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Two Examples Of Misogyny In Video Gamers

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In the recent years of gaming, there’s been quite the uprise in female gamers; taking up 48% of total gamers online in 2016, compared to the 36% of female gamers in 2011. Not only is this spike because of the generally increased interest in video games and STEM field s, but also because of the many recent games that have acknowledged their female audience. Some of these games include Fallout 4, Dishonored: Death of the Outsider and Mass Effect: Andromeda, which allow the player to play as a woman for the main character. However, despite this increased number of female gamers and their supporters, we still see an immense number of misogynistic instances. Because of that recent change in the culture of gaming, it is now more clear than ever to see that both modern and classic video games contain countless cases of misogyny. …show more content…

Being one of the first video games of it’s kind, this attitude of the male being physically and mentally superior to the female set the precedent for most of the Mario games, along with many others. Using a more recent example, Mario Kart 2008, despite being 20 years after the initial release of Mario, still very actively displayed sexist viewpoints for Princess Peach. In other characters, you see their assets and confidence very proudly stated with facial expressions of confidence and tricked-out vehicles that visibly look ready to race in. However, when you take a look at Princess Peach, she has the expression of cluelessness and a vehicle that’s bright pink with a flashy crown on the front. Although discrete, simple instances like this can implement a harmful mindset of male superiority, as has been discovered through several study

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In his article “Shooting in the Dark,” Benedict Carey argues that video games depict explicit or violent content stimulate aggressive behavior within gamers. He argues that video games like Mortal Kombat, Call of Duty, and Battlefield 3 increase aggressive urges and that exposure to these games leads to real-world hostilities. He mentions incidents like the young men who opened fire at Columbine High School and at the movie theater in Aurora, Colorado—video gamers who seemed to be acting out some “dark digital fantasy”—to uphold his position. He believes a dose of violent video games can cause people to act “more rudely” than they would otherwise. Although he describes how violent video games may stimulate aggressive or hostile behavior, Carey’s argument can be challenged because there are other factors that can influence individuals to act violent and hostile.

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This book is well supported by facts. He firstly talks about the world of video games and online “entertainments”. Here children's exposure to violent images through gaming and early sexualisation through various media

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Paolo Pedercini uses his video game Unmanned to deliver a social commentary on the normalization of bigotry that is present in the thought processes and behavior patterns of privileged cisgender, heterosexual, white men. The Western market for video games is designed around the concept that video games are for boys. Most games strive to allow the player to immerse themselves in the protagonist- and what better way for a man to immerse himself in a character than if the character displays the same bigoted traits as he does? In “A Series of Interesting Choices: The Building Blocks of Emotional Design”, Katherine Isbister says “The player moves through the game world taking actions as this person, adopting his or her concerns and struggling

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When I was a child, I would play Super Smash Bros with my male cousins. When playing, I noticed the lack of satisfactory female characters and how male-orientated the game was. Besides the character, Samus, who wasn’t unlocked at that moment, the majority of the few female characters had soft attacks, poor defense, and mediocre special moves that didn’t inflict any damage. I felt discouraged as it depicted women’s role as being inferior to men as the game didn’t effectively represent women’s capability and strength. Similar to in The Odyssey traditionally ascribed to Homer, which conveys the story of a king returning home from war.

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Therefore the portrayal of women as over-sexualised, objectified and subordinate to males depicts an inaccurate representation of female gender behaviour within video games. This can have serious implications within society as video games have become an agent within the development of identities in its players (Miller & Summers, 2007:734). Lande (1993), argues that individuals exposure to violence within video games may result in negative outcomes in relation to a small percentage of individuals who are deemed to be more impressionable and also vulnerable (Lande, 1993). Although it is only a small percentage of individuals in which this relates to, there can be significant consequences. Further action will have to be taken in the future with regards to the reduction or exclusion of gender norms such as the over-sexualisation,

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“ Why Violent Video Games Are Good For Girls” written by a Carmen Tieu was published in the textbook Writing Arguments in 2014. Carmen is a girl that illustrates the point of view a girl playing video games. Her thesis is that video games are actually good for girls. She starts her case by pointing out the obvious physical traits that guys favor over ladies. She then explains how the usage of video games make her more confident.

