ipl-logo

Disadvantages Of Garamond Typefaces

828 Words4 Pages

Garamond is a group of Old-Style1 typefaces, originally designed by French craftsman Claude Garamond in the sixteenth century, a time deemed as the golden age of French typography. With the evident influence of calligraphy, the classic design is one of the most successful typographic achievements not only in the old era but also today. Bespeaking stately elegance and rhythm, it offers legibility, readability to be suitable for a wide range of different applications. Analysis • Legibility Counters: moderate counters x-height: moderate ratio (61%) Width and weight: compared with other serif typefaces, Garamond is a relatively slightly narrow (X=103%) and light (tk=11%, tn=4%) type with clear stroke contrast. The variations in width are …show more content…

For centuries, it has been in frequently employed, even for much of the time effectively the only one. Several popular alternatives, such as Sabon and Granjon, are still in use, keeping widening its coverage. Besides, both luckily and unluckily, the typeface is out of copyright, making itself a highly copied one with a numbers of versions by different companies, which consolidate its continuing familiarity. • Readability Garamond is a fairly readable typeface, especially for printing applications, including books, magazines and reports. It is also one of the most sustainable typefaces in terms of ink usage. Given its eco-friendliness in print, the typeface works well for text-rich documents when a designer aims at a clean appearance and save space. However, what enhance the legibility and readability for prints, conversely decrease its flexibility in the digital environments. The small letter size, light weight and variable strokes restrict the usage online. Although higher screen resolutions had tended to eliminate the constraints associated with the serif typefaces, the complex curves of a Garamond can still be a disaster for on-screen reading unless with professional …show more content…

There attributes are fairly consistent among all variations. Among the digital interpretations, the most faithful one arrived in 1924 by Stempel Foundry. Both the roman and italic styles are based on the original design, while other versions of italics get inspirations from Granjon2 or Jannon3. An angularity is apparent in the Roman style, with a slightly heavier weight, which is unlike other Garamonds. The angular head and the bowl of the ‘a’ and the oblique apex of the ‘A’ are calligraphic qualities that are less pounced in other versions, but are clearly accentuated in the Stempel’s version. Towards the later part of the twentieth century, the advent of digital technology has provided yet another venue for the new versions of Garamond. Released in 1989, Adobe introduced Adobe Garamond that appears more uniform and orderly. The new version’s calligraphic form shines through its increased modularity and contrast in stroke weight. The fluid strokes of it create a soft and harmonious string of characters, while enhancing the calligraphic nuances inherent in the original

Show More
Related

Analysis Of Cursive, The Declaration Of Independence, By Christopher Columbus

342 Words | 2 Pages

Cursive, the Declaration of Independence was written in it. Christopher Columbus wrote his travels using it. Stated by Scholastic Scope Vol. 63, No.2, 41 states in the US no longer teach cursive. Such long history should not disappear just like that.

Read More

During What Greek Style Did Greeks Begin To Carve Monumental Works Of Art?

549 Words | 3 Pages

B. The statuary designs were changing from the Geometric times that were

Read More

Overton Park Ethos Pathos Logos

1742 Words | 7 Pages

The final shape, of the art student, is shaped more like an “I” and draws attention vertically, to its logo below, and back to the heading above, starting the circulation of information all over

Read More

Garland Sarcophagus Analysis

496 Words | 2 Pages

The stone sculpture, titled Garland Sarcophagus made by a Roman artist, this piece is created in the year AD 200-225. The Garland Sarcophagus stone sculpture is a coffin for inhumation burials of upper class, the physical condition of the sculpture is cleaned and restored. This sculpture is made in Rome, and belonged to the Roman Empire movement. The Garland Sarcophagus is not typical work, due to inhumation burials being an uncommon Roman practice during the second century A.D., until around the second and third centuries. The style of this art piece is classical Greek art, the Romans were influenced by Greek culture and literature, such as mythology.

