A Raisin In The Sun Comparative Essay

An interpretation is a stylistic representation of a creative work or dramatic role. Throughout life, many perceptions are made to further an understanding of a certain subject. In the play “A Raisin in the Sun” by Lorraine Hansberry, the characters are challenged with obstacles that show both their positive and negative qualities as they encounter life-changing events. Reading a play is different from viewing it because of the more detailed development of characters, powerful emotions, and purpose of stage directions.
Firstly, when reading a play the audience interprets the characters dissimilarily than they would when viewing the play. In the play “A Raisin in the Sun” by Lorainne Hansberry, the distinct character dynamics are explored

Something wrong with that? Ain’t many girls who decide—WALTER and BENEATHA (In unison) —“to be a doctor” (Hansberry 39). During this part of the play, Walter and Beneatha experience an altercation towards each other when they have conflicting views on the future Beneatha is planning to pursue. Walter is unsupportive of his sister's hopes of becoming a doctor, and readers acknowledge right from the start that Walter demonstrates rather questionable personality traits. On the other hand, Beneatha stays determined and disregards Walter's insensitive remarks. Contrarily, in the movie A Raisin in the Sun, an adaptation of the play directed by Kenny Leon, viewers generate their own interpretations of how the characters look, act, and speak. An example of a contrasting interpretation of Walter the audience can fabricate is while Beneatha and Walter are still in their argument, the pair both become more defensive, especially Beneatha as her sassiness peaks through. The dispute finally comes to an end when Walter slams the door shut and exits (Act 2 Scene 2). During this part of the movie, the viewers see the relationship and sibling dynamic between

In the play “A Raisin in the Sun” by Lorraine Hansberry, a wide miscellany of emotions are portrayed as the characters process the life-changing events that transpire around them. An example of a strong emotion by Walter is, “Nevermind how I feel—you got any more to say ‘about how people ought to sit down and talk to each other?... Get out of my house, man” (Hansberry 119). When Mr. Linder arrives at the apartment, his discomfort is already well noticed. As the conversation continues, Walter becomes hostile and his tone rises, becoming more impatient with the disrespect towards him and his family. Eventually, he assertively orders Mr. Linder to leave the apartment. On the contrary, during the movie viewers recognize Walter's tone is a lot more approachable and firm rather than stern and angry. In this point of the movie, Mr. Linder arrives at the Youngers apartment to negotiate and overall persuade the Youngers into leaving the neighborhood. Beneatha and Ruth are also present during the conversation, adding in vague and witty remarks here and there. Walter overall finds the conversation unmeaningful and therefore firmly tells Mr. Linder to leave several times (Act 2 Scene 2). Unlike from reading the text, Walters tone and inflection of voice appears less assertive during the encounter with Mr. Linder. Although, from watching the movie the viewer can