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Back in the days of the Nintendo Entertainment System, Nintendo chose which gender to market to. As you can probably guess, they chose boys. Girls were left with nothing but dolls and watching boys play 8-bit basketball games. And still, people are shocked when they are beat by a girl in a video game. My best friend plays video games like crazy, and she is a girl who knows how to win fair and square.

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Additionally, she investigates the top-down structures (online gaming as a whole) that regulate the heteronormative environment of WoW. These findings are used to analyze the possible ways in which the LGBTQ community is discursively constructed across the WoW community. Analysis aims to understand the complex interactions between Blizzard and players in negotiations and resistance towards the LGBTQ community. Furthermore, her findings also identify an implied sexual binary that oppresses the LGBT community digitally and

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Heroic Archetypes and Gender Bias in Visual Media By Lisa Mulligan CDG1 Abstract - Visual media such as video games have developed so much over the last twenty years. Games have become a popular media with all types of people throughout the world. This media affects many different people of all ages, religions, ethnic backgrounds, sexual orientation and especially gender. Gender bias is a huge issue within the games media. Issues such as stereotypes, objectification, overly sexualised characters mostly female and poor representation of female characters for example ‘damsel in distress’.

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In Carmen Tieu’s, “Why Violent Video Games are good for girls,” she argues that playing first person-shooting games can be good for girls because it allows them to feel like they have accomplished something by beating guys at their own games. It also lets them to play without listening to what others say about girls playing violent video games. They can give girls a different way of bonding with males and allow them to feel like a player and not a “girl.” Tieu also claims that it gives girls an inside on how guys act while playing these violent games. She usually stays home and plays video games on Saturday nights, and listening to what guys say about girls when she is on XBOX Live irks her.

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Video Game Culture mimics Societal Norms: The first video game was invented in 1958 ,by physicist Willy Higinbotham in Uptown New York a tennis like game that was played on an oscilloscope since then games have advanced. Modern video game designers capitalize on sexism and are over masculinity, thus displaying over sexed characters and encourage gender biases. Despite sexism being in video games, it isn't video game culture that is sexist its modern culture that is sexist and then reflected into video games in both men and women. Video game designers jobs are to stay current and create games that reflect modern culture and trends it just happens that sexism is popular and has been encouraged in today's society through pop culture, fashion,

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In my opinion yeah it should be allowed but it's not right. Since their already violence and other activities going on in video games which is not right,why not virtual rape. With technology nowadays as increase the ability to do many things in video games that seems to be real but it's not. virtual rape is not right in general but also killing,shooting,and stabbing and other violence is not right as well. The word rape seems to bother people because it is a big deal in the real world,as well as murder and other violence but women have made society think rape is the biggest evil thing you can do to a person.

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DISNEY SEXISM In society, there are gender roles which put each sex in stereotypical figures. These roles affect the way how we speak, dress and act. In general, women expected to behave feminine such as being polite and fragile and on the other hand men are expected to be aggressive and stronger. All these roles are over exaggerated in Disney 's women and men figures. When we look at the society, children are the ones who are more likely to being manipulated by elements such as media.

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Women are no longer considered to be a minority in the gaming community. Female gamers are slowly increasing in numbers and are emerging from the shadows. According to an article by Lev Grossman regarding the large amount of Americans who play video games, he mentions that more than 145 million Americans play video games (1). He states that, “Nearly half of gamers are women.” This means that around 72.5 million Americans are female gamers, making them essentially at the same level as males.

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When it comes to justice, Polemarchus believes that justice is “…helping friends and harming enemies.”. Socrates questions this point of view because according to Polemarchus’ view point, only the people who are close to him and in his circle of friends would be worthy of any kind of Justice. Polemarchus is wrong in this viewpoint because if only the people that you know who are of your similar social status and you interact with on a day to day basis are considered friends, what of those that you do not know? Or what of those who are not of your social status, that you do not interact with? Socrates questions this by asking, “Do you mean by friends those who seem to be good to an individual, or those who are, even if they don't seem to be, and similar with enemies?”.

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