He was so lonely and 2desperate for an companion, he asked Victor to make another monster like him. This is another reason he killed Victor’s loved ones. He did it for revenge. He wanted to get revenge on Victor for denying him his chance of a shot at love. A shot at happiness.
He has been rejected and isolated from society which he copes with in a very destructive way. The monster turns to murder to speak out about his obsession. To support this the monster kills Elizabeth instead of Victor on their wedding night. This brings sorrow into
When summarizing his first encounter with a human to Victor he says that “His appearance, different from any I had ever before seen, and his flight, somewhat surprised me,” this shows that he, before the events that would follow, was more surprised and curious about humans than anything else. What set the Monster off on a dark path filled with hatred and a thirst for revenge against Victor for creating and abandoning him was the rejection he faced from the De Lacey family. His cottagers, as he called them, were the first people he had the chance to care about; just from observing them he learned human language and the importance of family, community and love. The pain he felt after being rejected even by the people he loved is perfectly encapsulated in his cries of anguish “CURSED, CURSED CREATOR! why did I live?,” the despair that followed this rejection is a sort of turning point for the Monster’s
The Didache is a nine-hundred and fifty year old, two hundred page manuscript, short for The Teachings of The Twelve, and was the most important document in medieval times, but why is this book important now? It is an in-depth novel about two ways; the way of life, and the way of death. The way of life tells us how to live for God, such as respecting your neighbors, loving your enemies, etcetera. The way of death is a life without the presence of God being with them, such as murder, adultery, thieving, and the like. This book shows us what the correct way to live actually is, and is a shorter than how the Bible puts it.
The Creature in Frankenstein Mary Shelly’s “Frankenstein” is an inspirational work of horror and science fiction; it is the narrative of an unorthodox act of creation, of a monster which torments his miserable creator. The author puts forth ideas, and reinforces it through the development of the plot, that mankind is capable of both good and evil. Shelly demonstrates the ‘humanity’ of the creature; his actions and his inclination are like those of mankind. Indeed, even the negative aspect of his character, demonstrated through his quest for revenge, has a parallel in the actions of his human creator. In Mary Shelley’s “Frankenstein” the creature is represented as being vicious and murderous but he is not inherently evil or malicious.
Over the past century, Frankenstein has been analyzed and interpreted in seemingly infinite different forms of literature, film, and television shows. Once solely recognized as the story about a brilliant scientist who creates a creature in whom he regrets making after the creature turns out ugly, Frankenstein now represents an internationally recognized and commercialized pop culture symbol for Halloween decorations and costumes. When analyzing and appreciating the true literary essence behind Mary Shelley’s original Frankenstein, one of the most important comparisons to consider remains the underlying influences behind the Creature’s immoral actions and whether or not the blame for these actions belong to Victor or the Creature. When exploring the dichotomy of the Creature versus Victor Frankenstein, one of the biggest and most widely debated questions remains whether Victor should be blamed for the Creature’s destructive actions or if the Creature should be considered guilty for his actions based off of his own free will. Many consider Victor Frankenstein the villain of the story due to his repetitive decisions to abandon and avoid his own “mistake,” the irresponsible choice of creating the monster in the first place, and his obvious negligence of the Creature’s feelings.
In modern era, many continue to push forth the ideal that everyone deserves basic human rights, regardless of their physical appearance or their origins. The creature in Mary Shelley’s Frankenstein (1818) had unordinary origins which influenced his character and relationships he developed with others. In his case, the creature’s physical deformities caused him to initially be rejected by his creator, Victor Frankenstein, and other people he encountered who would only see a surface unpleasant to the eye. As the story unfolds, Shelley develops the timeless message that everyone deserves to satisfy the yearning necessity for companionship and happiness, despite one’s beginnings in the world, lest they risk losing their humanity. Frankenstein, the creature, demonstrates on several occasions his ability to feel in the same way as humans and other living beings can feel.
Change, itself, is scary. Nothing embodies that scariness more than the dynamic characterization of the Creature. The reader sees the growth of the creature from its genesis, including moments like this, “In my joy I thrust my hand into the live embers, but quickly drew it out again with a cry of pain. How strange, I thought, that the same cause should produce such opposite effects!” (Shelley 91).
Frankenstein experiences many challenges from his creation to the end of the novel. He comes into contact with fire for the first time and burns his hand getting too close to it. The creature is abandoned by Frankenstein because of his appearance. The creature is often misjudged when people first see him because of his appearance. The creature was created using body parts of previously deceased humans.
Monster: An imaginary creature that is typically large, ugly, and frightening. Victor Frankenstien, the creator of THE monster; the monster that everyone perceives as ugly, disgusting, horrible, terrifying, and a murderer. Frankenstien anandons his creation allowing it to run lose and cause chaos. The monster in the book Frankenstein by Mary Shelly is perceived as all of the things a monster is supposed to be, however, this monster is filled with emotions and feelings that he acts on and cannot contain.
It is quite difficult to identify with the protagonist in Frankenstein because he comes across as quite cowardly and irresponsible, these are common traits one would not want to associate themselves with. It could be argued that Victor changes from an innocent young adult, curious about the ways of science into a guilt ridden man, constantly cautious about horrific creation. In terms of the main parts of the book, Victor has no apparent positive change but can still be considered a round character as he tries to come to terms with the terrifying creation of his past, which is the ideal element that the protagonist’s character in a Gothic novel upholds; “ I revolved in my mind the events which I had until now sought to forget: the whole train
The creature, referring to the monster created by Victor Frankenstein in Mary Shelley’s Frankenstein, has a crave in establishing an actual relationship with human beings within his character. As the scene contains his interaction with the cottagers would suggest, he becomes interested in human culture and is amazed by how words can express pleasure, pain and sadness. He finds the naming of objects interesting as well, and feels delighted whenever he learns the meaning or when pronounced the word correctly. He decided to use the time which Felix taught Safie English to improve his own language skills, and the learning of the “science of letters”, grammar, has opened before him a field of wonder and delight. The reason why he became interested
The novel “Frankenstein,” by Mary Shelley tells the story of a man named Victor Frankenstein, who decides to go against the laws of nature by bringing to life a being constructed with decaying body parts. Victor believes in natural philosophy and science, which leads him to the idea of creating this Creature. Although this novel can be interpreted in many ways, I believe that Mary Shelley is shining a light on the harmful and dangerous impacts that prejudice and assumptions can have on people who are considered different. Shelley may be suggesting that humanity is the true 'monster ' due to its socialized ideologies that make ambition, self-greed and rage fulfilling. Even to this day society is known to shun those who we do not see as equals.
Mary Shelley’s gothic novel, Frankenstein, stems directly from the unconscious perspective of Shelley herself. As Sigmund Freud preached, literary texts display the unconscious desires of the author who constructed them. Therefore, the characters Mary Shelley assembled such as: Frankenstein and Frankenstein’s monster, are to be interpreted as her own inner thoughts and feelings of herself. Focusing first on the characteristics of Frankenstein, the reader can gather that Mary Shelley feels ashamed of being cowardly when the position of being courageous presented itself throughout her life.
Jacob T. Ray Virginia Benitez English 2B 30 November 2016 The True Definition of a Monster People argue that the definition of a monster is someone who lacks human qualities, cruel, and barbaric or that a monster is an imaginary creature that has no point in life but can be good. In novels, biographies , and articles and so on writers use the word “monster” to point out to the reader the “monster” is a terrible person. When people think what a monster is many times they start thinking of scary creatures, halloween costumes, and horror movies.
