Introduction
The architectural composition of the University of Toronto draws on the analogical and theoretical primes of nature and artistic simulation. With regard to this, the structural constructions of the Toronto University’s buildings are a representation of original sections of constructive elements of earth, wood, and stone. Through a century of architectural revolution, the building portrays the amazing transition from one style to the other that led to a surprisingly smooth fusion of construction artistry. The fundamentals of imitation deeply rooted within the constructs of the building signals reinvention of combining the pre-existing elements of architecture. The different architectural forms, structure, material, representation, ornaments, programs, site and typologies reflect the architectural liberty and diversity in such genre. This reflects the mathematical invention and intellectual proprietary over the century and at the same time signifies the diversity within the University. The architectural design forming the college building posses a rich medieval picturesque that partly represent Ruskinian college idealism. This clearly indicates the significance of public education through syncopated windows which portrays the exuberant suppleness and Deer Island granite. The transition from Gothic Religious architecture to the secular Romanesque style enhanced the adoption of critical
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The Romanesque composition of glass floors supporting cast-iron book stacks accentuating with its limestone coating. The University also offers a memorial aspect through its basic modern red-brick façade of smooth stone completed with pavilion fusillade rooftop mechanicals. It, therefore, deems appropriate to analyze the rich historical artistry of the college building architecture and the significance of its architectural