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Truffaut's 400 Blows And Welles Citizen Kane

548 Words3 Pages

In the creative scene, there are painters to their paintings, sculptors to their sculptures, authors to their novels, and then there are auteurs to their films. What all these different artists have in common is authorial-like control over the creation of their art and their works. What makes films different from the rest is the amount of work put into a film and the involvement of many other people. There are some film directors that are not the possess complete authorial-like control over their films and there are auteurs, such as François Truffaut and Orson Welles, that do. Within Truffaut’s 400 Blows and Welles’ Citizen Kane, it is evident that both directors had creative control over their projects which allowed their films to truly become their individual works through their specific uses of cinematic language, mise-en scene, cinematography, and, in Welles’ case, narrative structure. …show more content…

In 400 Blows, Truffaut utilizes a very linear narrative structure as the story progresses from the first instance of Antoine’s truancy as he begins skipping school and running away from home. Though simple. The narrative structure of the film allows for a clear and steady build up of tension as Antoine begins to develop and reveal more about his unhappiness. In contrast, Citizen Kane utilizes a very non-linear narrative structure as Charlie Kane’s life is told through a series of anecdotal interviews which allows for different bias and perspective on the character. Welles utilizes this anecdotal interpretation of Kane’s life to show that perhaps the thing that Kane was missing in life was something held so secret that no one remotely close to him could

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How Did Citizen Kane Change

717 Words | 3 Pages

The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death. Power, that’s all that Kane wanted in the start of the film. In the beginning of the film Kane gets ownership of the struggling New York Daily Inquirer, Kane suggests that he wanted to use journalism to apply to the public and protect the interest of ordinary people.

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Spike Lee's Auteur Theory

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By that he meant that the success of an artistic project depends on the stylistic qualities of the author, and not on the work itself. Based on the specific argument, Truffaut stated in a provocative way that “there are no good and bad movies, only good and bad directors”. Thus, Truffaut praised the remarkable visual style that is reflected in the director’s body of work (the film) through a consistency of themes. He also believed that even if a film is produced collectively, the director’s artistry outshines any further interference from the film

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Citizen Kane's Citizen Kane: The Classic Hollywood Industry

389 Words | 2 Pages

There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue

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Cinematic Techniques In Anthony Burgess A Clockwork Orange

1712 Words | 7 Pages

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794 Words | 4 Pages

My RIP project is a fictional obituary for Louise Banks, the main protagonist of Ted Chiang’s science fiction short story, “Story of Your Life.” By definition, an obituary is a news article that reports the recent death of a person, typically with an account of the person’s life and information about the upcoming funeral (Wikipedia). I wrote the obituary as if I were another character from “Story of Your Life,” but I created much of her background information and accomplishments, as Chiang did not provide much personal information on her. In this sense, I was given much room for creativity and imagination to format Louise’s life into a fictional obituary. Nonetheless, I still kept the typical structure of an obituary based on examples I found online and provided the audiences with the same purpose and message a standard obituary would give.

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How Is Antoine Doinel Portrayed In The 400 Blows

1607 Words | 7 Pages

Director François Truffaut outdid himself in his debut film The 400 Blows. Receiving numerous nominations and awards, The 400 Blows tells the story of young boy, Antoine Doinel, and his escapades in the city of Paris. Living in a home with unsupportive parents, Antoine tries to avoid the tense household by being adventurous with his best friend René. Throughout the movie, Antoine is filmed rebelling against his parents and trying to cope with his apparent neglect from his parents. Truffaut channels his own childhood in the character and impressively does so, by making Antoine his own character.

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Citizen Kane Mise En Scene Analysis

794 Words | 4 Pages

Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just

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Orson Welles: The Battle Over Citizen Kane

649 Words | 3 Pages

The film was largely based on Hearst’s life. The battle was because Hearst was angry that the film was created in spite of himself and made fun of Marion Davies. He refused to allow mention of the movie in any of his newspapers, and helped drive down the film 's disappointing box-office numbers. But Citizen Kane was as revolutionary as it was revolutionary and earned Welles a 1941 Oscar for best screenplay. It 's now considered one of the greatest films ever

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2800 Words | 12 Pages

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Rashomon And Citizen Kane Analysis

2098 Words | 9 Pages

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Citizen Kane: The Most Controversial Film

1026 Words | 5 Pages

“Citizen Kane” is a tale of the “Charles Foster Kane”. “Citizen Kane” was one among the major controversial movies continually built up. Kane was one of the most controversial films ever made. Hearst, affronted from his representation, presented RKO a diminutive chance to wipe out the movie. When that attempt did not work, newspapers of the Hearst go aboard on an operation of denouncement in opposition to Welles, therefore demonstrating that the dishonesty of the press and the condemnation of the power in film were specifically the aim.

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