The Work of Art in the Age of Mechanical Reproduction Essays

In this essay, I will be comparing different points from the backwards bicycle video to spiritual lessons drawn from that lesson. I will first compare how knowledge does not equal understanding to our everyday life difficulties. Secondly I will draw a spiritual lesson we can all relate to with the phrase “Truth is truth no matter what you think about it”. The last spiritual lesson I will draw is things are often easier said than done. The spiritual lessons I was able to draw from this video show

The movie “Mississippi Masala” directed by Mira Nair, is a heartwarming yet powerful film that reveals a side to racism, separation, and oppression that many may be unaware of. In a specific scene in the movie, the main character Mina attends a small gathering at the home of her romantic interest, Demetrius. Demetrius’ cousin Tyrone finds Mina to be appealing and delivers his best form of a pick-up line: “You think if I go to India and get me one of those Aladdin lamps, rub it real good, you think

“So long as photography was merely a vehicle by which art objects entered the imaginary museum, a certain coherence obtained. But once photography itself enters, an object among others, heterogeneity is reestablished at the heart of the museum; its pretensions of knowledge are doomed. Even photography cannot hypostatise style from a photograph.” (Crimp, 1993) In Douglas Crimp’s essay, “The Photographic Activity of Postmodernism” he argues that postmodernism is “the return of the repressed”. With

1 Coming of age is a process full of physical and emotional stress. Teenagehood is a period in life where many people experience love for the first time, fall in and out of love with themselves, find what they are truly passionate about in life, and form their identity. Being a teenager about to reach adulthood myself, I have experienced all of these things and of course they weren’t easy but the last 4 years have been incredible. Growing up, it’s like a rite of passage to face hardships, to express

thought, the Frankfurt School, Walter Benjamin and Theodor Adorno found themselves debating the value of art in a world on the brink of war. The basis of Benjamin’s and Adorno’s argument was not a critique of the art itself, but rather ever-growing trend of the reproduction of art. For Benjamin, as described in, “The Work of Art in the Age of Mechanical Reproduction”, the reproduction of art and the novelty of film, which stemmed from technological marvels, was a natural progression and a detractor

innovations and fast progress of the technologies, in every part of one?s life and society. These technologies, as the base, give people some sense of entertainment. Whether it be in news, in movies or in art. Modern times in which the ?social change? took place ultimately are not what it was expected from the age of Enlightenment for Adorno and Horkheimer. As its founding basis, the Enlightenment promised progress not just for the humanity, but it also promised progress for individuals in the world for them

more money and social prestige you have, the easier it is to get more. Power is obtained through military, economic and political influence. It is preserved by the reproduction and movement of elites through various institutions. The Power Elite is important to C. Wright Mills theory which states that a small number of

make copies of. It was debated that images presented proximity and clarity of representation in an approach that traditional art such as painting, graphic design or sculpture could not possibly reach. And now sculpturing is even replaced by 3D printers. Barry Schwabsky is an American

Romantic art from the early 19th century frequently sought to depict the sublime. Paintings such as Caspar David Friedrich’s Wanderer Above the Sea of Fog and J.M.W Turner’s Slave Ship, which appear in “Bitumen”, are apposite to many of Burke’s tenets. They conjure the sublime by presenting an awesome and terrible nature which figures largely in their works. A contemporaneous version of the sublime that “Bitumen” addresses by way of

The story of Diary of the Dead (DOTD) is a film within a film. In the DOTD, the character of Jason claims to be filming “the truth”. Notably, a philosopher named Walter Benjamin wrote an essay called “The Work of Art in the Age of Mechanical Reproduction” he explained that the works of art are possessed of an aura that makes them legitimate. Jason’s claim to aura is “truth”. How does the film treat this claim? Before discussing DOTD it’s important to understand what aura is. Benjamin describes

Throughout the course, I have noticed bits and pieces of Theodore Adorno and Walter Benjamin’s ideas of art popping up through modern day art and other things in daily life. In particular, I would like to look at our modern-day reality game shows to relate their theories to. Walter Benjamin’s essay “The Work of Art in the Age of Mechanical Reproduction” discusses how film changes the way people interact. “The artistic performance of the screen actor… is presented to the audience via a piece of equipment

stories of Carver offer a promise of resurrection which he usually so brutally denies. At one level, the postmodern world in Carver 's fiction is understood as one in which the mechanical age of

his article, “The Presentation of Self in the Age of Social Media: Distinguishing Performances and Exhibitions Online” a virtual “curator” manages their own digital content (2010). What one desires to be seen, is what is seen online. Hogan then goes on to write about the work of literary theorist, Walter Benjamin. In The Work of Art in the Age of Mechanical Reproduction, Benjamin (1967) writes of the functions of art, and the fact that reproductions lack the original substance of the authentic piece

Pop Art and Reality What is the first word when you talk about 'Pop Art '? There might be popular, familiar, consumable, cheap, funny and outstanding or etc. Contrary to other art trends ' things, we feel intimate and can easily understand about Pop art‘s product. What makes Pop Art differ from other trends? In the late 50 's and in 60`s, materialism which came from industrial society was in its golden age. Pop art born in these background and dominated in the 60 's receiving positive and

In his more sensible illustrations, quite a few of his inventions provide the inspirations for modern warfare. Missiles, gatling guns, mortars, and belt-fed munitions all found their origins within the pages of his journals. Hart, Ivor B. The Mechanical Investigations of Leonardo Da Vinci. Chicago: The Open Court Publishing Company, 1925. Contrary to popular belief, Leonardo Da Vinci did not start his research with nothing.

1930s. Theorists known as Leo Lowenthal, Herbert Marcuse, T.W. Adorno, Max Horkheimer and Erich Fromm developed some of the initial accounts within critical social theory. This indicated the importance of mass culture and communication in social reproduction and domination. It also produced one of the first models of critical cultural studies. These studies analyzed the processes of cultural production and political economy, politics of cultural texts, audience reception and application of cultural

some format, but many limit access due to copyright and other restrictions. However, as more and more museums allow this access other museums and cultural institutions feel the pressure to allow access to their collections as well. In this digital age, there is a presumption that everything is and should be accessible to everyone. This raises the questions of whether or not museums should be expected to have their entire collection online for the public? Should all objects in the public domain be

historic periods contains distinctive value. In the premodern period, covering the renaissance to the industrial revolution, the artificially created image is simply the replacement of the original item, or an ideal image of nature. In this period, art camouflaged and manipulated nature, it is a reflection of a basic reality. In the second order of simulacra, which starts from the industrial revolution of the nineteenth century, the distinction between reality and its representation became to blur

The concept of performance art is discipline within the artistic world or practice that involves an individual or people undertaking an action or actions within a given time frame in a particular space or place before an audience. The key aspect of this kind of art and the execution process is the live presence of the artists and real actions of their bodies to create and display a transient experience to the subject. A known trait of performance art is the aspect of the body being considered a soled

and dancer practice arts of their own, they participate simultaneously in an art that comes from without. The symphony participates in the musical vision of the conductor and the composition of the composer and the dancer participates in both this composition and its interpretation by the players. The dancer and the symphony are performers, that most despised category for Gaddis relative to the artist, and yet a condition that describes the wishful tonic latent in his final work. We could also call