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Crime And Misdemeanors Essay

477 Words2 Pages

The movie Crime and Misdemeanors, directed and written by Woody Allen, provides a movie that raises philosophical issues about morality, reality, and the role of religion in society. In Mark Conrad’s writing, Conrad analyzes the film with the thesis that Crime and Misdemeanors is a work that constantly pushes for the idea that the world has no God, no meaning due to a lack of God, and therefore no moral code, which allows characters such as Judah, to get away with murdering a woman without external punishment. Some agree with Conrad’s argument, due to examples such as the one previously stated, but some challenge Conrad’s proposition, in favor of the idea that despite not having a God, certain actions from characters such as Judah, still give …show more content…

In the end, Judah ends up giving the order to murder Dolores, and claims that he feels no remorse of his actions due to them being justified. Although Judah claims this, Judah’s actions throughout the movie contradict his claims. Examples include Judah going through a tremendous amount of thought before he makes the call to have Dolores killed, such as talking to Ben about his issues, asking others if he had any other options before deciding to kill Dolores was his only option, and having an immense amount of remorse after killing her. From these actions, viewers are given the sense that Judah has some sort of moral code. In short, Judah isn’t a sociopath who kills without meaning, or purpose. He kills as a last resort, which is what anyone would do given the correct circumstances. In addition, at the end of the film, Judah speaks to Clifford about a hypothetical movie where a man kills a woman and is able to live the rest of his days without regret. The fact that Judah even speaks about this hypothetical movie, which is his life, can make the audience think that Judah has not forgiven himself, or is looking for approval for his actions from someone, even if it is not God, because why would Judah speak about his sins if he has truly forgiven himself? This overall, allows some viewers to think that even though

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The moral view that seems to be represented by Ben is one similar to Kant. Ben believes that Judah should do the right thing by telling the truth regardless of the consequence; confessing would pass both formulations of Kant’s categorical imperative. In contrast, the view of morality that Judah demonstrates is one of a consequentialist, a morally right action is determined strictly by its consequences. Jack also represents the moral view of a consequentialist, which I figure this the underlying reason for why Judah ultimately chose to have Dolores murdered. The only difference between Jack and Judah is that Jack has more experience in the area of crime and is able to clear his

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2 Ethical Theories in Crimes and Misdemeanors Crimes and Misdemeanors, directed by Woody Allen, is considered a tribute to Dostoevsky’s Crimes and Punishments. The movie focuses on two subplots, one on a successful physician, Judah Rosenthal, who despite a happy family life hides a deep secret; and the other on an unsuccessful filmmaker Clifford Stern, whose wife convinces him to work on a documentary about her brother, a successful TV producer. The two plots meet at the end. Judah makes arrangements to get Delores killed by a hit man. This is an- alyzed from the consequential and non-consequential viewpoints.

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