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Analyzing The Documentary 'War Of The Worlds'

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The War of the Worlds, documentary explores the fictional radio event on October 30, 1938. The event was broadcast by Orson Welles, who created a fake alien invasion from Mars on a farm in Grover's Mill, New Jersey. What viewers of the documentary can learn about the power of propaganda and its intersection with popular media is that society, blindly believes, anything that the media put outs. Due to our culture beliefs that media is important and if the media is reporting something, than it must be true. In the documentary, it states that during the depression, many Americans were not making payments for their cars, washing machines and phones. However “they kept on buying radios by the millions” (War of the Worlds). I would assumed that …show more content…

In 1924, the U.S. Army Signal Corps, shut down radio stations, so they could listen to a signal for mars. Days before Welles broadcast, the Christian Science Monitor, featured a Scandinavian astronomer statement about the living things on Mars. Mars was fresh on people minds, making an invasion seem realistic and expected. Most people did not listed to beginning of the broadcast and missed the part, where he stated that it was a play. The radio at that time was the main source for news and entertainment to Americans. Americans were used to hearing bad news and tragedies through their radios that were far too sad to be real, but they were. Therefore, when Welles made the announcement of war, it was believable. Also, in the broadcast, there were eyewitness accounts of the Martians invasion, just as they were eyewitness accounts of other unbelievable, but true incidents. Such as, the descriptions of something falling from the sky and causing a field to burned. The same depiction of the German airship that fell from the sky and burned a field. Both of the “burning” aircrafts happened in New Jersey. However, the listeners, later learned that only the German airship crash was a real

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The group got the name “Murrow’s Boys” and they bravely reported the entire WWII from the front lines for they were encouraged by Murrow’s own fearlessness. For See It Now, Murrow flew in over 20 bombing missions over Berlin so the American people could watch and feel as though they were there as well. If See It Now wasn’t a show or if Edward R. Murrow wasn’t the host, the American people would have been blind to the world and evets happening around them. With Murrow’s help WWII was alive in each families living room and they were part of the

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To start with, many people didn't know what was happening and didn’t know what to do, believing the “Martian” attack. As the the article says “Perhaps as many as a million radio listeners believed that

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The creative freedom the news has allows it to conceive a new historical consciousness. As proposed by Fukenstein, historical consciousness is essentially determined by “the degree of creative freedom in the use and interpretation of the contents of collective memory.” Audiences have unbiased memories as they are not present during the events the news captures. Their memories are mainly derived from the news’ interpretation of events, turning the news into a medium for the shaping of public memory. For example, images of protestors being gassed at Edmund Pettus Bridge conjured emotions of horror and anger in the American public.

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-(DigitalHistory) This explains how many families during the great depression were jobless and charity had to provide money to nearly 13 million. However this opposing view is incorrect because during The Great Depression world war 2 was also happening. World War 2 provide jobs to the jobless because most people were drafted into war. “During the war 17 million new civilian jobs were created, industrial productivity increased by 96 percent, and corporate profits after taxes doubled.”

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Aliens are they real? The fictional radio drama War of the Worlds, produced by Orson Wells. Why did thousand believe that the earth was getting attacked. The radio drama “War of the Worlds” was aired on Sunday October 30th, 1938 Halloween night, at the Columbia Broadcasting System radio network. It was produced by Orson Wells because he wanted a Halloween story on Halloween night.

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The majority of people made under 2,000 dollars a year (Document 9) which was considered the bare minimum to live off of, the buy all of the basic essentials. These people didn’t have any money to spend on luxury items and couldn’t buy on credit. During this time, some companies priced their goods at a higher price than the majority of people made in a year, like boats that were priced anywhere from 10,000 dollars to 35,000 dollars (Document 8). With nobody to buy from them, these businesses were left without a profit and began going bankrupt. An average family before the depression with two people working full time jobs only made around twenty dollars a week (Document 7).

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Additionally, to make information credible they will interview a speaker from homeland security go into great details causing more anxiety to American psyche. More importantly, History shows how Americans fear and not trusting the government, media and politic things from the past,

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After WWII, society took a drastic change for the better in America. America had just gone through the Great Depression, which was the deepest decline in America’s whole history and everyone was affected. Numerous people lost their jobs and were no longer able to afford basic necessities like a house, food, and water. Many could no longer support their families and had nothing. This was all in result of the market crashing, sending the economy into a downward spiral.

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But, the people who missed the introduction of the radio drama broadcast they thought that America was attacked by the Germans. I was fairly surprised about the results of how people believed that the radio broadcast news was real. While watching the video my mouth was open in shock of how America

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The “War Of The Worlds” let to thousands of people believing that the world was being invaded with martians and their was destruction in New York and New Jersey. The title of this article is “Radio Listeners In Panic, Taking War Drama As A Fact” by The New York Times Nonfiction. The radio listeners which were thousands of people, were listening to this radio when they were announcing that the world was being invaded by aliens. People believed that the radio drama was real because they did not listen to the beginning of the radio drama were the announced that it was just a show. The audience of that were listening to the radio drama "War Of The Worlds" were terrified after listening to the beginning, the were some reasons why the people were

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In the radio presentation of War of the Worlds on the date of October 30th, 1938, on Sunday at 8:00 pm, radio announcer Orson Welles gave a performance that threw the nation into chaos, hysteria, and overwhelming fear. There were reports of suicide attempts, mass exodus by people trying to escape, people begged the police for gas masks, and even asked electric companies to cut their power so that the martians couldn’t see their lights. I found it difficult to listen due to the compelling delivery of the story by Mr. Welles. His voice causes the listener to want to hear the story, his tone and inflections gave the story real credibility. Because of the credibility that Orson Welles loaned to this, it can make the listener have a sense of fear, even when they know that it is not real.

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About five percent of people say that they have seen a UFO, and about 7 percent believe in UFO’s but have never seen one (Linda). Right after World War II there are some sights of aliens that people have reported on Earth (Strieber 94). The believers of aliens have tried to collect a good amount of information on what aliens look like, act like, and what they will do to their abductees (Clancy 71). To be sure, aliens are starting to come to planet Earth because they have wrecked the planet that they have been living on (Natalie). A way that people find out if they have been abducted by aliens is that they have trouble source monitoring (Clancy 71).

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