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Development In Act I, Scene 2 Of Hamlet By William Shakespeare

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In Act I, Scene 2, we are introduced to Hamlet through development in relation to the other players at court. His uncle Claudius appears to run things as smoothly as possible, even in light of such a massive power shift, leaving Hamlet ever unconvinced: “A little more than kin, and less / than kind … Not so, my lord, I am too much in the sun” (Act I, Scene 2, Lines 64-67). He openly expresses his dissent as those closest to him devote sole focus on securing their own power, rather than mourning the loss of their fallen king. Hamlet rejects these illusions presented before him, instead choosing to turn inward and indulge in his own despair: “O God, God , / How (weary), stale, flat, and unprofitable / Seem to me all the uses of this world!” (Act
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The soliloquy in Act 4 Scene 4 of Hamlet by Shakespeare is a crucial part of the play, as Hamlet decides to seek revenge for his father’s death. In this scene, the central theme of revenge is accompanied by themes of religion, decay, and corruption. Hamlet sees Fortinbras’ army and realizes how many men bravely faced death to defend their honor; this enables him to connect to his father’s murder and how he should seek vengeance. The sight of the army not only influences Hamlet’s actions, but also demonstrates the political discourse during the time of the play. These themes of decay and corruption are addressed in the political discourse in this scene along with Hamlet’s use of religion to justify seeking revenge.

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In act 1 of Hamlet, prince Hamlet faces a lot of tragedy. The trauma of his father dying, his uncle marrying his mom, a ghost that looks familiarly like his dad, and a forbidden love, Hamlet has no way to cope. Act 1 is centered around his coping mechanism, which I believe to be his father, for the events that are taking a hold of his happiness. Scene 1 sets the stage for the events that are about to follow. Shakespeare opens the play with Marcellus and Horatio guarding the castle late at night.

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Reading scene three of Act I, I begin to understand how the other characters feel about Hamlet. Through Ophelia’s and her father Polonius’s conversation I learn that not everyone thinks Hamlet is as wholesome as others do. Polonius insists that “Tend’ring it thus you’ll tender me a fool (Line 109 Page 23).” I wasn't entirely sure why Polonius disliked Hamlet until he went on to say, “Do not believe his vows for they are brokers, not of that dye, which their investments show, but mere implorators of unholy suits, breathing like sanctified of pious bonds (Lines 127-130 Page 23).” I then began to question what Hamlet did for the councillor of the king to say such harsh things about him.

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Act 1, Scene 1 introduced Marcellus and Bernardo who are guards for the Danish King who have encounter a ghost twice. They seek Horatio who believe they are hallucinating an there's no such thing as a ghost. He agrees to joined them on their guard duty so he can see the ghost for himself. When the clock strikes twelve the ghost appears and they all cannot believe how much it looks like their dead king Hamlet. Marcellus and Bernardo encourage Horatio to speak to the ghost,but the ghost disappears.

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All throughout Hamlet the characters hide and spy on each other leaving no one, to be honest with each other and have a total lack of trust. This is the first time that we see the true feeling of Claudius and his desperation

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Over the course of Hamlet, many of the main characters engage in role play as a mechanism to achieve their own interests. Prince Hamlet is one of these characters, and his act proves to be one of the most important aspects of the play. Throughout the play, role-play (especially Hamlet’s) significantly affects the plot, and ultimately strains the relationships between several characters. Hamlet is among one of the most important characters to engage in role play. In act one, scene 5, shortly after being told that Claudius killed his father, Hamlet tells Horatio and Marcellus that he plans to feign madness, and he says, “As I, perchance, hereafter shall think meet to put an antic disposition

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Though Hamlet is aware of what things may come under the rule of his uncle, he is slow to action, which some might contribute to his"extreme sensitive nature" (Knight 3); however, deep down Hamlet harbors a need to be completely sure of the facts surrounding his father's death before he can convince himself to take action. Hamlet's own insecurities about whether or not he should take action severely halts his efforts at canceling fate, and it may be argued that his insecurities even made it stronger. On the other hand, it can be argued that Hamlet is simply enacting his free will in the way that he chooses to wait and be sure, rather than to take action against Claudius right away as his father's ghost wants him to. This brings about an internal conflict for Hamlet because outwardly, one is able to see that he is nervous of Denmark's fate, comparing it to "an unweeded garden that grows to seed" (Shakespeare 1.2.135-136) under Claudius' reign. Perhaps if Hamlet did not wait so long to take action, he might have been able to save many lives and rule the kingdom himself, thus changing the country's fate.

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Due to himself being too idealistic and restrained, he does not take decisive actions even after using the planned play to test the Claudius's conscience that could possibly expose himself and left himself in unfavorable circumstances. Hamlet’s inability to act is caused by his overanalysis of the situations that further render him from not carrying out actions in response. If Hamlet is not indecisive, he would not be uncertain about the evidence regarding to his uncle’s crime, he would not be delaying his revenge, he would not be having emotional breakdowns and become a tragic figure. Hamlet’s personality ‘borns’ and develops under his royal position and the growing

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