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Brief summary of how to tell a true war story
Brief summary of how to tell a true war story
War personal narratives
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The strategies of the World War II have been the key to complete missions. In the eyes of many people, the airplanes were one of the essential equipment of the battles in World War II. Also, it was a secret service under the water line of the ocean working like a shadow with targets like Japan supply and combat ships, which were submarines. Submarines were used first to block ships suspecting to have prohibited cargo throughout the British line by the Germans. In addition, they announce to the people aboard to abandon the ship and the submarine sunk the cargo ships.
Rhetorical Appeals in the Wounded Warrior Project Advertisements The Wounded Warrior Project recruits the aid of the American public to honor and assist injured veterans of the United States armed forces. Through financial aid, the non-profit organization provides programs for the physical and mental injuries of soldiers with little or no cost to the warriors. The organization also offers support services for the warrior’s family (www.woundedwarriorproject.org). Through advertisements, the Wounded Warrior Project hopes to gain the public’s aid to finance the organization’s programs.
O’Brien says that a true war story is something you believe with your stomach and has no moral. For O’Brien, something isn’t true unless it feels true. A true war story should leave you with a deeper emotional connection. For example, the death of Rat Kiley’s best friend is a true war story because it has no moral.
Claims are made throughout the entire documentary by various people surrounding sexual assault in the military. The United States military works around hidden corners to avoid having a bad reputation due to assault or rape, was the first claim made. This is revealed by victims willing to share their stories. They were all told to “stop crying and realize that they brought this onto themselves”by their commanders. Therefore, his gives insight into the larger picture because the commander did not stop the sexual assault nor did they receive empathy after surviving a life changing event.
In the book, the chapter “How to Tell a True War Story” sheds light on his aim; this is where O’Brien wrote that it is not hard to tell a “true” war story, all a writer needs to do is add something embarrassing that “happened” to him/her, and people will think it's true. O’Brien shares this idea because if a writer admits
That Stories Tell us about War What do you think Tim O’Brien want his reader to understand about war? He wants his readers to feel an emotional connection to the place that he describes. One of the main things that he wants his readers to feel is emotion. Or the feeling that you have been there.
(page 68). This is why Tim O’Brien writes the way he does. He wants the reader to believe his story and get a sense of what war is truly
The most prominent way O’Brien displays fictional truth is through having fictional characters in each story but the theme and emotions behind the story are real emotions felt in war. O’Brien shows that his stories have fictional characters by having the narrator say, “I did not kill him. But I was present, you see, and my presence was guilt
Stories are for those late hours in the night when you can't remember how you got from where you were to where you are". (O'Brien 38) O’Brien uses his stories to reach his audience. There are generations of people who have no clue what war is really like, whether it is because of our misconceptions based on what media portrays or the fact that there are people who have not served in the military. Some people might know about Vietnam and know the outcome of the war, but they don’t have the experience and real life understanding of how that story ended. They might not be able to fully understand the feelings of a soldier.
In the above poster entitled, Gee!! I Wish I Were a Man, I'd Join the Navy. Be a Man and Do It. , the image of a youthful young woman was dressed up in a men’s Navy uniform stating that if she were a man, she would join the Navy. Not only is this type of propaganda a blatant form of using sex to get a man’s attention, but also a form of demasculinization/humiliation, motivation, and patriotism.
When you consider the thought of war what is the first thing that pops into your head? A few may conclude of the people fighting for our freedom. Others may envision of the happiness and joyful atmosphere after the war has ended. Some others may even try to grasp what may be happening during this conflict. The numerous people after the war were left homeless, starving, and victims of these hostilities.
In the book O’Brien uses imagery, figurative language and repetition to put across his message. His purpose for the story telling, is to clear his conscience of war and to tell the stories of soldiers who were forgotten by society. The narrator was against the war. In The Things They Carried.
“An Episode of War” depicts a soldier’s life during the Civil War Era immaculately. From the harsh meal conditions, to the overwhelmed realization of tragedy, it is realistically historical down to a point. It gives the audience some “backstage knowledge” of how the routine of a soldier in early American history actually was. Back then, during the Civil War where the story was set, there were not many treatments that didn’t later on result in amputation/infection, or even death. So, when the Lieutenant was shot unexpectedly and told to go to the infirmary, he knew no matter what the doctor told him to keep him remaining calm, something drastic was bound to occur.
Tim O’Brien never lies. While we realise at the end of the book that Kiowa, Mitchell Sanders and Rat Kiley are all fictional characters, O’Brien is actually trying to tell us that there is a lot more truth hidden in these imagined characters than we think. This suggests that the experiences he went through were so traumatic, the only way to describe it was through the projection of fictional characters. O’Brien explores the relationship between war experiences and storytelling by blurring the lines between truth and fiction. While storytelling can change and shape a reader’s opinions and perspective, it might also be the closest in helping O’Brien cope with the complexity of war experiences, where the concepts like moral and immorality are being distorted.
War reporter Ernie Pyle in a eulogy about the aftermath of D-day titled "The Horrible Waste of War" (1944) explains and details the events of D-Day before the beach is cleaned up. In order to communicate the scene before him, Pyle uses a cataloging of images, irony, and imagery. Pyle seeks to write a lasting remembrance of the sacrifice of the soldiers on that beach. In remembering the soldiers, Pyle is cognizant of the interest his audience will have, an audience of Americans, family member, friends, and loved ones. Pyle uses symbolism and repetition to organize his article.
