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Dody Mac Analysis

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Fleetwood Mac was created in 1967 when Mick Fleetwood and John “Mac” McVie decided to create a British blues band. It was widely popular in Britain, but was less successful in the U.S. The band came out with a few hit singles, but hit a rough patch when they couldn’t be consistent on members. Fleetwood Mac endured 16 different members and several break-ups in the 40 years they were performing according to Biography. Eventually, McVie married singer Christine Perfect and hired Lindsey Buckingham and Stevie Nicks to form the most iconic version of Fleetwood Mac. Later down the road, the band had its complications. Everyone had their own drama – Christine had multiple affairs with people on set, and Buckingham and Nicks were butting heads. This …show more content…

The intro includes a steady drum beat, the sounds from both electric and acoustic guitar, an electric bass, a xylophone, and some string instruments here and there. Stevie Nicks, lead vocalist, comes in with the melody and the texture turns into homophonic. Nick’s vocal range throughout the song is G3-C5. Toward the end of the first verse, there are background singers that harmonize the melody along with the steady bass line. This goes into the chorus with the sound of cymbals crashing, where there are short breaks of breath between lines 1-2 and 2-3. Between the chorus and the second verse, there is a break where the melody cuts out and all there is left are instrumentals, making it a polyphonic texture. The harmony accompaniment to Nick’s melody is a mix of drum beats and mild guitar riffs. The tone color represented through the use of instruments translates into a somber and earthy mood. The beginning starts off at a piano dynamic level and then crescendos into a forte by the chorus. After the first time through the chorus, the second verse gradually goes back into a piano or mezzo piano. The beat is found in the drums, making the tempo moderato (120 BPM) and the song itself in 4/4 meter. The form of the song is ternary because the first verse is A, the chorus is B, and the second verse is

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In 1967, founder Mick Fleetwood; John McVie, and legendary guitarist player Peter Green formed the first Fleetwood Mac. This was numerous years before the band had the awareness that Christine Perfect, Stevie Nicks and Lindsey Buckingham even existed. In the Rolling Stones article, Peter Green’s Fleetwood Mac’s repertoire and musical style was a tad bit classical blues but mainly focused on British jazz. Peter Green’s Fleetwood Mac had a successful series of number one singles in Europe. Including a Peter Green classic made famous in the United States by Carlos Santana, Black Magic Woman.

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Instruments are introduced at the beginning of new sections, such as the pre-chorus and chorus. Dynamics each verse begins in mp and increases dynamically to mf at the pre-chorus; there is a slow crescendo to f during the transition from pre-chorus to chorus. Tempo the tempo of this song is moderato at approximately 116 bpm, however it feels much slower due to the emphasis being on the 2nd and 4th beats rather than on the 1st and 3rd.

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Michelle Pfeiffer, an American actress and singer, wisely said, “Everybody is vulnerable to being in relationships where you get fooled. I’m no different. It’s just human nature.” Pfeiffer’s statement is completely true. Everyone has had a time in their life when they were exposed to toxic people.

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Backing trumpets and low brass section goes from filling in the background during the vocals to swelling up and taking over for the refrain, then quietly exiting again for the final verse sung by Tony. His voice is much more relaxed in this version, framing the lyrics as more of a casual conversation with a lover than a full blown confession. These two versions transitioned the song from its status as a movie musical and got many other jazz artists interested in covering the song themselves, including Miles

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