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The Picture Of Dorian Gray Romanticism

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“All art is at once surface and symbol. Those who go beneath the surface do so at their peril.” Oscar Wilde makes this statement in the preface to The Picture of Dorian Gray. It is through individualism and education that we form a meaning behind the work. Those that choose to be pessimistic and ignorant are those that miss out on the wonders of the world.
Romanticism is not so much a movement, but a way of being that all encompasses “whose particularity resides in their specific nature and especially in the originality of the relationships between them” . Originating in the early and mid-nineteenth century, romanticism was a response to the Industrial Revolution, the beginning of machinery and factory systems that lead people more city living, …show more content…

However, if the more we come in contact with what we think of the beauty we learn what the beautiful, but not everyone has the delicacy of taste to be a critic. The idea of the specialization of the critic …show more content…

The idea of socialism is advocated in Oscar Wilde’s The Soul of Man under Socialism, where he states, “With the abolition of private property, then, we shall have true beautiful, healthy Individualism.” Continuing with the emphasis on individualism that romanticism focused on, socialism opposes private property so that people do not waste life on things and symbols for things, but more on non-materialistic relationships between oneself and others. “The government is to make what is useful” 3, for instinct, distributing necessary commodities and controlling machinery that will take over the labor of the community. With the chores handled by the government, the individuals will now have time to focus on themselves and make what is beautiful, which ranges from artistic works to scientific discoveries. With making art, Wilde says that there is a difference between healthy and unhealthy art, healthy art, regarding the subject of the work, is “the choice of whose subject is conditioned by the temperament of the artist, and comes directly out of it”. On the other hand, Wilde states that unhealthy art is essentially unoriginal, where the artist picks a style and subject that they know the majority population will enjoy, “not because the artist has any pleasure in it” 3. Which comes

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In the essay, “What Are Master-pieces and Why Are There So Few of Them” by Gertrude Stein, the concept discussed is why there are so few masterpieces and original ideas as a result of ideas becoming so interwoven that they are no longer inimitable and therefore not true masterpieces. A big part of why there are so few masterpieces is depicted with an example: “The painter can no longer say that what he does is as the world looks to him because he cannot look at the world any more, it has been photographed too much and he has to say that he does something else. In former times a painter said he painted what he saw of course he didn’t but anyway he could say it, and now he does not want to say it because seeing is not interesting” (Stein 133).

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The uninformed art viewer is faced with a dilemma. With expectations to be amazed by the skill and prowess of today’s artists in the gallery setting, this viewer instead observes what they assume to be nothing but an unkempt bed, plopped in the center of the gallery. Immediately confusing thoughts rush the individual’s mind: This is art? What makes this art? ; I rolled out of one of these this morning.

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Through The Brothel of Avignon, it can be proven that Oscar Wilde is correct when he states that the varying opinions about an art piece means that the piece is new, complex, and vital. Before Cubism

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Others have the same love in such excess, that, not content with admiring, they seek to embody it in new forms. The creation of beauty is Art.”

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Art is necessary and important to communicate and express ideas, send messages to create a sense of beauty, and to generate emotions which can be transmitted to others. This idea of art is shown in Aldous Huxley’s novel, Brave New World, and various poems that shows us how much art can be needed. Art is a necessity because it can move people and inspire them to act as individuals, which leads to curiosity and self-expression. As John the savage and Mustapha Mond are talking to each other, Mond states, “Beauty’s attractive, and we don’t want people attracted to old things.

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As we can tell the author views art as very big way of showing your feelings and emotion while also showing how you feel about certain things and what you did could be conveyed on a canvas or any other form of art. This inference is shown in both texts, the first text of this being shown is in “The Picture of Dorian Gray: Preface” by Oscar Wilde we see this example being shown when he tells us this “ The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art.” We can see from this piece of evidence how clear the author is being about telling how artist can express everything but in any form.

