Cecil B. DeMille, one of the highly regarded trailblazers of American cinema long ago has mentioned that “The greatest art in the world is the art of storytelling,” and for all one knows it has come to pass as a well-founded pronouncement. Humans have forevermore been daresay a storyteller. Subsequent to the inception of the first civilization, artists have taken advantage of antithetic orders to be a source of an account of a story. In addition to, music, painting, poetry and literature the immediately prior contraption for storytelling have been motion pictures.
Accordingly, from the early years of the twentieth century to the present day, feature film has burgeoned as one of the foremost mediums for storytelling. Although, over the years motion pictures have passed into a monotonous, were innumerable times cinephile go through a retold framework which has been delve into previously. However, it is the art of storytelling that individualize the feature film from an unadorned avocation to a magnum opus.
Therefore, in this write-up we will observe ten story lines with tremendously contradistinct reception. Where on one hand the story meets with
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Even though the author of Hunger Games have disclaim having any influence of Battle Royale in her storyline. The downright coincidence of the chain of event and the way the potboiler unfold in both this property make it apparently perceptible that it evidently does. However, when distinguished the abovementioned plot in terms of motion picture, Battle Royale come out as victor, as being far more visceral and violent than its counterpart the Hunger Games, which in hindsight appear to be furthermore a water down version, which synthesizes Battle Royale notably more impactful experience than the Hunger