat them terribly, it depended on how they wanted people to see them. Petruchio wanted to present himself as wealthy, confident, and proud, however, he did not want people to know that he was self-centered, and that he was a gold-digger. “Let’s each one send unto his wife, And he whose wife is most obedient To come at first when he doth send for her Shall win the wager which we will propose” (Act 5, Scene 2). Petruchio only wanted money, he got paid to marry Katherine, and knew he would be able to tame her, therefore he bet money with the other men at the end to see who's wife was most tamed.