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The Filippo Brunelleschi: A Genius

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In 1418, Florence, Italy had a problem. Their beautiful cathedral, built to be the crowning jewel of the city, couldn’t be finished. In fact, it hadn’t been finished for decades. An enormous hole was in the roof where the dome should have been. Nobody could figure out how to finish a dome almost 150 feet across and starting almost 180 feet above the ground. To complicate matters, the dome wasn’t a circle, but an octagon. And so the cathedral sat, until in 1418, a contest was announced asking for ingenious solutions to the design problem. Fame, glory, and 200 florins would be awarded to the man who could finish the dome. Many came forward and threw their hats into the ring. One artisan suggested using a kind of volcanic rock in order …show more content…

He proclaimed that he would build not one dome, but two domes, one inside the other, and furthermore, do so without need of expensive scaffolding. Everyone thought he was crazy, except for the fact that everyone knew he was a genius. Brunelleschi had proven brilliant during his apprenticeship, mastering all the differing facets of goldsmithing and artistry. He moved on to master gears and weights and levers. Brunelleschi might have been the first to build an alarm clock. And Brunelleschi had just returned from several years analyzing architecture in Rome. It took two years, but the contest was finally decided and Brunelleschi’s design was …show more content…

Brunelleschi had to invent a contraption that could lift very heavy materials 180 feet off the ground. He was able to construct a massive pulley system powered by oxen and using a specially made rope that weighed over a thousand pounds. He also invented a type of crane that could move those materials from side to side once they were hoisted to the right height. Brunelleschi’s innovations were so ground breaking that other nearby inventors were fascinated, including Leonardo da Vinci, who drew sketches of how Brunelleschi’s contraptions were

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"In 1418 the town fathers of Florence finally addressed a monumental problem they’d been ignoring for decades: the enormous hole in the roof of their cathedral. " This sets the stage for Brunelleschi to become a hero and master artisan. Brunelleschi had spent his life learning, as an apprentice goldsmith, he had learned and perfected techniques that were well ahead of the training he was given. He studied other areas of art as well, "Brunelleschi’s life seemed to have been one long apprenticeship for building the dome of unequaled beauty, usefulness, honor, and power that Florence yearned for." He, along with other actual architects applied to be the one to put a dome on the cathedral, and eventually one out.

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This dome was just the tip of the iceberg he also created a crane that was able to hoist heavy materials into the air. The significance is that there is another way to build buildings. Brunelleschi relied on a lot of workers to help him build this done. He

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Brunelleshi’s Dome was motivated by a contest in 1418 in Florence because the cathedral had a massive hole in the roof. The church started being built in 1296, but hadn’t been completed. The prize for the design of the dome was 200 gold florins and the winner would become famous. The questions that were asked was by the overseers of the project and they wanted to know the design and materials that were going to be used. Filippo Brunelleschi’s design of the dome touted two domes.

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Filippo Brunelleschi was born in Florence, Italy in the year 1377. His early life is relatively unknown. He became a goldsmith, sculptor, engineer, artist and architect. He was one of the leading architects in the Renaissance Era and has been referred to as the “First Renaissance Architect.” Brunelleschi is accredited for the invention of linear perspective.

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