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Oscar Wilde was a renowned professor of aesthetics. Like Charles Baudelaire, Wilde advocated freedom from moral restraint and the limitations of society. This point of view contradicted Victorian convention in which the arts were supposed to be spiritually uplifting and instructive. Wilde stated that the artist’s life was even more important than any work that he produced; his life was to be his most important body of work. For Wilde the artist will often conceal his identity behind a mask, but the mask is more revealing than the actual face.

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The motifs in the novel The Picture Of Dorian Gray create a recurring idea to emphasize the immorality present throughout the novel. This is done through motifs of religion, pastiche and reflections. The reference to biblical and mythology literature add a more dramatic sense to the immorality in the novel. Religion acts as a descriptor to the phenomenon to provide a more realistic explanation that ties in with his gothic theme. It aids in emphasizing the morality in the novel as religions are typically the sources that influence morals in society.

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The greater truth is that everything – every book, every movie, every play, every painting, every song, and every cuisine – comes out of something that both provokes and precedes it. Therefore, art has been a part of my life ever since I’ve had

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Wilde’s sexuality and effeminate nature shaped his relations to the natural beauty of the world, which in turn manifested itself in the moral implications of his now famous works. For example, his very own personal ordeals are envisaged through the passages of The Picture of Dorian Gray, and it has been passionately hypothesized that characters such as Basil, Dorian, and Lord Henry are personalities of Wilde’s own flamboyant character. In an interpretation written by Donald H Ericksen, Wilde had written the following: “Basil in how I see myself, Lord Henry how the world sees me and Dorian how I would like to be”. The discussions surrounding The Picture of Dorian Gray were linked to the egregious homoeroticism displayed through the synergy of Wilde’s characters and how they interacted with each other. In a time of irrational Victorian thinking, it comes as no surprise that Wilde’s writing had evoked such a backlash.

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The beautiful portrait painted by Basil becomes increasingly ugly as Dorian commits his crimes. The portrait’s “gold would wither into grey. Its red and white roses would die. For every sin that he committed, a stain would fleck and wreck its fairness.” (Wilde).

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A “Painting”, in reference to the Enlightenment approach, should be cross-examined conferring to its intrinsic tenacities. The fundamental word to use is “inherent,” for reviewing an object conferring to its necessary descriptions that must disqualify conveying any non-significant or exterior measures. In similar terms, a picture telling a “decent story” is not necessarily a virtuous painting. In reference to this article according to MacAulay , Greenberg transfers on his effort to “save” and to express “great art,” and “Modernist Painting” of the year 1960, which could be equated to “Avant-Garde and Kitsch” of the year 1939, (91).

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The Picture Of Dorian Gray by Oscar Wilde Oscar Wilde was born in Dublin,Ireland on October 16, 1854. He was educated in Trinity College in Dublin and Magdalen College. He married in 1884 with Constance Lloyd. Wilde published his only novel which is The Picture Of Dorian Gray ‘s 1st edition in 1890.Critics found that novel scandalous and immoral after that critic Oscar Wilde revised the novel in 1891 and he add six new chapter into novel . Wilde represent his philosophic and artistic ideas on the second edition of book and also that edition includes some part of Wilde’s real life such as Basil Hallwar’s emotinal feelings for Dorian Gray .Oscar

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The Picture of Dorian Gray’s has the mood of hysterical because no matter what he does he ultimately fails his task. “The artist is the creator of beautiful things.” This is the first sentence of the novel and this is ironic because even though Gray did not paint the picture of himself, he was truly the artist of his own demise and that is the creation that he made of himself. The despair that he brought upon himself only led to more hysteria and craziness. Gray leads himself onto a path of hysteria and it spirals out of control like a hurricane.

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883 Words | 4 Pages

Oscar Wilde’s The Picture of Dorian Gray: The Lust for Our True Character The struggle to seem perfect on the outside is ever so present in today’s society. The desire to project an unrealistic version of ourselves, striving to mask our insecurities with layers of falsehood. The Victorian era is known for its beautiful women, art and architecture. Beneath the surface, it is all false portrayals full of pretend actions and untruthful ideas in order to uphold their aestheticism. Victorian authors used the idea of “destructive doppelgangers”, showing parallels in the contemporary culture of the falsity.

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