Read More

Marcus Aurelius And Justinian Art Essay

1677 Words | 7 Pages

Even though the ivory relief has a religious overtone, both are clearly done in the Old and New Rome classical esthetic. “Cast in glittering bronze, like the Equestrian Statue of Marcus Aurelius set up nearly 500 years earlier, it attests to the continuity between the art Old and New Rome, where pompous imperial images were commonly displayed at the apex of free standing columns” (Kleiner 258). Both art pieces are a classic example of power, prestige and clemency during their time of

Read More

Theodore De Brry Symbolism

854 Words | 4 Pages

Introduction Metal engravings were common in the sixteenth century, in all probability because in those days, they were the easiest means of rendering multiple copies of an illustration. These engravings were made by using a sharp tool to engrave an image onto a thin metal sheet. The sheet was then smeared with ink and the engravings traced on the sheet to a paper. Creating copies for publication was potentially Theodore De Bry’s idea in engraving John White’s watercolors, which depicted the Native Indian life, in the sixteenth century. However, De Bry was not true to White’s depiction of the Native Indians in creating these engravings.

Read More

Lansdowne Trajan Analysis

744 Words | 3 Pages

The Roman Empire, at its height (c. 117 CE), was the most extensive political and social structure of western civilization. Under Trajan, the empire reached its greatest territorial expanse and his admiration for Greek culture spurred new building programs and classicizing works of art throughout the empire. The marble representation of Trajan at the San Antonio Museum of Art known as (The Lansdowne Trajan, 98-117 A.D.) establishes Trajan as a skilled military commander, an affluent ruler and a god that’s why the torso of this sculpture belonged to a statue of a youthful god and later consolidated with Trajan's head. In The Lansdowne Trajan, the unknown artist utilized fine marble, contrapposto pose, shape and line to capture the dynamism of

Read More

How Did Augustus Use Coins In Julius Caesar

820 Words | 4 Pages

Note on the obverse side depicts Octavian with a growing beard which would be a Roman sign for mourning, this resulted in a personalised portrait of loss and a scheme to

Read More

Century Quilt By Marilyn Nelson

413 Words | 2 Pages

These squares, varying

Read More

Color Symbolism In The Great Gatsby By F. Scott Fitzgerald

255 Words | 2 Pages

The Great Gatsby is mainly about Gatsby and his parties and his secrets that we learn about. He is associated with the colors yellow, blue, green, and pink. Throughout the book we are shown color symbolism in different ways for Gatsby. There is several examples of them. The first color Gatsby is symbolized with is yellow.

Read More

What Does The Color Symbolize In The Great Gatsby

658 Words | 3 Pages

The True Profundity of Colors Ordinary objects or words but packed with powerful meanings, symbolism is a literary technique commonly used throughout all novels that gives the reader unique experiences. Different authors have different styles and use different techniques to represent symbolism. In the novel "The Great Gatsby" Fitzgerald has a strong passion for this literary device. He uses the colors white, yellow (gold) and green to symbolize each character's emotions and characteristics.

Read More

Texas Constitution Essay

1398 Words | 6 Pages

However, its length is slightly lesser than that

Read More

Lansdowne Herakles Analysis

693 Words | 3 Pages

On our field trip to the Getty villa this semester, we had to choose an art piece that stood out to us among the many there. The task at hand seemed easier than it was, as there were many art pieces that held my attention. One thing I kept in mind was that many of the Greek art pieces were either recovered from the bottom of the sea or were Roman duplicates. This meant finding background and details about them would be challenging. Of the art pieces, the Statue of Hercules or the “Lansdowne Herakles” was the one that I chose to write about.

Read More

Analysis Of Chapter 3 And Hands-On Experiences Of Normal Sans

282 Words | 2 Pages

By the end of the thesis, based on the combination of the comprehensions from the literature reviews presented in the Chapter2, the findings of the case studies analyzed in the Chapter 3 and the hands-on experiences of Normal Sans project learned from the chapter 4, I believe that I am able to draw conclusions to answer the research question that how Super Normal works in driving a good and sustainable design in the area of type design. First of all, without doubt, good type design, as a dynamic concept, witness the changes of various principles over the time. From the very beginning of the typefaces, type design is making letterforms for people to communicate with each other, contributing in expressing the cultural codes and social attitudes

Read More

Graphic Design In The 20th Century

753 Words | 4 Pages

In the 20th century, Graphic Design evolved and changed for the better in many ways. During this century, many prominent Graphic Designers emerged and changed everything that was known about graphic design with their revolutionary works. Also, general ideas about art changed and art was developed for different reasons, like propaganda posters. First, I will discuss the new graphic design in the early 20th century.

Read More

More about Disadvantages Of Garamond Typefaces

Related Topics

Open Document