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Crime and socio economic status
Crime and socio economic status
Crime and socio economic status
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Crime itself is an innate part of society, some may view it as a necessary component in one's society. New York city has had a history of high crime rates at one time. In the article, “How New York won the War on Crime” by Steve Chapman, the author discuss how New York City during the 1960s to the 1980s was viewed as “chaotic”, and mentioned that in 1984 there were at least “5 murders a day”. However, New York City now is not the same one it was during that time. The NYPD website provides a graph describing the crime rates and population growth in New York City between 1990s to to 2014.
The Moral Economy of Violence in the US Inner City Chicago Journals Field Research conducted in a predominately Puerto Rican neighborhood located inside Philadelphia’s northern section captures true life events. Interviews, statistics, and moral compasses are used to examine The Moral Economy of Violence in the inner city. Bringing forth how an individual’s Scio-economic environment influences morality and decision making through the eyes of Philadelphia’s inhabitants. Bureau of Justice Assistance (1994) Understanding Community Policing A Frame work for
45). Within the street family, the parents exhibit a strong lack of concern when it comes to discipline and morality. Anderson (1999) mentions that these street families are labeled by disorganization. Members of the street family also tends to “aggressively socialize their children (Anderson, 1999, pg. 45). This means that they put forth effort in promoting violence and earning respect.
Elijah Anderson’s Code of the Street is an account of street violence in the Poor African American communities of Philadelphia. Andersons theory brings together elements of respect, loyalty, and honor, the “code of the street” is an informal system used to control social interactions in impoverished neighborhoods and views violence as acceptable, appropriate, and necessary response to transgressions. In these economically deprived and drug and crime ridden communities, the code of the street is a subculture that controls behavior, particularly violence. As a result of epidemic joblessness and enduring racism in mainstream society, inner-city African Americans are pressured to abide by the code of the street as a survival mechanism.
Cities can be bustling centers of opportunities; however, they can tear apart a person’s hopes and dreams. Writer, Ann Petry, in her novel, The Street, depicts a woman, Lutie Johnson, trying to find a place to rent out, but struggles due to the impenetrable city winds. Her purpose is to showcase how certain individuals have the ability to fight the barriers in their ruthless environment in order to succeed. Through the use of imagery, personification, and selection of detail, Petry depicts how Lutie Johnson tries to adapt to the harsh conditions of the city. Petry begins the selection by depicting the winds as an intrusive force.
Another popularly stigmatized issue within the Chicanx community is the issue of gang injunctions. In Ana Muniz’s book, Police, Power, and the Production of Racial Boundaries, she highlights the injustices against the Chicano community done by their fellow neighbors and the community police because their culture is often a nuisance to other residents. Muniz uses the city Cadillac-Corning as her prime example to look at the gang injunction model. She states that, “the gang injunction model is being used to police political behavior as well as “criminal deviance” done by the Chicanos of the community” (Muniz 34). The problem within the community, to the other residents, is the violent behavior and threat to themselves, so they want to implement
The NYPD’s critics object, in particular, to the department’s long-standing practice of maintaining order in public spaces. This practice, widely referred to as Broken Windows or quality-of-life or order-maintenance policing, asserts that, in communities contending with high levels of disruption, maintaining order not only improves the quality of life for residents; it also reduces opportunities for more serious crime. Indeed, the Broken Windows metaphor is one of deterioration: a building where a broken window goes unrepaired will soon be subject to far more extensive vandalism—because it sends a message that the building owners (and, by extension, the police) cannot or will not control minor crimes, and thus will be unable to deter more serious
Jane Addams wrote a book entitled “The Spirit of Youth and the City Streets.” In this book she critiques youth and its many aspects and characteristics. I feel like this book is still relevant today because some of the issues that she talks about are still present in today’s society, even though they may be in a different form. If we apply the thoughts and ideas that she presents in her book to society today with maybe a reformed idea then there is great probability that the youth of today will be revamped and have much higher chances for success.
33). The code of the street emerges when the influence of formal guardianship, such as police, disappears and people begin to feel a sense of personal responsibility for their own safety. When we think about the amount of violence these people experience or witness, it would make since that a sort of fight or flight reflex would kick in. In this case, the residents seem to choose to fight, mostly because they are lacking the ability to get away from their
Kevin is walking down the street; it 's Christmas so the houses are lit up with fairy lights, but the rest of the street is dark and casting shadows. He walks past a sculpture of a dinosaur which looks mysterious and scary. It 's twice the size of him and is appearing to be looking down on him. Kevin seems frightened and look venerable and intimidated by his surrounding.
Banksy is best known for his ability to impact any location with is striking graffiti and street art while maintaining a secret identity. In 2010, Time magazine added him on the list as one of the top 100 most influential people in the world (Ellsworth-Jones 1). He has had an active lifestyle within the graffiti world since the 1990s where he initially started out with graffiti crews in his hometown Bristol by the name of DryBreadZ (DBZ). Banksy started his career with freehand work but quickly adapted to using stencils because of the time urgency needed when creating street art. Some common subjects of his artwork include rats, apes, policeman, the royal family and children.
Ever Changing – Never Leaving Kids-On-The-Streets have been around for a long time and their existence will probably exceed my eyes and yours, for they never leave but at the same time, they are never the same. I guess that statement is pretty vague, allow me to tell you a story so that you understand what I’m trying to tell you. For this story, I need you to play a game with me, a game of imagination, for the sake of this story I need you to imagine I am describing you, and your family members, of course, you can change my descriptions into what fits your scenario best, but since I do not know you, I’m just going to turn them into characters, so here we go… When your mother was a teenager, they were all plain as if they were neat little
Public housing often brings to mind images of urban decay, poverty, and serious crime. Indeed, rates of violent crime are generally higher in public housing sites than at other inner-city locations (Brill and Associates 1977; Dunworth and Saiger 1993; Roncek, Bell, and Francik 1981; also see DeFrances and Smith 1994). Concerns about crime in public housing have dominated public policy agendas for many years and have spawned numerous crime control and prevention programs. Many of these programs date back to the 1960s, when housing administrators realized that high-rise public housing developments built in the late 1950s were a security disaster (Annan and Skogan 1993). Since that time, public housing authorities have experimented with CPTED
Graffiti is known as an ancient and widespread art in most civilizations which is one of the main branches of art that with growing urbanization that became active and dynamic as an urban art. Graffiti formed as a new field of activity in Iran after the revolution.” It can both search the social realities of Iran in art of that time during the revolution and also with investigating the art of Revolution by using sociology and semiotics it can be achieved the recognition of some social realities of the country during the revolution”. (Goudarzi, 1387: 87) After the Islamic Revolution of Iran in 1357, Iranian society encountered with emergence and formation of a new artistic field that its internal relations and its relations with other fields
Poverty’s effects on crime can be explained through a variety of reasons. There is a higher rate of mental illness among the poor than the rich. Poverty can lead to high levels of stress, which in turn drive individuals to commit theft, robbery or other violent acts. Moreover, poverty may lead to actual or perceived inferior education. Youth with less access to quality schools, jobs, and role models and opportunities end up spending time on the streets associating with gangs.