Symbolism In Big Fish

What is life? Is it a fantastic journey filled with twists and happy endings, or is it a cynical, pointless existence led by mere clusters of atoms with no more meaning than a grain of sand? The 2003 film, Big Fish, directed by Tim Burton, addresses these questions by contrasting a pessimistic view of the world with an optimistic vision filled with wonder and fantasy. It tells its audience that life can be seen from different perspectives that are open to those willing to look for them. Big Fish uses comprehensive narrative elements and thought-provoking symbolism to express that the world can be viewed in vastly different ways which are subject to change. Big Fish’s narration allows the film to effectively convey its central theme. The movie tells the story of Edward Bloom, a man famous for his tall tales, reconnecting with Will Bloom, his estranged son who sees his father’s tales as excuses for neglecting him. The characters reflect on Edward’s stories and perspective on life, which is criticized by Will until he finally sees from his father’s point of view at his death bed. Big Fish

For example, Edward sees Spectre as a place reminiscent of heaven, while Will sees it as rundown and abandoned. When Will claims his father is lying about his experiences to hide his personality, Edward replies, “I’ve been nothing but myself since I was born.” He also talks about catching a catfish with his wedding ring on the day his son was born, but Will learns that his father missed his delivery due to a business trip. Spectre symbolizes the world, which Edward sees optimistically and Will realistically. The inconsistent stories of Will’s birthday and the genuine personal belief in Edward’s words show the difference between what they consider true. Edward and Will’s visions of Spectre, arguments, and stories about Will’s birth portray the conflict between their perspectives on