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Character development in the great gatsby
Representation of women in literature
Representation of women in literature
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In F. Scott Fitzgerald’s novel, The Great Gatsby, the character responsible for the death of Jay Gatsby remains a mystery. The Great Gatsby, set in the 1920s, recollects the story of a man, Nick Carraway, and his experience as Jay Gatsby’s neighbor. Gatsby throws extraordinary parties in order to catch the attention of his love interest, Daisy Buchanan, who he once dated and happens to be Nick’s cousin. However, Daisy is married to Tom Buchanan, but he is cheating on Daisy with Myrtle Wilson. When Nick brings Daisy to one of Gatsby’s parties, Gatsby and Daisy begin to rekindle their relationship, yet it is more one sided than mutual.
The tragic death of Jay Gatsby near the end of the novel, The Great Gatsby, followed by an immense series of events throughout the entire novel. While George Wilson is the one who actually pulls the trigger of the firearm which causes Gatsby to take his last breath, Tom Buchanan was the one who orchestrated the events of Jay's death on the macro scale. In the penultimate chapter of the novel, Jay Gatsby's death occurs via pistol shot to the back. As George is the one who shot Jay, this could be seen as the most responsible for Jay's death. After the death of his wife, George is described as, "acting crazy" and "inquiring about a yellow car" (Fitzgerald, 123).
Everyone has moments where they desire to revisit the past- correct a mistake, relive the excitement, change what could have been. We all have moments like that. It might be a fleeting feeling or a consistently recurring thought, but seldom do we dedicate ourselves to the unattainable and changing times. In the novel The Great Gatsby by F. Scott Fitzgerald, the plight of Jay Gatsby and his attempt to bring back the past is explored. He aggressively, or arguably, passionately fights to regain what once was.
This supports the understanding that Daisy’s misery has grown now that she has to make an impossible choice and can no longer hide her misery. This misery has shown itself through her pessimism in chapter one, and her overwhelming emotions over Gatsby’s shirts in chapter five. These are moments when she could not maintain her façade. This trait has changed throughout the novel because it has consumed her whole life and the people in it. Everyone in her circle now has gained some of her
In my opinion, Tom is most responsible for Gatsby’s death. I believe that Tom is most responsible because Tom forgot to tell George that Daisy was the driver of Gatsby’s car the night Myrtle was hit by it. Tom forgot to tell George that because him and Daisy were plotting this out. I could tell something was up when Nick refers that “Tom and Daisy talking in the house(146). I also think that Daisy is a little bit responsible because she took on some bad morals when she hit Myrtle because she could have stopped the car after she hit Myrtle.
As the novel progressed, his obsession with Daisy became more clear and compelling, consuming his every thought and action. I found it very fascinating to see how obsession could impact someone so eminently. The setting of the book also served as another inspiration for me to express my displeasure with how women were treated in the 1920s. Many people portray Daisy as someone whos selfish, only doing things for her gain and hurting others. Although, there was a need for women to have stable relationships to survive which is why she needed to act in this way.
Gatsby is Dead? Who even is he? The Bill!”, has made Gatsby one of the richest people in New York. But how do we know that they belong to Gatsby? Well, if you walk in to “Dip The Bill!”
In The Great Gatsby by F. Scott Fitzgerald Jay Gatsby was murdered by George Wilson Husband of Myrtle. In the court of law there’s only one person who was responsible and guilty for the murder of Jay Gatsby. Although in the eyes of god there was more than one person responsible for the murder or had the ability to stop the outcome of the murder. Weather it was Tom being honest about his affair, Daisy doing the right thing and stopping during the accident or Jay Gatsby himself by taking control of the situation and doing what was good for both Daisy and himself instead of just what 's best for Daisy. Tom, Myrtle, Daisy, and Gatsby were selfish and self centered leading them to become Morally responsible for the death of Jay Gatsby.
In fact, by trying to save Daisy, even though George Wilson officially murdered Jay Gatsby, Jay Gatsby himself was truly at fault for his demise. Jay's obsession with Daisy Buchanan, a woman married to Tom Buchanan, blinds and leads him to cover for Daisy after she runs Myrtle over with Gatsby’s car, driving George Wilson to seek vengeance and kill Gatsby.
Later into the novel, however, Daisy’s attitudes towards actions start to unfold. As specified by Fitzgerald, Daisy’s “face was sad and lovely with bright things in it, bright eyes and a bright passionate mouth, but there was an excitement in her voice that men who had cared for her found difficult to forget” (Fitzgerald 9). Certainly, the readers can deem favorable characteristics from Daisy; she has the impression of being a lovable and
The entrance of Mr. Gatz showed us how much Gatsby’s dad really loved him as a son, even after Gatsby ran away from home to reach the success he desired in order to become the concept he wanted to be as a person. With his honest reactions, it seems that Mr. Gatz was proud of his son to the very end. He knew that Gatsby was going to end up being destined to something great and as he reacts to his son’s mansion, his theory was proven right. I guess Nick isn’t the only one who really admired Gatsby’s intentions and dreams. It seems that Nick couldn’t believe that Gatsby was gone, gone before he could have fulfilled what he wanted to be and all the dreams that he could have done if he lived longer.
American Literature is defined as the literature written or produced in the area of the United States and its preceding colonies. Death is a common concept portrayed in American Literature. Titles such as Of Mice and Men, Inherit the Wind, and The Great Gatsby all have character deaths as a major part of their plotlines. Even though these deaths are a major event to the readers of the novel, it minimally affects the other characters of the story. Theses novels show that death doesn’t affect the masses – life goes on.
Literary deaths always have a meaning, and the abrupt demise of various characters in The Great Gatsby is no exception. As tensions build and secret loves are proclaimed, characters begin to meet untimely deaths. F. Scott Fitzgerald uses Gatsby and Wilson's deaths, along with Gatsby's funeral, to symbolize the death of the American dream. Both men simply want to be successful and happy, and neither of them achieve their ultimate dreams.
Daisy is a victim of denying what is below the surface. This is seen in many different aspects throughout the novel. By approaching reality in a deeper way, everything will automatically become more complicated in countless ways. Even as readers, we do not know everything there is to know, especially when dealing with Jay Gatsby, but what we do know still manages to be contradicted by the complicated character of Daisy. It is recognizable that Daisy continually denies reality for her own convenience within her individual relationships mainly involving Tom and Gatsby, which deal with Tom’s affair, the situation of Gatsby, the feeling of regret following the realization of her first love, and her past of loving Tom.
According to Hall, discursive formation that accompanied colonialism was “the West/the Rest” (89). It emerged from asserting a new sense of identity to unify internal relations in Europe, such as Christianity, and it legitimated colonialism by imprinting the Western (European) “culture and customs on the new worlds” (Hall 197, 195). The new identities distinguished the West from the Rest while producing certain knowledge of the Rest: “an Earthly Paradise” “the simple, innocent life”, and “the lack of developed social organization and civil society”, and “people living in a pure state of Nature” (204, 209). In other words, the discourses through languages and images produced “meaningful knowledge” about the Others, and the Others is categorized
