Anger In Dramatists

Kim described the angry person as irrational, unstable, and unpredictable. He argued that anger is always has a certain connection to socially and historically background. Anger is also regarded as a reaction that threats one 's life, in some conditions it is like running away from serious and tension situations. Anger is described as a feeling of tension and animosity, usually happened as a reason for worry revolted by a perceived threat oneself, rights, possessions or even values." Anger is a pressure cooker; we can only apply pressure against our anger for a certain amount of time until it explodes" (Kim 6-7). For more elaboration, anger is a normal emotion with a wide range of intensity; it is an intense emotional response.

The only aim for the dramatists is to make their works realistic and believable by present the real lives of ordinary working class people to the stage, so the characters are short and the setting they used are realistic on the type of motivation a naturalistic drama calls for, and also for the reason that their feelings, acting, and even their massages come closer to the audience. Dramatists are keen on using a variety of outspoken language in their works, through it the characters are expressed their unpolished and true emotion, a feel of anger and their fully rejecting for instance with the upper and ruling class status. In this period of time, the plays were taking the shape of criticism and being like a lesson to educate and teach people regardless the money that they take, as they did not get much money at all, the writers were losing their money in order to make the ruling class listen to the poor (Styan

People were experiencing some form of isolation in social class, as one not being accepted by the middle and upper classes, so the class conflict often becomes very obvious. The result of being marginalized is that time witnessed many of revolutionary movements against societies. The struggles of social homogenization, power, politics, and industry appear. The whole plays taking the shape of criticism of Modern British society, frequently angry, indisposed, harsh, insensitive, and critical of everything around them. The characters brutalize those situations in life closet to them as they strike out from their personal pain and present their own experience of life on stage ( Kim