Analysis Of Spike Lee Joints

Americans and movies have a unique relationship. While the American public lets the movies of Hollywood engulf them with various amounts of pop culture references, the movies reflect the culture of American people in way of religion, beliefs, and concerns. Movies hold a substantial place holder with the American society; they show what most Americans believe in during the time period in which they are made. During the 1940’s and 1950’s, movies showed a more modest and conservative America, a small reflection of its time. But the movies began to drastically change in the 1960’s mostly due to the rise of revolutionary and rambunctious youth and young adults revolting against the prominent social structure. Although, the movies were influencing

His films are labeled as African-American Cult classics. Although most films are independent, it has gained notoriety within the African-American communities gaining dedicated and passionate movie watchers who mostly engage in re-watching Spike Lee Joints, and knowing almost every piece of dialogue said throughout each movie. Most moviegoers do not think of Terence Blanchard, the man behind the film score. Mr. Blanchard and Lee are the ultimate duo in the film industry. Spike Lee gets the script perfect and Terence Blanchard makes the movie come alive with the music score. Thus, making them the perfect duo within the film and music industry. This descriptive analysis will expose how Spike Lee Joints shows the depiction of African-American culture, and how the music of the films shapes the characters. Most importantly, this research will examine, why the music and films became so

At a youthful age, Lee was nicknamed "Spike" by his mom who saw his rough antics and the name stuck a ways into his adult life. Spike Lee's upbringing was rich beyond measure with inventive and imaginative impacts and influences. Lee's dad, Bill Lee, is a prestigious jazz bassist, who today helps with co-composing the world-renowned musical scores to a large portion of Lee's movies, while his mom was a lobbyist and instructor of the performing arts. Lee reports that as a result of his folks' contribution in the New York craftsmanship group, he every now and again went to social occasions as a tyke, though regularly without wanting to. In spite of the fact that Spike displayed no particular intentions to seek after a career within the performing arts, while being a young adult, he promptly credits the environment of free imaginative articulation that existed in his family unit with permitting him the individual self-guidance to obstinately seek after whatever life objectives he set for himself. In his youth, Lee and his family moved to the Fort Greene zone of Brooklyn, New York. This move was exceptionally critical in the area of Lee's childhood. The family’s decision to move contributed colossally to the specific feeling of setting, individual connections, and legislative issues that characterize Lee's movies. His mother died in 1977, and his father later remarried a Jewish woman.